{"id":8038,"date":"2025-04-23T05:25:56","date_gmt":"2025-04-23T05:25:56","guid":{"rendered":"https:\/\/www.uzulmez.site\/?p=8038"},"modified":"2026-04-09T16:24:42","modified_gmt":"2026-04-09T16:24:42","slug":"somurgecilik-ve-shakespearein-firtinasi","status":"publish","type":"post","link":"https:\/\/www.uzulmez.site\/?p=8038","title":{"rendered":"S\u00f6m\u00fcrgecilik ve Shakespeare\u2019in F\u0131rt\u0131na\u2019s\u0131"},"content":{"rendered":"\n

\u201c\u0130\u011fren\u00e7 k\u00f6le,
K\u00f6t\u00fcl\u00fckle \u00f6yle donanm\u0131\u015fs\u0131n ki,
\u0130yilik damgas\u0131 tutmuyor \u00fcst\u00fcnde.
Sana ac\u0131m\u0131\u015ft\u0131m; elimden geleni yapm\u0131\u015ft\u0131m
Konu\u015fturabilmek i\u00e7in seni;
Her saat yeni bir \u015fey \u00f6\u011fretmi\u015ftim.
Sen ki, vah\u015fi yarat\u0131k,
Kendi s\u00f6yledi\u011fini anlamazd\u0131n bir zamanlar;
Hayvanlar gibi geveler dururdun.
Akl\u0131ndakini anlatabilesin diye
Kelimeler verdim ben sana.
Ama \u00f6\u011frendiklerin hep bo\u015fa gitti;
\u00d6yle bir hainlik varm\u0131\u015f ki soyunda,
\u0130yilikten anlamad\u0131n bir t\u00fcrl\u00fc.\u201d (s.35-36)<\/em><\/p>\n\n\n\n

William Shakespeare\u2019in F\u0131rt\u0131na(1)<\/sup><\/em> adl\u0131 eserini y\u0131llar \u00f6nce okudu\u011fumda fark\u0131na varmam\u0131\u015ft\u0131m; yak\u0131n zamanda Orhan Ko\u00e7ak\u2019\u0131n Ata\u00e7, Meri\u00e7, Caliban, Bandung\/Evrensellik ve K\u0131smilik \u00dczerine Bir Taslak(2)<\/sup><\/em> adl\u0131 eserini okuyunca F\u0131rt\u0131na<\/em>\u2019da s\u00f6m\u00fcrgecilik olay\u0131n\u0131n \u00e7ok ustaca \u00fcst\u00fcn\u00fcn \u00f6rt\u00fclerek gizlendi\u011finin fark\u0131na varabildim.<\/p>\n\n\n\n

Demek ki bir eseri zaman ve mek\u00e2n ba\u011flam\u0131ndan kopuk okudu\u011fumuzda ba\u015fka, ba\u011flam\u0131nda okudu\u011fumuzda ise daha bir ba\u015fka \u015fey anlayabiliyoruz. Tabii \u00f6rt\u00fck olan\u0131n fark\u0131na varamay\u0131\u015f\u0131mda Shakespeare\u2019in muhte\u015fem \u015f\u00f6hretinin ve usta anlat\u0131m\u0131n\u0131n da bunda pay\u0131 var. Dahas\u0131, analitik d\u00fc\u015f\u00fcnmedi\u011fimizde, olay ve olgulara Bat\u0131l\u0131lar\u0131n g\u00f6zl\u00fc\u011f\u00fcyle bakt\u0131\u011f\u0131m\u0131zda onlar\u0131n g\u00f6rmemizi istedi\u011fi \u015feyleri g\u00f6r\u00fcr ve fark\u0131nda olmadan Bat\u0131\u2019n\u0131n istedi\u011fi \u015feyleri alg\u0131lar oluruz. Benim ilk okumam da b\u00f6yle olmu\u015f galiba.<\/p>\n\n\n\n

