{"id":8194,"date":"2025-09-22T17:15:07","date_gmt":"2025-09-22T17:15:07","guid":{"rendered":"https:\/\/www.uzulmez.site\/?p=8194"},"modified":"2025-09-22T17:15:08","modified_gmt":"2025-09-22T17:15:08","slug":"zengin-kesesindekini-dervis-gonlundekini-verir","status":"publish","type":"post","link":"https:\/\/www.uzulmez.site\/?p=8194","title":{"rendered":"Zengin Kesesindekini Dervi\u015f G\u00f6nl\u00fcndekini Verir"},"content":{"rendered":"\n

\u201cDuyulmaz sesi \u015farab\u0131n i\u00e7mek i\u00e7in doldurdu\u011funda barda\u011fa
Gizli bir ses ula\u015f\u0131r g\u00f6n\u00fclle her dem, ondand\u0131r bulan\u0131k oldu\u011fu.\u201d -Mela Ahmed\u00ea Ciz\u00eer\u00ee<\/em><\/p>\n\n\n\n

K\u00f6\u015fe yazarlar\u0131 genellikle g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini ve bazen de ele\u015ftiri ve \u00f6nerilerini kendilerine ayr\u0131lan k\u00f6\u015felerinde dile getirirler, ama duygular\u0131ndan \u00e7ok az s\u00f6z ederler. Nedenini bilmiyorum, ama bence yazmak laz\u0131m.<\/p>\n\n\n\n

Bu niyetle bu yaz\u0131mda anl\u0131k duygulanmalar\u0131m sonras\u0131nda \u015fiirin bende olu\u015fturdu\u011fu g\u00fczelimsi etkiyi, biraz anlatmaya \u00e7al\u0131\u015faca\u011f\u0131m.<\/p>\n\n\n\n

Hani baz\u0131 zamanlar olur ya, insan ruhunun derinliklerinde f\u0131rt\u0131nalar eser, an\u0131lar depre\u015fir s\u0131zlar sol yan\u0131. \u0130\u015fte, \u015fu anki, yani bu yaz\u0131y\u0131 yazarken, mevcut durumum tam da b\u00f6yle. Ben, b\u00f6ylesi zamanlar\u0131mda baz\u0131lar\u0131 y\u00fcre\u011fimi kanatsa da genellikle \u015fiire s\u0131\u011f\u0131n\u0131r\u0131m. Ve \u015fiir, s\u0131\u011f\u0131na\u011f\u0131m olur.<\/p>\n\n\n\n

\u015eiiri oldum olas\u0131 hep sevmi\u015fimdir, bazen arada bir yazar\u0131m da. Yazd\u0131klar\u0131m\u0131 bir tarafa b\u0131rakal\u0131m \u015fimdi, daha \u00e7ok ustalar\u0131n yazd\u0131klar\u0131n\u0131 severim. Hele bir de i\u015fin erbab\u0131 yolda\u015f\u0131m H\u00fcsn\u00fc G\u00fczel (1944-2014) gibi g\u00fczel okuyucular \u015fiirlerin hakk\u0131n\u0131 vererek okuduklar\u0131 zaman ruhumu tutsak eden kafesin kap\u0131s\u0131 aralan\u0131r, duygu ve d\u00fc\u015f\u00fcncelerim kanatlanarak mavi g\u00f6ky\u00fcz\u00fcnde g\u00f6\u00e7men ku\u015flara yolda\u015fl\u0131k eder: \u00c7\u00fcnk\u00fc \u201cben hep yollar d\u00fc\u015fledim\/ derin yollarda y\u00fcr\u00fcrken\u201d.<\/em><\/p>\n\n\n\n

Hilmi Yavuz, H\u00fcz\u00fcn Ki En \u00c7ok Yak\u0131\u015fand\u0131r Bize <\/em>adl\u0131 eserinde, bir yerde \u015fiir hakk\u0131nda \u015funlar\u0131 s\u00f6yler: \u201c\u015fiirler, ak\u015fam\u0131n i\u00e7y\u00fcz\u00fc\/ neler s\u00f6yler, neler onlar, \u00f6yle ki\u201d\u2026<\/em><\/p>\n\n\n\n

