<\/p>\n\n\n\n
Mavi Ne\u015fe G\u00f6lc\u00fck’\u00fcn kaleme ald\u0131\u011f\u0131 \u00f6yk\u00fc kitab\u0131n\u0131n ismidir Kar Beyrut Kar.<\/p>\n\n\n\n
Kitap, \u0130stanbul’da Agora Kitapl\u0131\u011f\u0131 yay\u0131nlar\u0131 taraf\u0131ndan T\u00fcrk\u00e7e Edebiyat dizisinde Ocak 2006’da yay\u0131nlanm\u0131\u015f.<\/p>\n\n\n\n
Mavi Ne\u015fe G\u00f6lc\u00fck, hem\u015ferimiz olur. 13 Mart 1975 Diyarbak\u0131r’da do\u011fmu\u015f; N\u00fcket Co\u015fkun Akyol \u0130lkokulu’nu, Diyarbak\u0131r Ziya G\u00f6kalp Lisesi’ni, Ege \u00dcniversitesi Eczac\u0131l\u0131k Fak\u00fcltesi’ni bitirmi\u015ftir: Ve edindi\u011fim bilgilere g\u00f6re \u015fu anda ODT\u00dc Fizik B\u00f6l\u00fcm\u00fc’ne devam etmekte; ikinci bir \u00fcniversiteyi bitirme gayretindedir. Kar Beyrut Kar ilk eseri olup, ikinci eseri yolda\u2026 Ve yine bildi\u011fim kadar\u0131yla Mavi Ne\u015fe G\u00f6lc\u00fck \u00c7ermik k\u00f6kenlidir. Ergani’de faaliyet g\u00f6steren Ne\u015fe Eczanesi’nin sahibi Ecz. \u015eeng\u00fcl G\u00f6lc\u00fck’\u00fcn ablas\u0131, Ramazan G\u00f6lc\u00fck’\u00fcn de k\u0131z\u0131d\u0131r.<\/p>\n\n\n\n
Kitaptaki \u00f6yk\u00fcler 1997-2005 y\u0131llar\u0131 aras\u0131nda \u0130zmir, \u0130stanbul ve Diyarbak\u0131r’da kaleme al\u0131nm\u0131\u015ft\u0131r. Kitap; Kar, Beyrut ve yine Kar olmak \u00fczere \u00fc\u00e7 b\u00f6l\u00fcm; toplam 15 \u00f6yk\u00fcden olu\u015fmaktad\u0131r.<\/p>\n\n\n\n
\u00d6yk\u00fcler ba\u015fka ba\u015fka \u015feyleri anlatsa da, genelde kapitalizmin geli\u015fmesi, sosyal ve siyasal alt-\u00fcst olu\u015flar, kentlerde kalabal\u0131klar i\u00e7inde insan\u0131n yaln\u0131zl\u0131\u011f\u0131 daha do\u011fru bir tan\u0131mlamayla “insan\u0131n insana yabanc\u0131la\u015fmas\u0131”, ya\u015fanan psikolojik sorunlar, ruh dalgalanmalar\u0131 g\u00fczel bir kurguyla anlat\u0131lmakta. K\u00fcreselle\u015fmenin, kimlik bunal\u0131m\u0131n\u0131n, cinsiyet ayr\u0131m\u0131n\u0131n, a\u011f\u0131r hayat ko\u015fullar\u0131 ve kentlerin insanlar\u0131 nas\u0131l ufalay\u0131p k\u00fc\u00e7\u00fcltt\u00fc\u011f\u00fc, bunaltt\u0131\u011f\u0131, \u00e7aresizle\u015ftirdi\u011fi, i\u00e7ine kapan\u0131r duruma getirdi\u011fini ve dalga gibi dipten gelen sessiz direnmeler \u00f6yk\u00fcle\u015ftirilmektedir. \u00d6rne\u011fin kitapta yer alan ilk \u00f6yk\u00fc S\u00fcmb\u00fcl Han\u0131m’da yaln\u0131zl\u0131\u011f\u0131n f\u0131rt\u0131nal\u0131\/ duru hali bak\u0131n nas\u0131l duru ve \u00f6zl\u00fc anlat\u0131lmaktad\u0131r: “Nitekim S\u00fcmb\u00fcl Han\u0131m, y\u0131l sonu \u00f6zetine”, madde madde aynen \u015funlar yazmaktad\u0131r; “1.a\u011flad\u0131m, 2.bal\u0131klar\u0131 \u00f6zledim, 3.anlad\u0131m, 4.\u00f6zledim, 5.\u00f6zledi\u011fimi anlad\u0131m.” (s: 10)<\/p>\n\n\n\n