William Shakespeare (d. 1564-\u00f6.1616) \u0130ngiliz\u2019dir. \u015eair, oyun yazar\u0131 ve oyuncudur. F\u0131rt\u0131na<\/em>\u2019y\u0131 \u00f6l\u00fcm\u00fcnden 5 y\u0131l \u00f6nce yazm\u0131\u015ft\u0131r (1611). En son oyunu\/eseri oldu\u011fu s\u00f6ylenen bu eserinde gizlenen s\u00f6m\u00fcrgecilik olay\u0131n\u0131 anlayabilmemiz i\u00e7in Shakespeare\u2019in ya\u015fad\u0131\u011f\u0131 d\u00f6neme iyicene bakmam\u0131z laz\u0131m.<\/p>\n\n\n\n

Konuyla alakal\u0131 olarak Harvard Capital Group adl\u0131 yat\u0131r\u0131m bankac\u0131l\u0131\u011f\u0131 firmas\u0131n\u0131n kurucusu ve ba\u015fkan\u0131 William Knoke taraf\u0131ndan 1996\u2019da kaleme al\u0131nan \u201cYirmi Birinci Y\u00fczy\u0131l \u0130\u00e7in Bir Yol Haritas\u0131<\/em>\u201d diye sunulan Amerikan egemen d\u00fc\u015f\u00fcncesinin \u00fcr\u00fcn\u00fc Cesur Yeni D\u00fcnya(3)<\/sup><\/em> adl\u0131 kitaptan bir belirlemeyi aktarmak istiyorum:<\/p>\n\n\n\n

On be\u015finci y\u00fczy\u0131lda, denizcilik teknolojisi geli\u015fti. R\u00fczg\u00e2ra kar\u015f\u0131 yol almay\u0131 m\u00fcmk\u00fcn k\u0131lan gergin yelkenlere ve sa\u011flam k\u00fcreklere sahip, denize dayan\u0131kl\u0131 b\u00fcy\u00fck gemiler in\u015fa edildi. Matematik\u00e7iler rota tablolar\u0131 haz\u0131rlad\u0131lar, ustalar da geli\u015fkin mesafe cetvelleri, y\u0131ld\u0131z \u00f6l\u00e7ekleri ve pusulalar gibi yeni aletler \u00fcrettiler. \u201cBunu izleyen Ke\u015fifler \u00c7a\u011f\u0131yla, [\u2026] Avrupal\u0131 denizciler sadece otuz be\u015f y\u0131l i\u00e7inde Afrika\u2019n\u0131n \u00e7evresini dola\u015ft\u0131lar. Amerika\u2019y\u0131 ke\u015ffettiler ve t\u00fcm yer k\u00fcreyi kat ettiler. Yeni olanaklar sayesinde Avrupal\u0131lar g\u00fc\u00e7lerini b\u00fct\u00fcn gezegene yayd\u0131lar. Yirminci y\u00fczy\u0131l\u0131n ba\u015f\u0131na kadar ge\u00e7en be\u015f y\u00fcz y\u0131l i\u00e7inde Avrupa, d\u00fcnya topraklar\u0131n\u0131n y\u00fczde 84\u2019\u00fcn\u00fc kontrolleri alt\u0131nda tutan yirmi be\u015f g\u00fc\u00e7l\u00fc ulusu bar\u0131nd\u0131r\u0131r hale geldi.\u201d (s.32)<\/p>\n\n\n\n

Her \u015fey i\u015fte bu belirlemenin i\u00e7inde sakl\u0131. K\u0131sacas\u0131, Avrupal\u0131 yirmi be\u015f g\u00fc\u00e7l\u00fc ulus d\u00fcnyan\u0131n y\u00fczde 84\u2019n\u00fc kontrolleri alt\u0131na al\u0131yorlar. Kendilerini d\u00fcnyan\u0131n efendisi olarak ilan ediyorlar. \u0130\u015fgal ettikleri her yerde yer alt\u0131 ve yer \u00fcst\u00fc b\u00fct\u00fcn zenginlikleri insan da dahil talan ediyorlar. \u0130nsanlar \u201cderileri y\u00fcz\u00fclmek i\u00e7in avlanan hayvan s\u00fcr\u00fcleri gibi\u201d avlanarak k\u00f6lele\u015ftiriliyor ve k\u00f6le ticareti sayesinde yayg\u0131n bir \u015fekilde k\u00f6le eme\u011fini kullan\u0131ma sokuyorlar. Yani tarihte kanl\u0131 bir d\u00f6nem olarak yer alan s\u00f6m\u00fcrgele\u015ftirme denen olay\u0131 ba\u015flatm\u0131\u015f oluyorlar. Bunun ad\u0131na da \u00e7a\u011fda\u015fla\u015ft\u0131rma, medenile\u015ftirme, uygarla\u015ft\u0131rma diyorlar.<\/p>\n\n\n\n

