<\/p>\n\n\n\n
21 Nisan, Ahmed Arif’in do\u011fum g\u00fcn\u00fcd\u00fcr.<\/p>\n\n\n\n
E\u011fer ya\u015fam\u0131\u015f olsayd\u0131 80. do\u011fum g\u00fcn\u00fc kutlanacakt\u0131. Olmad\u0131, her \u00f6l\u00fcml\u00fc gibi aram\u0131zdan ayr\u0131ld\u0131. Ama giderken, -di\u011fer \u00f6l\u00fcml\u00fclerden farkl\u0131 olarak- arkas\u0131nda \u00f6l\u00fcms\u00fcz dizeler b\u0131rakarak gitti.<\/p>\n\n\n\n
Ahmed Arif, \u015fiirlerindeki bi\u00e7im, anlat\u0131m, ahenk ve tema ile tarihe iz b\u0131rakm\u0131\u015f karde\u015fli\u011fin ve “b\u00fcy\u00fck \u00fctopya”n\u0131n \u015fairidir.<\/p>\n\n\n\n
\u015eiirleriyle umutlar\u0131 ye\u015ferten, \u015fiirimize yeni bir soluk getiren bu yi\u011fit namuslu \u015fairimizi anman\u0131n bir yurtseverlik g\u00f6revi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.
***
Ahmed Arif, 21 Nisan 1927’de Diyarbak\u0131r’da do\u011fdu. Orta\u00f6\u011frenimini Diyarbak\u0131r’da tamamlad\u0131. Sonra Ankara \u00dcniversitesi Dil ve Tarih-Co\u011frafya Fak\u00fcltesi Felsefe B\u00f6l\u00fcm\u00fc’ne kaydoldu. Bu okulda \u00f6\u011frenciyken, T\u00fcrkiye Kom\u00fcnist Partisi’ne \u00fcye olmaktan tutukland\u0131. 1952 y\u0131l\u0131nda TKP davas\u0131ndan iki y\u0131l hapis cezas\u0131na mahk\u00fbm edildi. Cezaevinden \u00e7\u0131kt\u0131ktan sonra Ankara’ya yerle\u015fti. Ya\u015fam\u0131n\u0131, yazarl\u0131\u011f\u0131n\u0131n yan\u0131 s\u0131ra Ankara gazetelerinde d\u00fczeltmenlik, teknik sekreterlik gibi i\u015fler yaparak kazand\u0131. Gazetecilikten emekli oldu. 2 Haziran 1991’de Ankara’da vefat etti.<\/p>\n\n\n\n
Ahmed Arif’in ilk \u015fiiri Millet dergisinde yay\u0131nland\u0131; as\u0131l sanat\u0131n\u0131 ve ki\u015fili\u011fini 1948-1954 y\u0131llar\u0131 aras\u0131nda Yery\u00fcz\u00fc, Beraber, Se\u00e7ilmi\u015f Hik\u00e2yeler, Yeni Ufuklar, Kaynak dergilerinde yay\u0131mlad\u0131\u011f\u0131 \u015fiirlerle ortaya koydu. Ama en b\u00fcy\u00fck patlamas\u0131n\u0131 1968 y\u0131l\u0131nda, Hasretinden Prangalar Eskittim kitab\u0131yla yapt\u0131.<\/p>\n\n\n\n
Kitap yay\u0131nland\u0131ktan sonra \u00e7ok b\u00fcy\u00fck bir yank\u0131 yaratt\u0131: Kitap 12 y\u0131lda 18 bask\u0131 yapt\u0131.<\/p>\n\n\n\n