Hasret y\u00fckl\u00fc bulutlar gibi durmadan gelip ge\u00e7iyor mevsimler. Bak, geldi i\u015fte h\u00fcz\u00fcn ay\u0131, do\u011fa anan\u0131n evlatlar\u0131 a\u011fa\u00e7lar\u0131n yeniden do\u011fmak i\u00e7in yapraklar\u0131n\u0131 sarart\u0131p d\u00f6kmeye ba\u015flad\u0131klar\u0131 o h\u00fclyal\u0131 Eyl\u00fcl ay\u0131. \u015eimdi \u00f6n\u00fcm\u00fczde mevsim olarak somurtkan ha\u015fmetli k\u0131\u015f duruyor. G\u00fcnler de sanki Dicle\u2019nin suyu, ak\u0131p gidiyor. Zaman\u0131n bu ak\u0131\u015f\u0131na paralel sessizce ben de ya\u015f olarak sonbahar\u0131mdan k\u0131\u015f\u0131ma girece\u011fim. Kritik e\u015fikteyim. Biliyorum, nas\u0131l sonbahar h\u00fcz\u00fcn ise, k\u0131\u015fta \u00e7\u0131plak bir ger\u00e7ekliktir ve ondan ka\u00e7\u0131\u015f da m\u00fcmk\u00fcn de\u011fildir. K\u0131\u015f ki, \u201cb\u00fct\u00fcn \u00e7i\u00e7eklenmenin ve ye\u015fermenin sonudur<\/em>.\u201d Ah\u2026 Yorgun kalem burada b\u00f6yle bunlar\u0131 ard\u0131 ard\u0131na s\u0131ralay\u0131nca mesafe hemen aradan kalkt\u0131 ve ge\u00e7mi\u015f g\u00fcnlerim hay\u00e2limde canlan\u0131p i\u00e7imden rak\u0131 i\u00e7mek geldi \u201c\u00f6ks\u00fcz doyuran<\/em>\u201d bardaklarda, ama rak\u0131dan vazge\u00e7elim \u015fimdi demlenmi\u015f s\u00f6zc\u00fcklerden \u015fiir s\u00fczelim.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc \u201ckayboldum akarsudan s\u00f6zlerde\/ akt\u0131k\u00e7a y\u0131pranan \u015fiirlerde\u201d. <\/em>Bu yaz\u0131mda sadece ve sadece \u015fiir olacak bu nedenle. Ne politikadan, ne tarihten, ne bilimden, ne felsefeden ve ne de matematikten s\u00f6z edece\u011fim. Sevdi\u011fim bir \u015fiiri, \u201cemek ve kavga \u015fairi<\/em>\u201d Hasan H\u00fcseyin Korkmazgil\u2019in B\u00fct\u00fcn \u015eiirler 7\/ Ko\u00e7ero Vatan \u015eiiri <\/em>kitab\u0131nda yer alan \u201cAkarsuya B\u0131rak\u0131lan Mektup<\/em>\u201d \u015fiirini sizlerle payla\u015faca\u011f\u0131m.<\/p>\n\n\n\n

Ne yapay\u0131m, zengin kesesindekini dervi\u015f g\u00f6nl\u00fcndekini verir. \u015eiir de benim g\u00f6n\u00fcl zenginli\u011fim oldu\u011fu i\u00e7in, dervi\u015f misali g\u00f6nl\u00fcmdekini veriyorum sayg\u0131yla.<\/p>\n\n\n\n

Buyurun, i\u015fte bahsini etti\u011fim \u015fiir:<\/p>\n\n\n\n

AKARSUYA
BIRAKILAN
MEKTUP<\/em><\/p>\n\n\n\n

\u0130ncecikti
g\u00fcl dal\u0131yd\u0131
dokunsam k\u0131r\u0131lacakt\u0131
dokunmad\u0131m
kurudu<\/em><\/p>\n\n\n\n

gitme, sonbahar oluyorum, sonras\u0131 hi\u00e7
a\u011fa\u00e7lar b\u00fckmesinler n’olursun boyunlar\u0131n\u0131
neden ak\u015fam oluyorum tren kalk\u0131nca
k\u0131rlang\u0131\u00e7lar birdenbire \u00e7ekip gidince
mendiller sallan\u0131nca neden t\u0131kan\u0131yorum
\u00f6yle \u00e7ok ac\u0131mas\u0131z ki \u00f6yle birdenbire ki
az \u00f6nceki \u00e7i\u00e7ekler nas\u0131l da diken diken
gitme, sonbahar oluyorum, sonras\u0131 hi\u00e7<\/em><\/p>\n\n\n\n