Bazen de Yasin \u00f6yk\u00fcs\u00fcnde oldu\u011fu gibi, \u00f6yk\u00fcler, \u00f6yk\u00fc olmay\u0131 a\u015fmaktad\u0131r. B\u00f6ylesi \u00f6yk\u00fclerde toplumsal sorunlar\u0131n, ter\u00f6r ve siyasi cinayetlerin, toplumsal dalgalanmalar\u0131n insanlar \u00fczerinde yaratt\u0131\u011f\u0131 olumsuz etkiler dile getirilirken, ayn\u0131 zamanda \u00f6nemli tespit ve de ekolojik uyar\u0131lar da yap\u0131lmaktad\u0131r. Buna \u00f6rnek \u015fu sat\u0131rlar\u0131 verebilirim:<\/p>\n\n\n\n
“K\u00f6yler k\u00fc\u00e7\u00fclmekte, yama\u00e7lar azalmakta, \u015fehirler b\u00fcy\u00fcmekte, insanlar \u00f6lmekte, kuzular ve o\u011flaklar -melekleri s\u0131fat\u0131yla h\u00e2l\u00e2 her \u015feyin- bay\u0131rlarda insana d\u00f6nmek i\u00e7in otlamaktad\u0131r.<\/p>\n\n\n\n
\u015eehirler b\u00fcy\u00fcd\u00fck\u00e7e k\u00f6ylere d\u00f6nmekte. Bir salg\u0131n, insanlar \u00f6lmekte.<\/p>\n\n\n\n
Yery\u00fcz\u00fcn\u00fcn b\u00fcy\u00fck felaketinin yakla\u015fmakta oldu\u011funun g\u00f6stergeleri de b\u00fcy\u00fck olmu\u015ftur.<\/p>\n\n\n\n
\u015eehirlerde insanlar, k\u00f6ylerde ekinler, yama\u00e7lar, ormanlar ve inan\u00e7 yanm\u0131\u015ft\u0131r. Kambo\u00e7ya yanm\u0131\u015ft\u0131r. Ve Bosna ve Afrika ve K\u00fcrdistan. Hep ve defalarca. B\u00fct\u00fcn bunlar defalarca yanm\u0131\u015ft\u0131r. Yang\u0131n\u0131n kokusu duyulmam\u0131\u015f, kuzular ve o\u011flaklar a\u011flam\u0131\u015ft\u0131r. Gene de bay\u0131rlarda otlamaktad\u0131rlar. Yang\u0131n\u0131n kokusu silinmemi\u015f, ama felaket anla\u015f\u0131lmam\u0131\u015ft\u0131r.” (s. 56)<\/p>\n\n\n\n
Ya Asal Say\u0131lar’a ne demeli?<\/p>\n\n\n\n
Bu \u00f6yk\u00fcy\u00fc okudu\u011fumda m\u00fchendis olmamdan m\u0131 ne, hayran kald\u0131m. Asal say\u0131lar\u0131n asaleti ile, kad\u0131nlar\u0131m\u0131z\u0131n dramatik yazg\u0131s\u0131 bir \u00f6yk\u00fcde nas\u0131l bu kadar g\u00fczel \u00f6rt\u00fc\u015ft\u00fcr\u00fcp \u00f6r\u00fcld\u00fc\u011f\u00fcne hayret ettim. \u015eu kurgulan\u0131\u015fa bak\u0131n:
“Asal say\u0131lar\u0131 hep sevdim. \u0130ki d\u0131\u015f\u0131nda. \u0130ki kar\u015f\u0131s\u0131nda hep tedirginlik ve g\u00fc\u00e7s\u00fczl\u00fck duydum, iki kurnaz ve g\u00fc\u00e7l\u00fc, imk\u00e2nl\u0131 ve eri\u015filmez, sanki her an beni kand\u0131rabilecek bir ikiz hissi verir, iki ile ne yapaca\u011f\u0131m\u0131 bilmem, sanki tuzakt\u0131r, bir gibi g\u00f6r\u00fcnen, ama ayr\u0131labilen ve b\u00f6ylelikle beni \u015fa\u015f\u0131rtan\u2026 Korkar\u0131m ikiden.<\/p>\n\n\n\n
