![\"\"](\"https:\/\/www.uzulmez.site\/wp-content\/uploads\/2023\/07\/YG-Kitap-kapak-jpg-1024x499.jpg\")
<\/figure>\n\n\n\nY\u0131lmaz G\u00fcney b\u00f6yle g\u00fczel kitaplar\u0131 hak eden \u00f6nemli bir de\u011ferimizdir. Zaman\u0131nda bir efsaneydi; filmleriyle, \u00f6d\u00fclleriyle, devrimcili\u011fiyle, m\u00fccadelesiyle, ya\u015fam\u0131yla\u2026 Kitapta do\u011fal olarak daha \u00e7ok sinema ile ilgili yapt\u0131klar\u0131 konu edinilmi\u015f, ama 1 Nisan 1937\u2019de Siverek\u2019te hayata merhaba deyi\u015finden, 9 Eyl\u00fcl 1984\u2019te Paris\u2019te hayata veda edi\u015fine dek f\u0131rt\u0131nal\u0131 hayat hik\u00e2yesi de k\u0131saca anlat\u0131lm\u0131\u015f sat\u0131r aralar\u0131nda: \u00c7ocukluk y\u0131llar\u0131, sineman\u0131n her alan\u0131nda yapt\u0131\u011f\u0131 \u00e7al\u0131\u015fmalar, senaryolar\u0131, kitaplar\u0131, yatt\u0131\u011f\u0131 cezaevleri ve cezaevlerinden sinema sekt\u00f6r\u00fcyle s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ili\u015fkileri, edebi y\u00f6nleri, G\u00fcney dergisi, yurt d\u0131\u015f\u0131 d\u00f6nemi ve sinematografisi foto\u011fraflar e\u015fli\u011finde verilmi\u015ftir.<\/p>\n\n\n\n
K\u00fc\u00e7\u00fck\u00e7ekmece Belediye Ba\u015fkan\u0131 Kemal \u00c7ebi\u2019nin kitaba \u00f6ns\u00f6z niyetine yazd\u0131\u011f\u0131 yaz\u0131da da belirtildi\u011fi gibi: \u201c111 filmin y\u00f6netmeli\u011fi ve senaryosu, 45 filmin ba\u015frol oyunculu\u011fu, 35 \u00f6nemli \u00f6d\u00fcl ve \u015fiirleri\u2026 Sinema setlerinden cezaevlerine uzanan f\u0131rt\u0131nal\u0131 bir hayat. T\u00fcrkiye\u2019nin sorunlar\u0131n\u0131, ac\u0131lar\u0131n\u0131 bilen, toplumun hakikatini beyaz perdeye yans\u0131tan bir efsaneydi O!\u201d<\/p>\n\n\n\n
F\u0131rt\u0131nal\u0131 ya\u015fam\u0131 18 ya\u015f\u0131nda, ger\u00e7ek ad\u0131 olan Y\u0131lmaz P\u00fct\u00fcn ad\u0131yla 1955 y\u0131l\u0131nda bir dergiye yazd\u0131\u011f\u0131 \u201c\u00dc\u00e7 Bilinmeyenli E\u015fitsizlik Sistemleri\u201d hik\u00e2yesiyle ba\u015flar. Kom\u00fcnizm propagandas\u0131yla su\u00e7lan\u0131r ve ceza al\u0131r. Y\u0131lmaz G\u00fcney o g\u00fcnleri \u015f\u00f6yle anlat\u0131r: \u201cOysa ben o g\u00fcnler kom\u00fcnizmin ne oldu\u011funu kesinlikle bilmiyordum. Ne s\u0131n\u0131f m\u00fccadelesi, ne i\u015f\u00e7i s\u0131n\u0131f\u0131, ne de devrim konusunda hi\u00e7 bilgim yoktu. D\u00fczene, i\u00e7inde bulundu\u011fum zor ko\u015fullara bilin\u00e7siz bir tepkinin \u00f6tesinde bir tutumum yoktu,\u201d der (s.25). Der ama Y\u0131lmaz G\u00fcney bu \u00f6yk\u00fcs\u00fc nedeniyle \u00f6nce 7,5 y\u0131l hapis ve 2 y\u0131l s\u00fcrg\u00fcn cezas\u0131 al\u0131r, cezas\u0131 temyiz sonras\u0131 1,5 y\u0131l hapis, 6 ay s\u00fcrg\u00fcn olarak onaylan\u0131r. Bu ceza sonras\u0131 isim olarak hayat\u0131n\u0131n k\u0131r\u0131lma noktas\u0131n\u0131 ya\u015far: \u201cYa\u015far Kemal\u2019in paras\u0131 ve At\u0131f Y\u0131lmaz\u2019\u0131n deste\u011fiyle ben birden sinemaya senaryo yard\u0131mc\u0131s\u0131 olarak girdim. Hemen ad\u0131m\u0131 da de\u011fi\u015ftirdim. O zamana kadar ad\u0131m Y\u0131lmaz P\u00fct\u00fcn. Sinema ili\u015fkisine girince dedim ki \u2018Benim ad\u0131m Y\u0131lmaz P\u00fct\u00fcn de\u011fil, Y\u0131lmaz G\u00fcney\u2019. Y\u0131lmaz G\u00fcney ad\u0131 orada bir girdi ve ka\u00e7ak olarak o kald\u0131.\u201d (s.24) Ve daha sonra ise; \u201cCezam 1,5 seneye, s\u00fcrg\u00fcn 6 aya d\u00fc\u015ft\u00fc ve beni bir g\u00fcn film setinden polisler ald\u0131lar ve hapishaneye g\u00f6t\u00fcrd\u00fcler. \u0130lk cezam ve ilk cezaevi g\u00fcnlerim, ak\u0131ldan \u00e7\u0131kmaz ac\u0131lar\u0131yla, de\u011fi\u015fim i\u00e7in verdi\u011fim m\u00fccadelelerle, hayat\u0131m\u0131n ilkokulu oldu,\u201d der (s.27).<\/p>\n\n\n\n
Kitapta Y\u0131lmaz G\u00fcney\u2019le ili\u015fkisi olmu\u015f Ya\u015far Kemal, At\u0131f Y\u0131lmaz (Bat\u0131beki), Vedat T\u00fcrkali, Duygu Sa\u011f\u0131ro\u011flu, Tar\u0131k Dursun K., Abdurrahman Keskiner, L\u00fctfi \u00d6. Akad, Ahmet Soner, Ayd\u0131n Engin, Elia Kazan, Gani Turanl\u0131 gibi bir\u00e7ok edebiyat\u00e7\u0131 ve sanat\u00e7\u0131n\u0131n \u00e7e\u015fitli yaz\u0131l\u0131 kaynaklarda yer alan a\u00e7\u0131klama ve yaz\u0131lar\u0131ndan onun sinema ile ilgili \u00e7al\u0131\u015fmalar\u0131n\u0131, sanat\u00e7\u0131 \u00f6zelli\u011fini, d\u00fc\u015f\u00fcncelerini, ili\u015fkilerini ve tasar\u0131lar\u0131n\u0131 farkl\u0131 a\u00e7\u0131lardan \u00f6\u011freniyoruz.<\/p>\n\n\n\n
\u00d6rne\u011fin, Kayseri\u2019de do\u011fan \u00fcnl\u00fc Amerikal\u0131 film y\u00f6netmeni Elia Kazan, 1974 y\u0131l\u0131nda T\u00fcrkiye\u2019ye geldi\u011fi s\u0131rada Y\u0131lmaz G\u00fcney ve sanat\u0131na ili\u015fkin Milliyet Sanat dergisinde (5 Nisan 1974, Say\u0131: 74), \u201cTan\u0131mad\u0131\u011f\u0131m, fakat hayran oldu\u011fum bir sanat\u00e7\u0131 \u00fczerine\u201d ba\u015fl\u0131\u011f\u0131 alt\u0131nda \u015funlar\u0131 yazm\u0131\u015ft\u0131r:<\/p>\n\n\n\n