Ahmed Arif, \u015fiirde N\u00e2z\u0131m Hikmet’in a\u00e7t\u0131\u011f\u0131 yolda y\u00fcr\u00fcd\u00fc. Ondan ald\u0131\u011f\u0131 \u015fiirselli\u011fi, ya\u015fad\u0131\u011f\u0131 co\u011frafyan\u0131n duyarl\u0131l\u0131\u011f\u0131yla i\u015fleyerek K\u00fcrt halk\u0131n\u0131n duygular\u0131na terc\u00fcman olmaya \u00e7al\u0131\u015ft\u0131. \u0130\u00e7inden geldi\u011fi halk\u0131n umutlar\u0131n\u0131, sevdalar\u0131n\u0131, kavgalar\u0131n\u0131 ve isyanlar\u0131n\u0131 s\u00f6zc\u00fck s\u00f6zc\u00fck \u00f6rerek \u015fiirle\u015ftirdi; lirik, epik ve ko\u00e7aklama tarz\u0131n\u0131 kusursuz bir kurguyla kullanarak, \u00f6zg\u00fcn, tutkulu, isyank\u00e2r dizeleriyle esip g\u00fcrledi. Yi\u011fitlik ve namus kavramlar\u0131n\u0131 \u015fiirleriyle evrenselle\u015ftirdi. \u00d6yle ki, 19 Kas\u0131m 1970’te Cemal S\u00fcreya’ya yazd\u0131\u011f\u0131 mektubunda; ” ‘Biz devrimciler, ayr\u0131 bir kuma\u015ftan\u0131z’ ve bizim can\u0131m\u0131zdan bile aziz olan bir \u015fey varsa o da devrimci onur ve namusumuzdur” sat\u0131rlar\u0131, onun dokundu\u011fu kuma\u015f\u0131n nas\u0131l halis bir kuma\u015f oldu\u011funun g\u00fczel bir ni\u015fanesidir.<\/p>\n\n\n\n
Ahmed Arif’le N\u00e2z\u0131m Hikmet’in \u015fiirlerinde b\u00fcy\u00fck benzerlikler oldu\u011fu s\u00f6ylenir. Do\u011frudur, ama benzerliklerin yan\u0131nda b\u00fcy\u00fck ayr\u0131l\u0131klar da vard\u0131r. Usta \u015fairlerimizden Cemal S\u00fcreya, bu konuda, Papir\u00fcs (Ocak 1969) dergisinde \u015funlar\u0131 yazmaktad\u0131r:<\/p>\n\n\n\n
“Ahmed Arif’in \u015fiiri bir bak\u0131ma N\u00e2z\u0131m Hikmet \u00e7izgisinde, daha do\u011frusu N\u00e2z\u0131m Hikmet’in de bulundu\u011fu \u00e7izgide geli\u015fmi\u015ftir. Ama iki \u015fair aras\u0131nda b\u00fcy\u00fck ayr\u0131l\u0131klar var. N\u00e2z\u0131m Hikmet, \u015fehirlerin \u015fairidir. Ovadan seslenir insanlara, b\u00fcy\u00fck d\u00fczl\u00fcklerden. Ovadan akan “b\u00fcy\u00fck ve bereketli bir \u0131rmak” gibidir. Uygard\u0131r. Ahmed Arif ise da\u011flar\u0131 s\u00f6yl\u00fcyor. Uyrukluk tan\u0131mayan, ya\u015fs\u0131z da\u011flar\u0131, “\u00e2si” da\u011flar\u0131. Uzun ve tek bir a\u011f\u0131t gibidir onun \u015fiiri. “Daha deniz g\u00f6rmemi\u015f” \u00e7ocuklara adanm\u0131\u015ft\u0131r. Kurdun ku\u015fun aras\u0131nda, yaban \u00e7i\u00e7ekleri aras\u0131nda s\u00f6ylenmi\u015ftir, bir han\u00e7er kabzas\u0131na i\u015flenmi\u015ftir. Ama o a\u011f\u0131tta, bir yerde, birdenbire bir zafer \u015fark\u0131s\u0131na d\u00f6n\u00fc\u015fecekmi\u015f gibi bir umut (bir sanr\u0131, daha do\u011frusu bir h\u0131rs), keskin bir p\u0131r\u0131lt\u0131 vard\u0131r. T\u00fcrk\u00fc s\u00f6yleyerek \u00e7arp\u0131\u015fan, yaral\u0131yken de, arkada\u015flar\u0131 i\u00e7in tarih \u00f6zeti \u00e7\u0131karan, buna felsefe ve inan\u00e7 katmay\u0131 ihmal etmeyen bir yurtseverin \u015fiiridir. Kar\u015f\u0131 koymaktan \u00e7ok, boyun e\u011fmeyen bir do\u011fa i\u00e7inde. B\u00fcy\u00fck zenginli\u011fi ilkel bir katk\u0131s\u0131zl\u0131k olan at\u0131c\u0131, avc\u0131 bir do\u011fa i\u00e7inde.”<\/p>\n\n\n\n