o sularda \u00e7imdik, bitti; k\u00f6pr\u00fcleri ge\u00e7tik, bitti
o elman\u0131n tad\u0131 orda, o ku\u015f \u00e7oktan \u00f6tt\u00fc, bitti
art\u0131k \u00e7ocuk de\u011filiz, susarak da bir\u015feyler diyebiliriz
g\u00fcnler devlet alaca\u011f\u0131, y\u0131llar bir kadehcik buzlu rak\u0131
oyunlar oyuncaks\u0131, oyuncaklar eski \u015fark\u0131
kavaklara oklu y\u00fcrek \u00e7izip duran o \u00e7ak\u0131
nerde \u015fimdi nerde \u015fimdi, nerde o kan sarho\u015flu\u011fu
gitme, sonbahar oluyorum, sonras\u0131 hi\u00e7<\/em><\/p>\n\n\n\n

Al\u0131nt\u0131lar:<\/strong>
1. Mela Ahmed\u00ea Ciz\u00eer\u00ee, D\u00eevan, (\u00c7ev. Osman Tun\u00e7), N\u00fbbihar Yay\u0131nlar\u0131, 2009, \u0130stanbul, s.39.
2. Hilmi Yavuz, H\u00fcz\u00fcn Ki En \u00c7ok Yak\u0131\u015fand\u0131r Bize\/ Toplu \u015eiirler, Can Yay\u0131nlar\u0131, 1989, \u0130stanbul, s. 215, 269, 272.
3. Hasan H\u00fcseyin Korkmazgil, B\u00fct\u00fcn \u015eiirleri 7\/ Ko\u00e7ero Vatan \u015eiiri, Bilgi Yay\u0131nevi, 5. Bas\u0131m, 1998, \u0130stanbul, s.118.<\/em><\/p>\n\n\n\n

22 Eyl\u00fcl 2025 tarihinde:
https:\/\/www.tigrishaber.com\/zengin-kesesindekini-dervis-gonlundekini-verir-8578yy.htm<\/em><\/p>\n\n\n

akarsuya b\u0131rak\u0131lan mektup<\/a>, <\/span>hasan h\u00fcseyin korkmazgil<\/a>, <\/span>Hilmi Yavuz<\/a>, <\/span>h\u00fcsn\u00fc g\u00fczel<\/a>, <\/span>Mela Ahmed\u00ea Ciz\u00eer\u00ee<\/a>, <\/span>\u015eiir<\/a><\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cDuyulmaz sesi \u015farab\u0131n i\u00e7mek i\u00e7in doldurdu\u011funda barda\u011faGizli bir ses ula\u015f\u0131r g\u00f6n\u00fclle her dem, ondand\u0131r bulan\u0131k oldu\u011fu.\u201d -Mela Ahmed\u00ea Ciz\u00eer\u00ee K\u00f6\u015fe yazarlar\u0131 genellikle g\u00f6r\u00fc\u015f ve d\u00fc\u015f\u00fcncelerini ve bazen de ele\u015ftiri ve \u00f6nerilerini kendilerine ayr\u0131lan k\u00f6\u015felerinde dile getirirler, ama duygular\u0131ndan \u00e7ok az s\u00f6z ederler. Nedenini bilmiyorum, ama bence yazmak laz\u0131m. Bu niyetle bu yaz\u0131mda anl\u0131k duygulanmalar\u0131m sonras\u0131nda \u015fiirin bende olu\u015fturdu\u011fu g\u00fczelimsi etkiyi, biraz anlatmaya \u00e7al\u0131\u015faca\u011f\u0131m. Hani baz\u0131 zamanlar olur ya, insan ruhunun derinliklerinde f\u0131rt\u0131nalar eser, an\u0131lar depre\u015fir s\u0131zlar sol yan\u0131. \u0130\u015fte, \u015fu anki, yani bu yaz\u0131y\u0131 yazarken, mevcut durumum tam da b\u00f6yle. Ben, b\u00f6ylesi zamanlar\u0131mda baz\u0131lar\u0131 y\u00fcre\u011fimi kanatsa da genellikle \u015fiire s\u0131\u011f\u0131n\u0131r\u0131m.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[652,656,5198,655,5197,1497],"class_list":["post-8194","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-akarsuya-birakilan-mektup","tag-hasan-huseyin-korkmazgil","tag-hilmi-yavuz","tag-husnu-guzel","tag-mela-ahmede-ciziri","tag-siir-2"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8194"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8194\/revisions"}],"predecessor-version":[{"id":8195,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8194\/revisions\/8195"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}