<\/p>\n\n\n\n
“\u015eair zar tutsa da \u015fiir hile yapmaz\u2026”<\/em><\/p>\n\n\n\n G\u00fcn\u00fcm\u00fczde \u015fair \u00e7ok, ama \u015fiir yok. Uzun s\u00fcredir g\u00fczel bir \u015fiir kitab\u0131 okumam\u0131\u015ft\u0131m. Mehmet O\u011fuz, \u015fiirleriyle, Sus\/Kuyu\/Su kitab\u0131yla bana bu zevki tatt\u0131rd\u0131. Kendisine te\u015fekk\u00fcr ederim. \u015eiirlerde her s\u00f6zc\u00fck d\u00fc\u015f\u00fcn\u00fclerek, uzun bir zaman diliminde yo\u011fun bir emek sarf edilerek yaz\u0131lm\u0131\u015f. Anlat\u0131m, s\u00f6zc\u00fcklerin dizilimi, dizelerin yap\u0131s\u0131, \u015fiirlerin s\u0131ralan\u0131\u015f\u0131 ve esteti\u011fi tek kelimeyle m\u00fckemmel. \u015eiirlerin bir b\u00fct\u00fcnsellik ta\u015f\u0131mas\u0131, yaz\u0131m hatalar\u0131n\u0131n olmay\u0131\u015f\u0131, d\u00fczg\u00fcn bir T\u00fcrk\u00e7eyle yaz\u0131lmas\u0131 ve hemen hemen hi\u00e7 noktalama i\u015faretlerinin kullan\u0131lmamas\u0131 \u015fiirlere ayr\u0131 bir g\u00fczellik kazand\u0131rm\u0131\u015f. \u015eiirlerinde felsefi bir derinlik var: Dinsel, kutsal metinlerde\/kitaplarda yer alan s\u00f6zc\u00fcklerin kullan\u0131m\u0131nda isabet ve ustal\u0131k s\u00f6z konusu. “[M]\u00fcrekkebin buhuruna emzir kalemin a\u011fz\u0131n\u0131\/ yemini k\u00e2\u011f\u0131d\u0131n kokusuna tut\/ elife ve l\u00e2ma m\u00eem d\u00fc\u015f\u00fcr\/ boynunu ayra\u00e7 sun kitaba\/ de ki\/ incil’e ve zebur’a\/ tevrat’a ve kur’\u00e2n’a\/ yoklu\u011fuyla \u00f6v\u00fcnen ne \u00e7ok sustu b\u00f6yle konu\u015farak\/ ve de ki\/ varl\u0131\u011f\u0131yla yerinen ne \u00e7ok konu\u015ftu b\u00f6yle sus!” gibi dizeleri yazan birinin felsefi ve dini konularda iyi bir bilgi birikimine sahip olmas\u0131 gerekir diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n\n\n\n Herkesin \u015fiir tan\u0131m\u0131 farkl\u0131d\u0131r. \u015eiir, bana g\u00f6re, dilin anlam, ses ve ritim \u00f6\u011felerini belli bir d\u00fczen i\u00e7inde kullanarak, bir olay\u0131, bir olguyu ya da duygusal ve d\u00fc\u015f\u00fcnsel deneyimi yo\u011funla\u015fm\u0131\u015f bir bi\u00e7imde ifade etme sanat\u0131d\u0131r: S\u00f6zc\u00fcklerin ak k\u00e2\u011f\u0131t \u00fcst\u00fcne dizeler halinde oya gibi i\u015fleni\u015fidir. \u015eiirde, ses d\u00fczeni, s\u00f6yleni\u015f bi\u00e7imi, s\u00f6z dizimi ve anlam \u00f6nemlidir: S\u00f6zc\u00fckler ne bir eksik, ne bir fazla olmal\u0131. Dizeler bir ahenk i\u00e7inde, bazen Dicle gibi sessiz ve bazen de F\u0131rat gibi co\u015fkulu delicesine \u00e7a\u011flamal\u0131d\u0131r. Sevgili Mehmet O\u011fuz’un Sus\/Kuyu\/Su kitab\u0131nda yer alan \u015fiirler i\u015fte bu tarzda \u015fiirlerdir. \u015eiirlerinde