Ahmed Arif’in \u015fiirlerinde ritmin b\u00fcy\u00fck bir rol\u00fc vard\u0131r.<\/p>\n\n\n\n
Onda ritim sese de\u011fil, s\u00f6ze dayand\u0131\u011f\u0131ndan daha derinlere inerek, halk\u0131ndan beslenerek da\u011flardan esen bir r\u00fczg\u00e2r gibi lirizmin kayna\u011f\u0131 olur. Ya\u015fad\u0131\u011f\u0131 co\u011frafyan\u0131n malzemesini ustaca kullanarak, onu lirizmin i\u00e7inde yo\u011furarak, ger\u00e7ek\u00e7i \u015fiirdeki didaktik \u00f6\u011feyi bir tarafa itip, imge k\u0131sm\u0131nda yapt\u0131\u011f\u0131 a\u00e7\u0131l\u0131mla gen\u00e7 \u015fairlere \u00f6rnek olmu\u015ftur. Ve yine bu nedenledir ki gecelerde, toplant\u0131larda, mitinglerde onun \u015fiirleri okunur; yaz\u0131 ve makalelerde, anlat\u0131m\u0131 g\u00fc\u00e7lendirmek i\u00e7in onun \u015fiirlerinden al\u0131nt\u0131lar yap\u0131l\u0131r, bestelenir.<\/p>\n\n\n\n
Bir\u00e7ok \u015fiiri T\u00fcrk\u00e7e ve K\u00fcrt\u00e7e \u00e7al\u0131\u015fmalar yapan m\u00fczik gruplarca bestelenmi\u015f veya de\u011ferlendirilmi\u015ftir. Dergi ve gazetelerde \u015fiirlerinin d\u0131\u015f\u0131nda yazd\u0131\u011f\u0131 d\u00fcz yaz\u0131lar\u0131yla da, 1950 ku\u015fa\u011f\u0131 olarak an\u0131lan \u015fair ve yazarlar\u0131n b\u00fcy\u00fck bir b\u00f6l\u00fcm\u00fcn\u00fc etkilemi\u015ftir.
***
1970’li y\u0131llarda Ankara’da Ulus R\u00fczg\u00e2rl\u0131 Sokak’ta yay\u0131nlanan Yeni Halk\u00e7\u0131 gazetesinde -an\u0131msad\u0131\u011f\u0131m kadar\u0131yla- gazetenin Yaz\u0131 \u0130\u015fleri Sorumlusuydu. Benim, Yeni Halk\u00e7\u0131 gazetenin b\u00fcrosunda kendisiyle iki defa g\u00f6r\u00fc\u015fme \u015fans\u0131m oldu. Asl\u0131nda imk\u00e2n\u0131m vard\u0131, daha fazla da g\u00f6r\u00fc\u015febilirdim. \u00c7\u00fcnk\u00fc benim okudu\u011fum okul -Anadolu M\u00fchendislik Y\u00fcksek Okulu- da, Ulus R\u00fczg\u00e2rl\u0131 sokaktayd\u0131. Onun b\u00fcy\u00fck \u015fair olu\u015fu, benim kendisini \u00e7ok fazla rahats\u0131z etmek istemeyi\u015fimden, ancak iki defa yan\u0131na gittim veya yan\u0131na gitmeye cesaret edebildim.<\/p>\n\n\n\n
\u0130lk g\u00f6r\u00fc\u015fmem 1972’de oldu.<\/p>\n\n\n\n