\u2026’dirim k\u0131sa \u00f6l\u00fcm uzundur cehennette her hal abiler’ (Ece Ayhan)<\/p>\n\n\n\n
\u0130simler, kad\u0131n isimleri, memleketimdeki kad\u0131n isimleri hep keder vermi\u015ftir bana. \u0130simler say\u0131lar kadar so\u011fuk de\u011fildir. Ama ne yaz\u0131k ki ac\u0131 \u00e7ok ac\u0131d\u0131r. Bu y\u00fczden say\u0131lar\u0131n so\u011fu\u011funu isimlerin ac\u0131s\u0131na tercih ederim. Ben memleketimden bahsediyorum. Memleket insan\u0131n\u0131n d\u00fcz\u00fcld\u00fc\u011f\u00fc, \u00fcz\u00fcld\u00fc\u011f\u00fc, y\u00fcz\u00fcld\u00fc\u011f\u00fc yer, yani memleket\u2026 Memleketimde isimler hep k\u00f6t\u00fc kaderlere ba\u015fl\u0131k olmu\u015ftur. \u0130sminizin keder vermemesi i\u00e7in ekme\u011fin de vicdan\u0131n da gani gani olmas\u0131 gerekir; ikisinin de yoklu\u011fu isminizi silmi\u015f, ismimizi \u00f6mr\u00fcm\u00fcz\u00fcn habercisi yapm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
Evet, cehennette dirimin k\u0131sa, k\u0131sa, \u00e7ok, \u00e7ok k\u0131sa, \u00f6l\u00fcm\u00fcm\u00fcz\u00fcn uzun, uzun, \u00e7ok uzun, bitimsiz, bir t\u00fcrl\u00fc sona ermeyecek, \u00f6l\u00fcnmeyecek uzun bir \u00f6l\u00fcm oldu\u011funa inan\u0131yorum.<\/p>\n\n\n\n
Asal say\u0131lar i\u00e7in de \u00f6yle mi?<\/p>\n\n\n\n
Hay\u0131r. Yery\u00fcz\u00fcnde asal say\u0131lar i\u00e7in dirim k\u0131sa, \u00e7ok \u00e7ok k\u0131sa, \u00f6l\u00fcm uzun uzun, cehennete dek s\u00fcr\u00fcyor. Yery\u00fcz\u00fc, insan d\u00fcz\u00fc asal\u0131 b\u00f6lemedi\u011finden habire \u00e7arp\u0131yor, envai toka\u00e7la \u00e7arp\u0131yor.<\/p>\n\n\n\n
\u2026\u00c7ok kad\u0131n\u0131n akl\u0131 al\u0131nm\u0131\u015ft\u0131r zaman\u0131n birinde, bir bah\u00e7ede, bir asal say\u0131 oyarak kalm\u0131\u015ft\u0131r ve zihninin ne zaman k\u00fcrtaj edildi\u011fini bilmeyecek kadar uzakt\u0131r zamana. Kad\u0131n asal say\u0131s\u0131na bakar, saymay\u0131 bilmeden bakar. Say\u0131 oldu\u011funu bilir. Ka\u00e7 oldu\u011funu, bunun, \u00f6ncekinin sonrakinin, hi\u00e7bir \u015feyin say\u0131s\u0131n\u0131 bilmez. Onun geldi\u011fi bir ge\u00e7mi\u015f yoktur, d\u00f6n\u00fcp hik\u00e2yesini arayaca\u011f\u0131 bir ge\u00e7mi\u015fi yoktur, \u00f6zgelece\u011fi, anac\u0131\u011f\u0131, hesapla\u015faca\u011f\u0131, \u00e7ekip gidece\u011fi. Gelecekse karanl\u0131kt\u0131r. G\u00f6r\u00fclemezdir.<\/p>\n\n\n\n
Annesi yoktur, babas\u0131, karde\u015fi ve onlarla bir hik\u00e2yesi.<\/p>\n\n\n\n