Bu i\u015fleri yapanlar tanr\u0131n\u0131n se\u00e7kin insanlar\u0131d\u0131r; medenidir, \u00e7a\u011fda\u015ft\u0131r, uygard\u0131r. \u0130\u015fgal edilen topraklarda ya\u015fayanlar ise, vah\u015fidir, yamyamd\u0131r, canavard\u0131r; insanl\u0131ktan nasibini almam\u0131\u015f yarat\u0131klard\u0131r. Bat\u0131, kendi insan\u0131na bu anlay\u0131\u015f\u0131 s\u00fcrekli pompalayarak zenginli\u011fine zenginlik, refah\u0131na refah katar. Bu bak\u0131\u015f tarz\u0131 gazetelerde, hikayelerde, romanlarda, \u015fiirlerde, resim tablolar\u0131nda, tiyatro oyunlarda durmadan i\u015flenir ve anlat\u0131l\u0131r. Sonras\u0131nda insanlar\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011fu bu s\u00f6yleme ger\u00e7ekten inan\u0131r olur. Bizde de bunun \u00f6rne\u011fini Cumhuriyet\u2019in tek parti, tek adam d\u00f6neminde Dersim K\u0131r\u0131m\u0131\/ tertelesinde g\u00f6r\u00fcr\u00fcz. \u201cDersim\u2019e medeniyet g\u00f6t\u00fcr\u00fcyoruz, vah\u015fileri ehlile\u015ftiriyoruz\u201d diyerek 40 bin K\u0131z\u0131lba\u015f K\u00fcrt Alevi\u2019si katledilir. Bu uygulama o anlay\u0131\u015f\u0131n \u00fcr\u00fcn\u00fcd\u00fcr.<\/p>\n\n\n\n

William Shakespeare\u2019in de F\u0131rt\u0131na<\/em>\u2019y\u0131 bu anlay\u0131\u015fla kaleme alm\u0131\u015f olabilece\u011fini d\u00fc\u015f\u00fcn\u00fcyorum. Eserinde \u015funlar\u0131 anlat\u0131r, k\u0131saca:<\/p>\n\n\n\n

Oyunun ba\u015f kahraman\u0131 Prospero, Milano\u2019nun eski d\u00fck\u00fc, kendini d\u00fc\u015flere ve d\u00fc\u015f\u00fcncelere verip y\u00f6netimi karde\u015fi Antonio\u2019ya b\u0131rak\u0131r ve sonunda karde\u015finin ihanetine u\u011frar iktidar\u0131n\u0131 ona kapt\u0131r\u0131r. K\u00fc\u00e7\u00fck k\u0131z\u0131yla birlikte bir \u0131ss\u0131z adaya s\u00fcr\u00fcl\u00fcr. Burada sihirbazl\u0131k g\u00fcc\u00fcn\u00fc geli\u015ftiren Prospero, adan\u0131n tek yerlisi, \u201cinsan olman\u0131n hen\u00fcz e\u015fi\u011findeki\u201d Caliban\u0131 ve orman\u0131n h\u00fcnerli perisi Ariel\u2019i kendine ba\u011flar. Caliban (k\u00f6le), \u015fekilsiz i\u011fren\u00e7 bir vah\u015fidir. Prospero (efendi) ile k\u0131z\u0131n\u0131n maddi ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131lamaktad\u0131r. K\u00f6leler nas\u0131l silah zoruyla kontrol alt\u0131nda tutuluyorsa, Prospero da onu b\u00fcy\u00fcn\u00fcn zoruyla kontrol alt\u0131nda tutmaktad\u0131r. Caliban\u2019a konu\u015fmay\u0131 da \u00f6\u011freten Prospero\u2019dur; ama nank\u00f6rd\u00fcr Caliban, efendisine kar\u015f\u0131 ayaklan\u0131r, tabii ba\u015far\u0131s\u0131z olur. Sonunda Prospero b\u00fcy\u00fcc\u00fcl\u00fc\u011f\u00fc sayesinde etkisiz hale getirdi\u011fi iktidar\u0131n\u0131 gasp edenleri ve Caliban\u2019\u0131 ba\u011f\u0131\u015flar, herkes Prospero\u2019nun y\u00fcceli\u011fini\/efendili\u011fini kabul eder.<\/p>\n\n\n\n