B\u00fcrosunda kendimi tan\u0131tt\u0131ktan sonra, ziyaret nedenimin bir hem\u015ferisi olarak kendisiyle sadece tan\u0131\u015fmak oldu\u011funu, \u00f6zel bir nedeninin bulunmad\u0131\u011f\u0131n\u0131 belirtim. Beni \u00e7ok s\u0131cak kar\u015f\u0131lad\u0131, \u00e7ay s\u00f6yledi; birlikte \u00e7aylar\u0131m\u0131z\u0131 i\u00e7erken, okuyup okumad\u0131\u011f\u0131m\u0131 sordu. Okudu\u011fumu s\u00f6yleyince, mutlaka ve mutlaka okumam\u0131 tembihledi. Ben, odas\u0131nda heyecan ve \u015fa\u015fk\u0131nl\u0131k aras\u0131nda sal\u0131n\u0131rken, di\u011fer yandan da \u00e7akt\u0131rmamaya \u00e7al\u0131\u015farak, hem kendisini ve hem de oday\u0131 inceliyordum. Akl\u0131mda kalanlar: Kitaplar, gazeteler, dergiler\u2026 gazeteden gelen gidenler\u2026 i\u015fle ilgili sorunlar\u2026 susmayan telefonlar\u2026 duvardaki Siirt battaniyesi ve ya\u011fl\u0131 boya tablolar\u2026 masa \u00fczerindeki Anadolu’nun \u00e7e\u015fitli yerlerinden gelen el yap\u0131m\u0131 sanatsal motifler\u2026 \u00fczerindeki k\u0131rkd\u00fc\u011fme yelek ve normal konu\u015furken dahi \u015fiirsel bir anlat\u0131mla vurgulu konu\u015fmas\u0131\u2026 gazetede yay\u0131nlad\u0131klar\u0131 “\u0130\u015fkence Belgeleri” yaz\u0131 dizisine gelen olumlu tepkiler\u2026 bana sorulan sorular ve benim verdi\u011fim cevaplar.<\/p>\n\n\n\n
\u0130kinci g\u00f6r\u00fc\u015fmem ise, 1974’te oldu.<\/p>\n\n\n\n
Ziyaretine ben ve iki arkada\u015f\u0131m birlikte gitmi\u015ftik. Yan\u0131na gidi\u015fimizden bir hafta \u00f6nce, Urfa’n\u0131n Viran\u015fehir il\u00e7esinde jandarmalar 23 yoksul k\u00f6yl\u00fcy\u00fc ka\u00e7ak\u00e7\u0131 diye s\u0131n\u0131rda \u00f6ld\u00fcrm\u00fc\u015ft\u00fc. \u00d6ld\u00fcrme, T\u00fcrkiye \u00e7ap\u0131nda b\u00fcy\u00fck bir tepki yaratm\u0131\u015f, her tarafta bas\u0131n a\u00e7\u0131klamalar\u0131, g\u00f6steriler, mitingler yap\u0131l\u0131yordu. Ve bu olay\u0131 k\u0131nayan T\u00fcrkiye Sosyalist \u0130\u015f\u00e7i Partisi (TS\u0130P)’nin \u0130stanbul’daki mitingine polis \u00e7ok sert m\u00fcdahalede bulunmu\u015f, bir\u00e7ok insan yaralanm\u0131\u015f ve bir\u00e7ok insan da g\u00f6zalt\u0131na al\u0131nm\u0131\u015ft\u0131.<\/p>\n\n\n\n
Ben ve iki arkada\u015f\u0131m i\u015fte bu ortamda Ahmed Arif’e ziyarete gittik. Bizleri s\u0131cak kar\u015f\u0131lad\u0131, \u00e7aylar\u0131 s\u00f6yledi. Kendisiyle daha \u00f6nce bir g\u00f6r\u00fc\u015fmem oldu\u011fu i\u00e7in, bu defa dilim \u00f6tmeye ba\u015flad\u0131:
“Ahmed Abi, bir tek \u015fiir kitab\u0131n \u00e7\u0131kt\u0131, niye ba\u015fka kitab\u0131n \u00e7\u0131km\u0131yor. Niye dergilerde \u015fiirlerini yazm\u0131yorsun” diye sordum.