Tozlu yapraklar\u0131yla ya da bir dut a\u011fac\u0131d\u0131r ya da incir ya da akasya. Hazreti \u0130sa bile daha insand\u0131r onlar\u0131n yan\u0131nda, \u00e7\u00fcnk\u00fc onun en az\u0131ndan ad\u0131 bilinen bir annesi vard\u0131r.<\/p>\n\n\n\n
D\u00fcnyayla ili\u015fkilendirilmesi daha m\u00fcmk\u00fcnd\u00fcr. Soya\u011fac\u0131 veya psikanalizi \u00e7\u0131kart\u0131labilirdir.<\/p>\n\n\n\n
Oysa bir asal say\u0131, kesinlikle insan bilimlerine konu edilmez bir varolu\u015fa sahiptir.” (s. 64-68.)<\/p>\n\n\n\n
Karanl\u0131k \u00f6yk\u00fcs\u00fcnde, \u00f6rf ve adetlerin, t\u00f6renin, ba\u011fnazl\u0131\u011f\u0131n, cahilli\u011fin karanl\u0131\u011f\u0131 \u0131\u015f\u0131\u011f\u0131 nas\u0131l bo\u011fuldu\u011fu anlat\u0131lmaktad\u0131r. \u00d6yk\u00fcdeki babaannenin tespihe as\u0131larak; “ne eski yaz\u0131y\u0131 ne yeni yaz\u0131y\u0131 \u00f6\u011frendik, hayvanlar gibi kald\u0131k” \u015feklindeki i\u00e7 ge\u00e7irmesi, \u00f6fkesi surat\u0131m\u0131za tokat gibi inmektedir. (s. 82)<\/p>\n\n\n\n
Kitaba ismini veren Kar Beyrut Kar’da, \u00f6yk\u00fcn\u00fcn kahraman\u0131 \u00e2\u015f\u0131k oldu\u011fu kad\u0131n\u0131n kendi y\u00fcz\u00fcne bakt\u0131\u011f\u0131 gibi, Beyrut’unda kendisine bakt\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcr. Bazen de, “gece r\u00fcyamda kar g\u00f6rd\u00fcm. Karda seni ve Beyrut’u. Beyrut yan\u0131yor, kar erimiyordu. Bu k\u0131\u015f Diyarbak\u0131r’a hen\u00fcz kar ya\u011fmad\u0131. Her \u015fey kirlendi”. Ve \u00f6yk\u00fcn\u00fcn sonunda da: “\u00c2\u015f\u0131km\u0131\u015f\u0131m sana. Ge\u00e7 fark ettim. Kar ya\u011fm\u0131yor. Ya\u011fmur da yok. Binalar kirli. Beyrut yan\u0131yor. Ayaz var, Diyarbak\u0131r var. Ya\u011fmursuz, kars\u0131z,” diye Beyrut, Diyarbak\u0131r ve sevdi\u011fi aras\u0131nda flu ge\u00e7i\u015fler yap\u0131p okuyucular\u0131 derin d\u00fc\u015f\u00fcncelere sevk etmektedir. (s. 85-88)<\/p>\n\n\n\n
PUB \u0130S \u0130N THE PAK\u0130STAN AND BOP \u0130S \u0130N THE WORLD \u00f6yk\u00fcs\u00fcnde ise, ahlak\u00ee \u00e7\u00f6k\u00fcnt\u00fcn\u00fcn dibe vuru\u015fu, insanlar\u0131n nas\u0131l “d\u00fcz\u00fcld\u00fc\u011f\u00fc” hik\u00e2ye edilmekte; pezevenk d\u00fcnyan\u0131n hali anlat\u0131lmaktad\u0131r. (s. 89-98)
***
Ben, ele\u015ftirmen de\u011filim, bir edebi eseri ele\u015ftirmek beni a\u015far. Ama iyi bir okuyucu ve yazan-\u00e7izen biri olarak kitapla ilgili d\u00fc\u015f\u00fcncelerimi \u00e7ok k\u0131sa \u015f\u00f6yle \u00f6zetleyebilirim: Kitapta bir\u00e7ok \u00f6yk\u00fcde dil, kurgu ve anlat\u0131m \u00e7ok iyi, ama ana temay\u0131 yakalamak bazen zor oluyor. T\u00fcm \u00f6yk\u00fcler insani i\u00e7erik a\u00e7\u0131s\u0131ndan \u00e7ok canl\u0131. Bu kitap yazar\u0131m\u0131z\u0131n ilk kitab\u0131 oldu\u011fu i\u00e7in, baz\u0131 \u00f6yk\u00fclerinde g\u00f6r\u00fclen tema bulan\u0131kl\u0131\u011f\u0131n\u0131 ileride a\u015faca\u011f\u0131na inan\u0131yorum.<\/p>\n\n\n\n