Oyunda Prospero\u2019nun k\u0131z\u0131yla birlikte \u0131ss\u0131z bir adaya s\u00fcr\u00fclmesi s\u00f6yleminin alt\u0131nda ger\u00e7ekte olan \u015fey Bat\u0131l\u0131 \u00fclkelerin k\u0131talar\u0131 (aday\u0131) i\u015fgal etmeleridir. S\u00f6m\u00fcrgeciler k\u0131talara (adaya) el koyuyor, vah\u015fi Calibanlar k\u00f6lele\u015ftiriliyor ve b\u00f6ylece vah\u015fi k\u00f6le-medeni efendi ili\u015fkileri ba\u015fl\u0131yor.<\/p>\n\n\n\n

Orhan Ko\u00e7ak yukarda bahsini etti\u011fim kitab\u0131nda Caliban\u2019\u0131 merkeze alarak d\u00fc\u015f\u00fcnce olarak z\u0131t kutuplarda bulunan Atat\u00fcrk\u00e7\u00fc Nurullah Ata\u00e7 ile muhafazak\u00e2r Cemil Meri\u00e7 \u00fczerinden ayd\u0131nlar\u0131n konumlan\u0131\u015f\u0131n\u0131 tart\u0131\u015fmaktad\u0131r.<\/p>\n\n\n\n

\u201cTart\u0131\u015faca\u011f\u0131m edebi olgu \u015furadan ba\u015fl\u0131yor: Nurullah Ata\u00e7 da Cemil Meri\u00e7 de Shakespeare\u2019in F\u0131rt\u0131na\u2019s\u0131n\u0131n \u00f6nemli ki\u015filerinden biri olan Caliban\u2019a ilgi duymu\u015f, bu fig\u00fcr\u00fc daha genel bir sorunun simgesi ya da temsilcisi olarak kullanm\u0131\u015flard\u0131r ve Caliban yorumlar\u0131 aras\u0131nda ilk bak\u0131\u015fta tuhaf g\u00f6r\u00fcnebilecek bir benzerlik vard\u0131r. Birbirinin kutupsal kar\u015f\u0131t\u0131 gibi durur bu iki denemeci. Bir d\u00f6nemin ideolojik kampla\u015fmas\u0131n\u0131n iki taraf\u0131nda, birbirilerinin jestlerini yans\u0131lar gibidir.\u201d (s.12)<\/p>\n\n\n\n

Yani, Ata\u00e7 ve Meri\u00e7 her ikisi de s\u00f6m\u00fcrgecilik\/ kolonyalizm olay\u0131n\u0131 es ge\u00e7iyor.<\/p>\n\n\n\n