abart\u0131l\u0131, s\u00fcsl\u00fc yan yana dizilmi\u015f s\u00f6zc\u00fckleri, c\u0131lk\u0131 \u00e7\u0131km\u0131\u015f siyas\u00ee terminoloji veya hapishane jargonuna ait terimleri bulamas\u0131n\u0131z. S\u00f6zc\u00fckler \u015fiir terazisinde hassas tart\u0131mdan ge\u00e7irilerek \u00f6l\u00e7\u00fcl\u00fc bir \u015fekilde say\u0131s\u0131, yeri ve anlam\u0131 belirlenmi\u015ftir. “\u015eiirsel” ses tonuyla dizelerde s\u00f6zc\u00fckler dans ediyor adeta. \u0130mgeler ustaca ve yerli yerinde kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n\n\n\n \u015eiirde, ayr\u0131ca duygusal ve d\u00fc\u015f\u00fcnsel yo\u011funluk esast\u0131r. Cemal S\u00fcreya’n\u0131n dedi\u011fi gibi, \u015fiir “d\u00fcnyadan daha ger\u00e7ek bir d\u00fcnya, hatta ger\u00e7ekten daha ger\u00e7ek bir ger\u00e7ek” yaratmad\u0131r. Mehmet O\u011fuz’un \u015fiirlerinde ise duygusall\u0131ktan \u00e7ok d\u00fc\u015f\u00fcnsel, zihinsel bir yo\u011funluk s\u00f6z konusudur. \u015eiirlerinde, anlat\u0131m ve anlamdaki derin d\u00fc\u015f\u00fcnsel zenginlikler ile sessizli\u011fin sesinden duyulan derin ac\u0131lar bir ustura keskinli\u011finde dizele\u015fmi\u015ftir. Okurken bir yandan insan\u0131 derin d\u00fc\u015f\u00fcncelere dald\u0131r\u0131yor, di\u011fer yandan da kulakta bazen \u00e7\u0131\u011fl\u0131k bazen de tatl\u0131 armoni olu\u015fturmaktad\u0131r. \u015eiirlerde yo\u011fun bir d\u00fc\u015f\u00fcnce eylemi ve devrimci bir ruh vard\u0131r. Bana g\u00f6nderdi\u011fi \u00f6zge\u00e7mi\u015finde \u015funlar\u0131 yazmaktad\u0131r: Mehmet O\u011fuz’un ald\u0131\u011f\u0131 \u00f6d\u00fcller:<\/em><\/strong> *** Mehmet, sen iyi bir \u015fairsin; esas ilgi alan\u0131n, u\u011fra\u015f\u0131n bence \u015fiir olsun. Di\u011fer yaz\u0131m t\u00fcrleri \u015fiir yazman\u0131 arka plana atmas\u0131n ve g\u00f6lgelemesin. Eline, y\u00fcre\u011fine sa\u011fl\u0131k; her daim kalemin t\u00fckenmez, ferasetin a\u00e7\u0131k olsun! “g\u00f6k h\u00fckm\u00fcn\u00fc bildirdi kendimden ba\u015fka hi\u00e7bir tanr\u0131ya a\u00e7mad\u0131m kap\u0131lar\u0131m\u0131 ceylan\u0131 ba\u011f\u0131\u015fla a(v)c\u0131y\u0131 \u00f6ld\u00fcr”<\/em><\/p>\n\n\n\n (\u2026) demiri ba\u011f\u0131\u015fla ate\u015fi \u00f6ld\u00fcr”<\/em><\/p>\n\n\n\n 14 \u015eubat 2008 <\/p>\n\n\n “\u015eair zar tutsa da \u015fiir hile yapmaz\u2026” G\u00fcn\u00fcm\u00fczde \u015fair \u00e7ok, ama \u015fiir yok. Uzun s\u00fcredir g\u00fczel bir \u015fiir kitab\u0131 okumam\u0131\u015ft\u0131m. Mehmet O\u011fuz, \u015fiirleriyle, Sus\/Kuyu\/Su kitab\u0131yla bana bu zevki tatt\u0131rd\u0131. Kendisine te\u015fekk\u00fcr ederim. \u015eiirlerde