\u201cSizlere birka\u00e7 c\u00fcmleyle birinden s\u00f6z edece\u011fim. (\u2026) Tan\u0131mad\u0131\u011f\u0131m, ama hayran oldu\u011fum bir sanat\u00e7\u0131\u2026 \u00f6nemli oldu\u011funa inand\u0131\u011f\u0131m ve hayran oldu\u011fum \u015fey, ki\u015finin derin duygulara sahip olmas\u0131 ve bu duygular\u0131 ba\u015fkalar\u0131na aktarabilmesi. Yani sanat\u00e7\u0131 olmas\u0131. Sanat\u00e7\u0131, kendisi i\u00e7in, konu\u015famayanlar\u0131n yerine konu\u015fand\u0131r. Kim oldu\u011fumuzu, ne oldu\u011fumuzu, nerede oldu\u011fumuzu toplumdaki sanat\u00e7\u0131lar arac\u0131l\u0131\u011f\u0131yla \u00f6\u011freniriz. Neler d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fcz\u00fc, duydu\u011fumuzu, neler duyaca\u011f\u0131m\u0131z\u0131 bizlere anlatmak, \u00f6\u011fretmek onlar\u0131n g\u00f6revidir.\u201d(s.94)<\/p>\n\n\n\n
Y\u0131lmaz G\u00fcney zamana anlam katan ve diyalektik d\u00fc\u015f\u00fcnen biridir. 21 May\u0131s 1974 g\u00fcn\u00fc yapt\u0131\u011f\u0131 bir bas\u0131n toplant\u0131s\u0131nda sanatta bak\u0131\u015f\u0131n\u0131 \u015f\u00f6yle anlat\u0131r:<\/p>\n\n\n\n
\u201cGer\u00e7ek de\u011fi\u015fken bir \u015feydir. Sanatta biz bunu yans\u0131tmak zorunday\u0131z. Ger\u00e7ek\u00e7ilik toplumun de\u011fi\u015fen yeni \u00e7ehresi, yeni geli\u015fim e\u011filimlerini aktarmas\u0131 a\u00e7\u0131s\u0131ndan \u00f6nem kazan\u0131yor bence. Ben kendi sinemama yabanc\u0131lar\u0131n d\u0131\u015far\u0131da takmaya \u00e7al\u0131\u015ft\u0131klar\u0131 gibi \u2018yeni-ger\u00e7ek\u00e7ilik\u2019, \u015fu bu cinsinden bir isim vermiyorum. Bizim g\u00f6revimiz filmler yapmakt\u0131r. Bunlar\u0131n \u00e7e\u015fitli \u015fekillerde de\u011ferlendirilmeleri, halk\u0131n, ele\u015ftirmenlerin, tarih\u00e7ilerin g\u00f6revidir.\u201d (s.96)<\/p>\n\n\n\n
S\u00fcr\u00fc filminin senaryosunu yazarkenki duygu ve d\u00fc\u015f\u00fcnceleri Y\u0131lmaz G\u00fcney\u2019in sanat\u00e7\u0131 \u00f6zelli\u011fini \u00e7ok g\u00fczel yans\u0131t\u0131r. Cezaevinde olu\u015fu nedeniyle S\u00fcr\u00fc filminin senaryosunu yazma a\u015famas\u0131ndaki ruh h\u00e2lini \u015f\u00f6yle anlat\u0131r: \u201cO y\u00f6renin (K\u00fcrt co\u011frafyas\u0131 -M.\u00dc.) t\u00fcrk\u00fclerini dinliyorum. O y\u00f6reyle ilgili resimlerle, m\u00fcziklerle kendimi doldurmaya ko\u015fuyorum. \u0130\u015fte \u00e7obanlar, koyunlar\u2026 \u0130\u015fte \u00e7ad\u0131rlar, \u00e7ocuklar ve y\u00fczlerini utanarak \u00f6rtm\u00fc\u015f kad\u0131nlar\u2026 Onlar\u0131 ne denli kavrayabilirsem, hatta onlarla ne denli \u00f6zde\u015fle\u015febilirsem, o denli yazabilirdim; do\u011fal, s\u0131cak, etkili ve inand\u0131r\u0131c\u0131 olabilirdim. (\u2026) Ac\u0131lar\u0131 ac\u0131m, sevin\u00e7leri sevincim olmal\u0131yd\u0131. Onlar\u0131 ku\u015fatan maddi ko\u015fullar\u0131 soluyabilmeliydim. \u00c7\u00fcnk\u00fc bir insan\u0131n ruh h\u00e2li, onun toplumsal ili\u015fkilerine, yapt\u0131\u011f\u0131 i\u015fe, \u00e7evre ili\u015fkilerine s\u0131k\u0131 s\u0131k\u0131ya ba\u011fl\u0131d\u0131r.