\u201cB\u00fct\u00fcn bu psikoloji ve ideoloji farkl\u0131l\u0131\u011f\u0131na kar\u015f\u0131n, Shakespeare\u2019in F\u0131rt\u0131na\u2019s\u0131na bakarken iki yazar\u0131n ayn\u0131 noktada bulu\u015ftu\u011fu, ayn\u0131 noktada k\u00f6rle\u015fti\u011fi g\u00f6r\u00fcl\u00fcr: Caliban fig\u00fcr\u00fcn\u00fcn kayna\u011f\u0131nda, Avrupal\u0131 istilac\u0131lar taraf\u0131ndan k\u00f6lele\u015ftirilen Yeni D\u00fcnya yerlisinin olabilece\u011fini hi\u00e7 d\u00fc\u015f\u00fcnmemi\u015flerdir<\/em>. Prospero ile Caliban’\u0131n ili\u015fkisi, iki ayr\u0131 k\u00fclt\u00fcr\u00fcn \u00e7at\u0131\u015fmas\u0131 de\u011fil, tek bir evrensel k\u00fclt\u00fcr\u00fcn kendi i\u00e7indeki \u00e7eki\u015fmedir onlara g\u00f6re: Ata\u00e7 i\u00e7in ayaktak\u0131m\u0131yla ayd\u0131nlar aras\u0131ndaki, Meri\u00e7 i\u00e7inse burjuvaziyle soylular aras\u0131ndaki kar\u015f\u0131tl\u0131k. \u0130kisi de Avrupa tarihinden t\u00fcretilmi\u015f bir evrenselci paradigman\u0131n s\u0131n\u0131rlar\u0131 i\u00e7indedir Caliban\u2019a bakarken.\u201d (s.13)<\/p>\n\n\n\n

Ve, \u201cBat\u0131c\u0131 Ata\u00e7 da Do\u011fucu Meri\u00e7 de F\u0131rt\u0131na\u2019da kolonyalizm tarihiyle herhangi bir ili\u015fki olabilece\u011fini d\u00fc\u015f\u00fcnmemi\u015ftir. Caliban her ikisi i\u00e7in de evrensel ayaktak\u0131m\u0131d\u0131r.\u201d (s.14)<\/p>\n\n\n\n

Sonu\u00e7: Bat\u0131\u2019n\u0131n kavramlar\u0131n\u0131 Bat\u0131l\u0131lar\u0131n kulland\u0131\u011f\u0131 anlamda kullan\u0131rsak onlar gibi d\u00fc\u015f\u00fcn\u00fcr, onlar gibi hareket ederiz. Buna biraz da zorunluyuz hem ald\u0131\u011f\u0131m\u0131z e\u011fitim nedeniyle hem de tembelli\u011fimizden kendimiz yeni d\u00fc\u015f\u00fcnce ve kavramlar \u00fcretemedi\u011fimiz i\u00e7in. Erken kalkan yol al\u0131r misali yeni d\u00fc\u015f\u00fcnce ve kavramlar\u0131 \u00fcretenler; bilim, teknoloji, sava\u015f ve sanatta geli\u015fir ve eylemlerini de ama\u00e7lar\u0131 do\u011frultusunda bir bir ger\u00e7ekle\u015ftirir. Bizler de arkadan onlar\u0131 ya izler ya da taklit ederiz!<\/p>\n\n\n\n

(1) William Shakespeare, F\u0131rt\u0131na, Remzi Kitapevi, \u0130stanbul, 2007.
(2) Orhan Ko\u00e7ak, Ata\u00e7, Meri\u00e7, Caliban, Bandung, Zoomkitap, \u0130stanbul, 2018.
(3) William Knoke, Cesur Yeni D\u00fcnya, \u00c7ev. Z\u00fclf\u00fc Dicleli, T\u00fcrk Henkel Dergisi Yay\u0131nlar\u0131, \u0130stanbul, 1997.<\/p>\n\n\n\n

NOT:<\/strong>
Hi\u00e7 beklenmedik bir anda peydahlanan zorlu bir hastal\u0131k nedeniyle hastanede tedavi g\u00f6ren bar\u0131\u015f el\u00e7isi g\u00fczel insan S\u0131rr\u0131 S\u00fcreyya \u00d6nder\u2019e acil \u015fifa diliyorum.
Diren sevgili karde\u015fim, kalbin sana de\u011fil sen kalbine h\u00fck\u00fcm et. Tarih\u00ee g\u00f6rev seni bekliyor. Herkes seni bekliyor. Uyan. Amed semalar\u0131nda halaylarla bar\u0131\u015f g\u00fcvercinlerini u\u00e7uraca\u011f\u0131z.
Kalbimi sevgi dolu kalbinin yan\u0131na koyuyor, m\u00fcjdeli haberlerini umutla bekliyoruz.<\/p>\n\n\n\n