her s\u00f6zc\u00fck d\u00fc\u015f\u00fcn\u00fclerek, uzun bir zaman diliminde yo\u011fun bir emek sarf edilerek yaz\u0131lm\u0131\u015f. Anlat\u0131m, s\u00f6zc\u00fcklerin dizilimi, dizelerin yap\u0131s\u0131, \u015fiirlerin s\u0131ralan\u0131\u015f\u0131 ve esteti\u011fi tek kelimeyle m\u00fckemmel. \u015eiirlerin bir b\u00fct\u00fcnsellik ta\u015f\u0131mas\u0131, yaz\u0131m hatalar\u0131n\u0131n olmay\u0131\u015f\u0131, d\u00fczg\u00fcn bir T\u00fcrk\u00e7eyle yaz\u0131lmas\u0131 ve hemen hemen hi\u00e7 noktalama i\u015faretlerinin kullan\u0131lmamas\u0131 \u015fiirlere ayr\u0131 bir g\u00fczellik kazand\u0131rm\u0131\u015f. \u015eiirlerinde felsefi bir derinlik var: Dinsel, kutsal metinlerde\/kitaplarda yer alan s\u00f6zc\u00fcklerin kullan\u0131m\u0131nda isabet ve ustal\u0131k s\u00f6z konusu. “[M]\u00fcrekkebin buhuruna<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[434,3029,1545,1556,116,4334],"class_list":["post-6257","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-cemal-sureya","tag-ergani-haber","tag-ergani-postasi","tag-mehmet-oguz","tag-siir","tag-sus-kuyu-su"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6257","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6257"}],"version-history":[{"count":2,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6257\/revisions"}],"predecessor-version":[{"id":6260,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/6257\/revisions\/6260"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
***
Mehmet O\u011fuz kimdir?<\/strong><\/em>
Mehmet O\u011fuz, Erganili bir hem\u015ferimizdir. \u015eiire, sanata, felsefeye, tarihe, gazetecili\u011fe ilgi duymaktad\u0131r: On parma\u011f\u0131nda on marifet vard\u0131r. Bir\u00e7ok dalda \u00f6d\u00fcller alm\u0131\u015ft\u0131r. Bir ara \u0130l\u00e7emizde, Ergani Haber’de k\u00f6\u015fe yaz\u0131lar\u0131 ve haberler yazd\u0131. Sonra Ergani Postas\u0131’nda k\u00f6\u015fe yaz\u0131lar\u0131 ve haberler yazmaya ba\u015flad\u0131. Sus\/Kuyu\/Su ilk kitab\u0131 oluyor. Kitap, Hayal Yay\u0131nlar\u0131 taraf\u0131ndan \u015eiir Dizisi serisinde Ocak 2008’de yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n
“1974 Ergani do\u011fumluyum, N\u00fcfus c\u00fczdan\u0131mda do\u011fum tarihim 1 Nisan (\u015faka de\u011fil \ud83d\ude42 ) diye ge\u00e7se de anam\u0131n deyi\u015fiyle ‘Bi\u015fmler’ zaman\u0131nda (ba\u011fbozumu) do\u011fmu\u015fum.
Liseye kadar Ergani de okudum. 1992 y\u0131l\u0131ndan ba\u015flayarak 2005’e kadar s\u00fcren bir \u00fcniversite maceram oldu.
Ve 2005’te Van Y\u00fcz\u00fcnc\u00fc Y\u0131l \u00dcniversitesi Tarih B\u00f6l\u00fcm\u00fc’nden mezun oldum.