\u201d (s.119)<\/p>\n\n\n\n
B\u00f6yle d\u00fc\u015f\u00fcnen Y\u0131lmaz G\u00fcney\u2019in bu d\u00fc\u015f\u00fcncesine uygun filmlerin y\u00f6netmeni, senaristi, oyuncusu\u2026 olmak i\u00e7in \u00e7ok az zaman\u0131 oldu. S\u0131k s\u0131k cezaevine girip \u00e7\u0131kmas\u0131 istedi\u011fi \u015feyleri istedi\u011fi gibi yapmas\u0131na izin vermedi. Ama her \u015feye kar\u015f\u0131n yine de belleklerden silinmeyecek \u015fekilde ad\u0131n\u0131 sinema tarihine alt\u0131n harflerle yazd\u0131rd\u0131: U\u00e7urumlar\u0131 bilenler da\u011flar\u0131n doruklar\u0131na \u00e7\u0131kmas\u0131n\u0131 bilir!<\/p>\n\n\n\n
Gani Turanl\u0131, \u015fu veciz s\u00f6zlerle Y\u0131lmaz G\u00fcney\u2019i ve onun sinemas\u0131n\u0131 \u00f6zetler:<\/p>\n\n\n\n
\u201cY\u0131lmaz G\u00fcney dev bir oyuncuydu ve bir Y\u0131lmaz G\u00fcney daha ne zaman gelecek sinemaya Allah bilir? Onun o b\u00fcy\u00fck sinema zenginli\u011fi bakal\u0131m sinemaya bir daha hangi ki\u015fiyle gelecek?\u201d (s.142)<\/p>\n\n\n\n
Tahir Y\u00fcksel, \u201cEndi\u015fesiz Bir \u00dclke, Endi\u015fesiz Bir D\u00fcnya \u0130\u00e7in\u2026\u201d kitab\u0131nda bu sinema devini yo\u011fun bir emek \u00fcr\u00fcn\u00fc olarak bizlere sunuyor. Ve kitab\u0131n sonunda \u00f6nemli bir saptamada bulunuyor: \u201cSinema yapabildi\u011fi y\u0131llar\u0131 toplad\u0131\u011f\u0131m\u0131zda dokuz y\u0131ldan az bir zaman yapmaktad\u0131r. T\u00fcrk ve d\u00fcnya sinemas\u0131na alt\u0131n harflerle yaz\u0131lan filmleri b\u00f6ylesine k\u0131sa bir sinema ya\u015fam\u0131na s\u0131\u011fd\u0131rm\u0131\u015ft\u0131r. \u201950-55 y\u0131ld\u0131r sineman\u0131n i\u00e7indeyim\u2019 diyenleri g\u00f6r\u00fcnce h\u00fczn\u00fcm kat kat art\u0131yor. Bir \u00f6zg\u00fcr kalabilseydi neler yapacakt\u0131 kim bilir!\u201d (s.142)
***
B\u00f6yle g\u00fczel bir kitaba imza att\u0131\u011f\u0131 i\u00e7in Tahir Y\u00fcksel\u2019i kutluyorum. Yolun ve baht\u0131n a\u00e7\u0131k olsun karde\u015fim.<\/p>\n\n\n\n