Mavi Ne\u015fe G\u00f6lc\u00fck bu eseriyle bizleri hayal g\u00fcc\u00fcn\u00fcn tehlikeli ve lezzetli l\u00e2birentlerinde gezdiriyor. Ne\u015fe karde\u015fimi kutluyorum. Ayr\u0131ca, bizlere b\u00f6ylesine g\u00fczel bir eser arma\u011fan etti\u011fi ve de tevazu g\u00f6sterip kitab\u0131n\u0131 imzalay\u0131p \u015fahs\u0131ma g\u00f6nderme zarafetinde bulundu\u011fu i\u00e7in kendisine te\u015fekk\u00fcr ediyor, ikinci kitab\u0131n\u0131 d\u00f6rt g\u00f6zle bekliyorum. Ve, mutlaka kitab\u0131 bulup okuman\u0131z\u0131 \u00f6neriyorum.<\/p>\n\n\n\n
16 Kas\u0131m 2007
Ergani Haber Gazetesi<\/p>\n\n\n\n
<\/p>\n\n\n
Mavi Ne\u015fe G\u00f6lc\u00fck’\u00fcn kaleme ald\u0131\u011f\u0131 \u00f6yk\u00fc kitab\u0131n\u0131n ismidir Kar Beyrut Kar. Kitap, \u0130stanbul’da Agora Kitapl\u0131\u011f\u0131 yay\u0131nlar\u0131 taraf\u0131ndan T\u00fcrk\u00e7e Edebiyat dizisinde Ocak 2006’da yay\u0131nlanm\u0131\u015f. Mavi Ne\u015fe G\u00f6lc\u00fck, hem\u015ferimiz olur. 13 Mart 1975 Diyarbak\u0131r’da do\u011fmu\u015f; N\u00fcket Co\u015fkun Akyol \u0130lkokulu’nu, Diyarbak\u0131r Ziya G\u00f6kalp Lisesi’ni, Ege \u00dcniversitesi Eczac\u0131l\u0131k Fak\u00fcltesi’ni bitirmi\u015ftir: Ve edindi\u011fim bilgilere g\u00f6re \u015fu anda ODT\u00dc Fizik B\u00f6l\u00fcm\u00fc’ne devam etmekte; ikinci bir \u00fcniversiteyi bitirme gayretindedir. Kar Beyrut Kar ilk eseri olup, ikinci eseri yolda\u2026 Ve yine bildi\u011fim kadar\u0131yla Mavi Ne\u015fe G\u00f6lc\u00fck \u00c7ermik k\u00f6kenlidir. Ergani’de faaliyet g\u00f6steren Ne\u015fe Eczanesi’nin sahibi Ecz. \u015eeng\u00fcl G\u00f6lc\u00fck’\u00fcn ablas\u0131, Ramazan G\u00f6lc\u00fck’\u00fcn de k\u0131z\u0131d\u0131r. Kitaptaki \u00f6yk\u00fcler 1997-2005 y\u0131llar\u0131 aras\u0131nda \u0130zmir,<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[4628,4624,4625,4627,4626,4629],"class_list":["post-6491","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-asal-sayilar","tag-kar-beyrut-kar","tag-mavi-nese-golcuk","tag-ramazan-golcuk","tag-sumbul-hanim","tag-yasin"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6491"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6491\/revisions"}],"predecessor-version":[{"id":6493,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6491\/revisions\/6493"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}