\u0130lk \u015fiirimin nerde ne zaman yay\u0131nlad\u0131\u011f\u0131n\u0131 hat\u0131rlam\u0131yorum, ama 1998 y\u0131l\u0131nda G\u00dcNEY dergisinde yay\u0131mlanan bir \u015fiirim var.
2000 y\u0131l\u0131nda Milliyet Sanat Gen\u00e7 \u015eairler Antolojisi’nde bir \u015fiirim yer ald\u0131.
\u015eiirlerimin yer ald\u0131\u011f\u0131 di\u011fer dergiler: Berfin Bahar, E, Hayal, Yarat\u0131m, Yasak Meyve, Pitoresk, Sanal \u00d6rdek, Artos, Tigris, \u00c7orba, Ay Karanl\u0131k, ve ad\u0131n\u0131 hat\u0131rlamad\u0131\u011f\u0131m bir ka\u00e7 \u00fcniversite dergisi.”<\/p>\n\n\n\n
+Marmaris \u015eiir Ak\u015famlar\u0131 Etkinli\u011finde \u0130kincilik,
+Antoloji.com sitesi \u015fiir yar\u0131\u015fmas\u0131 J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc,
+Batman Valili\u011fi T\u00fcrk Dil \u015eenli\u011fi Birincilik,
+Almanya (K\u00fcrdistan \u00d6\u011frenciler Birli\u011fi) H\u00fcseyin \u00c7elebi \u015eiir etkinli\u011fi J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc,
+1998 y\u0131l\u0131nda TRT Amat\u00f6r T\u00fcrk Halk M\u00fczi\u011fi Ses Yar\u0131\u015fmas\u0131nda T\u00fcrkiye Birincili\u011fi. vs.<\/p>\n\n\n\n
Tan\u0131d\u0131k bir dostun b\u00f6ylesine g\u00fczel bir kitap yazmas\u0131 beni fazlas\u0131yla mutlu etmi\u015ftir. Gen\u00e7 \u015fairimizi y\u00fcrekten kutluyorum. Kitab\u0131na; “De\u011ferli \u00fcstad\u0131m, bu \u015fiiri yazarken cevaps\u0131z kalan tek soru vard\u0131 akl\u0131mda: Ben mi kuyunun i\u00e7indeydim, kuyu mu benim i\u00e7imde? Ama bildi\u011fim bir \u015fey vard\u0131 orada asla yaln\u0131z de\u011fildim\u2026 Sizin gibi derinde(n) susanlara b\u00fct\u00fcn kalbimle\u2026” diye yaz\u0131p \u015fahs\u0131ma g\u00f6nderme inceli\u011fini g\u00f6sterdi\u011fi i\u00e7in de ayr\u0131ca kendisine te\u015fekk\u00fcr ediyorum.<\/p>\n\n\n\n
***
Mehmet O\u011fuz’un \u015fiirlerinden iki \u00f6rnek (s. 22, 28):<\/strong><\/em><\/p>\n\n\n\n
“oku”<\/em><\/p>\n\n\n\n
bana gelen tek vahiy susmam\u0131 emrediyordu
r\u00e2m eyledim
tersinden okunan bir ayetle ba\u015flad\u0131m susmaya
ceylan derisine inerken ilk vahiy
tanr\u0131n\u0131n de\u011fil
derisi y\u00fcz\u00fclm\u00fc\u015f ceylan\u0131n sesini duydum
sustum ayetimi<\/em><\/p>\n\n\n\n
“ate\u015fin kavmi
demirin boynuna h\u00fck\u00fcm k\u0131l bu s\u00f6z\u00fc
\u00e7ekicin ucuyla sil \u00f6rs\u00fcn terini
y\u0131rt\u0131ls\u0131n k\u00e2hin s\u00f6zlerinden bi\u00e7ilmi\u015f kuma\u015flar
a\u011fac\u0131n dal\u0131na diller dolans\u0131n
k\u0131l\u0131c\u0131n ruhunu \u00e7ek k\u0131n\u0131ndan<\/em><\/p>\n\n\n\n
Ergani Haber Gazetesi<\/p>\n\n\n\n