22 Nisan 2024 tarihinde ve sonras\u0131nda:<\/strong>
https:\/\/www.gaphaberleri.com\/kose-yazisi\/1571\/somurgecilik-ve-shakespearein-firtinasi.html
https:\/\/www.ruhanews.com\/kose-yazisi\/1210\/somurgecilik-ve-shakespearein-firtinasi.html
https:\/\/www.erganihaber.net\/kose-yazisi\/1532\/somurgecilik-ve-shakespearein-firtinasi.html
https:\/\/www.tigrishaber.com\/somurgecilik-ve-shakespearein-firtinasi-8194yy.htm
yay\u0131mland\u0131.<\/em><\/p>\n\n\n

Caliban<\/a>, <\/span>Cemil Meri\u00e7<\/a>, <\/span>F\u0131rt\u0131na<\/a>, <\/span>kolonyalizm<\/a>, <\/span>Nurullah Ata\u00e7<\/a>, <\/span>Orhan Ko\u00e7ak<\/a>, <\/span>s\u00f6m\u00fcrgecilik<\/a>, <\/span>william knoke<\/a>, <\/span>William Shakespeare<\/a><\/div>","protected":false},"excerpt":{"rendered":"

\u201c\u0130\u011fren\u00e7 k\u00f6le,K\u00f6t\u00fcl\u00fckle \u00f6yle donanm\u0131\u015fs\u0131n ki,\u0130yilik damgas\u0131 tutmuyor \u00fcst\u00fcnde.Sana ac\u0131m\u0131\u015ft\u0131m; elimden geleni yapm\u0131\u015ft\u0131mKonu\u015fturabilmek i\u00e7in seni;Her saat yeni bir \u015fey \u00f6\u011fretmi\u015ftim.Sen ki, vah\u015fi yarat\u0131k,Kendi s\u00f6yledi\u011fini anlamazd\u0131n bir zamanlar;Hayvanlar gibi geveler dururdun.Akl\u0131ndakini anlatabilesin diyeKelimeler verdim ben sana.Ama \u00f6\u011frendiklerin hep bo\u015fa gitti;\u00d6yle bir hainlik varm\u0131\u015f ki soyunda,\u0130yilikten anlamad\u0131n bir t\u00fcrl\u00fc.\u201d (s.35-36) William Shakespeare\u2019in F\u0131rt\u0131na(1) adl\u0131 eserini y\u0131llar \u00f6nce okudu\u011fumda fark\u0131na varmam\u0131\u015ft\u0131m; yak\u0131n zamanda Orhan Ko\u00e7ak\u2019\u0131n Ata\u00e7, Meri\u00e7, Caliban, Bandung\/Evrensellik ve K\u0131smilik \u00dczerine Bir Taslak(2) adl\u0131 eserini okuyunca F\u0131rt\u0131na\u2019da s\u00f6m\u00fcrgecilik olay\u0131n\u0131n \u00e7ok ustaca \u00fcst\u00fcn\u00fcn \u00f6rt\u00fclerek gizlendi\u011finin fark\u0131na varabildim. Demek ki bir eseri zaman ve mek\u00e2n ba\u011flam\u0131ndan kopuk okudu\u011fumuzda ba\u015fka, ba\u011flam\u0131nda okudu\u011fumuzda ise daha bir ba\u015fka<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[5146,5149,5152,5150,5147,5151,5148,833,2393],"class_list":["post-8038","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-caliban","tag-cemil-meric","tag-firtina","tag-kolonyalizm","tag-nurullah-atac","tag-orhan-kocak","tag-somurgecilik","tag-william-knoke","tag-william-shakespeare"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8038"}],"version-history":[{"count":5,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8038\/revisions"}],"predecessor-version":[{"id":8381,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/8038\/revisions\/8381"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}