3 Temmuz 2023 tarihinde ve sonras\u0131nda:<\/strong> <\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Bir \u00f6nceki yaz\u0131mda Tahir Y\u00fcksel\u2019in \u015fahs\u0131ma g\u00f6nderdi\u011fi mektubu payla\u015fm\u0131\u015f ve bir sonraki yaz\u0131mda kitab\u0131n\u0131 anlatmaya \u00e7al\u0131\u015faca\u011f\u0131m\u0131 belirtmi\u015ftim. G\u00f6nderilen \u201cEndi\u015fesiz Bir \u00dclke, Endi\u015fesiz Bir D\u00fcnya \u0130\u00e7in\u2026\u201d kitab\u0131n\u0131, kapa\u011f\u0131 hari\u00e7, ba\u015ftan sona Tahir Y\u00fcksel haz\u0131rlam\u0131\u015f, K\u00fc\u00e7\u00fck\u00e7ekmece Belediyesi K\u00fclt\u00fcr Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanm\u0131\u015ft\u0131r (Eyl\u00fcl 2022). Kitab\u0131n k\u00fcnyesinin yaz\u0131l\u0131 oldu\u011fu sayfada; \u201cBu katalog K\u00fc\u00e7\u00fck\u00e7ekmece Belediyesi taraf\u0131ndan d\u00fczenlenen TAH\u0130R Y\u00dcKSEL ar\u015fivinden \u201cEndi\u015fesiz Bir \u00dclke, Endi\u015fesiz Bir D\u00fcnya \u0130\u00e7in\u2026\u201d YILMAZ G\u00dcNEY ba\u015fl\u0131kl\u0131 sergi projesi kapsam\u0131nda bas\u0131lm\u0131\u015ft\u0131r,\u201d denilmektedir. Kitab\u0131n bask\u0131s\u0131 \u00e7ok g\u00fczel; ku\u015fe k\u00e2\u011f\u0131tl\u0131, renkli ve b\u00fcy\u00fck boy. Y\u0131lmaz G\u00fcney b\u00f6yle g\u00fczel kitaplar\u0131 hak eden \u00f6nemli bir de\u011ferimizdir. Zaman\u0131nda bir efsaneydi; filmleriyle, \u00f6d\u00fclleriyle, devrimcili\u011fiyle, m\u00fccadelesiyle, ya\u015fam\u0131yla\u2026 Kitapta do\u011fal<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[4760,4765,4757,4763,4756,4762,4755,3905,4764,3903,4758,2734,498,605,4759,4761,476,286,4435],"class_list":["post-6874","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-abdurrahman-keskiner","tag-ahmet-soner","tag-atif-yilmaz-batibeki","tag-aydin-engin","tag-duygu-sagiroglu","tag-elia-kazan","tag-endisesiz-bir-dunya","tag-endisesiz-bir-ulke","tag-gani-turanli","tag-kucukcekmece-belediyesi","tag-lutfi-o-akad","tag-sergi","tag-siverek","tag-tahir-yuksel","tag-tarik-dursun-k","tag-vedat-turkali","tag-yasar-kemal","tag-yilmaz-guney","tag-yilmaz-guney-arsivi"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6874"}],"version-history":[{"count":7,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6874\/revisions"}],"predecessor-version":[{"id":8378,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6874\/revisions\/8378"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
https:\/\/www.gaphaberleri.com\/kose-yazisi\/1106\/endisesiz-bir-ulke-endisesiz-bir-dunya-icin2.html
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https:\/\/www.erganihaber.net\/kose-yazisi\/1431\/endisesiz-bir-ulke-endisesiz-bir-dunya-icin2.html<\/em><\/p>\n\n\n