Ahmed Arif, “Babam, her zaman \u015fiir yaz\u0131lmaz!” deyince,
Ben, o zamanki bilin\u00e7 ve duygusall\u0131\u011f\u0131mla:
“33 Kur\u015fun’u yazd\u0131n yer yerinden oynad\u0131. 23 Kur\u015fun’u da yazabilirsin” dedim. Y\u00fcz\u00fcme bakt\u0131, g\u00f6zleri bu\u011fuland\u0131, dudaklar\u0131 titremeye ba\u015flad\u0131 ve;
“33 can\u2026 onlar\u2026 su\u00e7suz olduklar\u0131 i\u00e7in \u00f6ld\u00fcr\u00fcld\u00fc. \u0130nsan su\u00e7suz oldu\u011fu i\u00e7in hi\u00e7 \u00f6ld\u00fcr\u00fcl\u00fcr m\u00fc? D\u00fcnyan\u0131n neresinde g\u00f6r\u00fclm\u00fc\u015f bu. Ben, “33 Kur\u015fun” \u015fiirini i\u015fte bu nedenle yazd\u0131m. Yoksa her g\u00fcn insanlar \u00f6l\u00fcyor. Viran\u015fehir’de \u00f6len 23 yoksulun, \u00f6ld\u00fcrenlerce bir su\u00e7u var: ‘Ka\u00e7ak\u00e7\u0131l\u0131k’. Oysa 33 can\u0131n su\u00e7lar\u0131, su\u00e7suz olmakt\u0131.”<\/p>\n\n\n\n
Art\u0131k ne diyebilirdim ki: Sustum. Nisan 2007’de Berfin Bahar (Say\u0131: 110) dergisinde, 21 Nisan, Ahmed Arif’in do\u011fum g\u00fcn\u00fcd\u00fcr. E\u011fer ya\u015fam\u0131\u015f olsayd\u0131 80. do\u011fum g\u00fcn\u00fc kutlanacakt\u0131. Olmad\u0131, her \u00f6l\u00fcml\u00fc gibi aram\u0131zdan ayr\u0131ld\u0131. Ama giderken, -di\u011fer \u00f6l\u00fcml\u00fclerden farkl\u0131 olarak- arkas\u0131nda \u00f6l\u00fcms\u00fcz dizeler b\u0131rakarak gitti. Ahmed Arif, \u015fiirlerindeki bi\u00e7im, anlat\u0131m, ahenk ve tema ile tarihe iz b\u0131rakm\u0131\u015f karde\u015fli\u011fin ve “b\u00fcy\u00fck \u00fctopya”n\u0131n \u015fairidir. \u015eiirleriyle umutlar\u0131 ye\u015ferten, \u015fiirimize yeni bir soluk getiren bu yi\u011fit namuslu \u015fairimizi anman\u0131n bir yurtseverlik g\u00f6revi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum.***Ahmed Arif, 21 Nisan 1927’de Diyarbak\u0131r’da do\u011fdu. Orta\u00f6\u011frenimini Diyarbak\u0131r’da tamamlad\u0131. Sonra Ankara \u00dcniversitesi Dil ve Tarih-Co\u011frafya Fak\u00fcltesi Felsefe B\u00f6l\u00fcm\u00fc’ne kaydoldu. Bu okulda \u00f6\u011frenciyken, T\u00fcrkiye Kom\u00fcnist Partisi’ne \u00fcye olmaktan tutukland\u0131. 1952 y\u0131l\u0131nda TKP davas\u0131ndan iki y\u0131l hapis<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[4499,4497,4495,649,4496,116,4498],"class_list":["post-6439","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-23-kursun","tag-33-kursun","tag-80-yas","tag-ahmed-arif","tag-gorusmem","tag-siir","tag-yeni-halkci"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6439"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6439\/revisions"}],"predecessor-version":[{"id":6440,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6439\/revisions\/6440"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
***
Yi\u011fitlik, namus ve mahpusun ustas\u0131,
Sen, da\u011flar\u0131m\u0131zda her daim esen r\u00fczg\u00e2r
Ve her \u015fafak vaktinde yeniden do\u011fan k\u0131z\u0131l g\u00fcne\u015fsin:
“Yoklu\u011fun, Cehennemin \u00f6b\u00fcr ad\u0131d\u0131r”<\/em><\/p>\n\n\n\n
20 Nisan 2007 de Ergani Haber de yay\u0131mland\u0131.<\/p>\n\n\n