{"id":5274,"date":"2009-12-15T10:57:00","date_gmt":"2009-12-15T10:57:00","guid":{"rendered":"https:\/\/www.uzulmez.site\/?p=5274"},"modified":"2023-05-25T11:11:39","modified_gmt":"2023-05-25T11:11:39","slug":"siirin-tarihine-cok-kisa-bir-bakis-ve-ocak-siirleri","status":"publish","type":"post","link":"https:\/\/www.uzulmez.site\/?p=5274","title":{"rendered":"\u015eiirin Tarihine \u00c7ok K\u0131sa Bir Bak\u0131\u015f ve “Ocak \u015eiirleri”"},"content":{"rendered":"\n

\u015eiir soyludur. Ge\u00e7mi\u015fi \u00e7ok eskilere dayan\u0131r. Eski Roma ve Yunan’da se\u00e7kin bir yeri vard\u0131. \u0130sl\u00e2m \u00f6ncesi Arabistan’da ise, \u015fiir \u00e7ok geli\u015fkin olup, aristokrasiye \u00f6zg\u00fc bir ayr\u0131cal\u0131k say\u0131l\u0131rd\u0131. \u00d6zellikle Mekke kentinde \u015fiir yar\u0131\u015fmalar\u0131 d\u00fczenlenir ve yar\u0131\u015fmay\u0131 kazanan ilk yedi \u015fiir K\u00e2be’nin duvar\u0131na as\u0131l\u0131rd\u0131. M\u00fcsl\u00fcmanl\u0131\u011f\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131 s\u00fcrecinde de bu gelenek devam etmi\u015ftir. \u0130sl\u00e2mi d\u00fc\u015f\u00fcncenin egemen olu\u015fuyla bu gelene\u011fe son verilmi\u015f, ama \u015fiir M\u00fcsl\u00fcmanl\u0131kta bir sava\u015f\u0131m (cih\u00e2d) arac\u0131 olarak hep kullan\u0131lm\u0131\u015ft\u0131r, asla k\u00fc\u00e7\u00fcmsenmemi\u015ftir. Ber\u00e2’n\u0131n nakletti\u011fi bir hadis buna g\u00fczel bir \u00f6rnektir. Hadiste Hz. Muhammed’in, ozan Hasan’a “K\u00e2firleri \u015fiirle ta\u015fla, Cebr\u00e2il seninle beraberdir<\/em>” s\u00f6yledi\u011fi belirtilmektedir. Ve bu d\u00fc\u015f\u00fcnceden hareketle, baz\u0131 din bilginleri o d\u00f6neme ili\u015fkin “sil\u00e2ha sil\u00e2hla oldu\u011fu gibi, \u015fiire \u015fiirle kar\u015f\u0131 konulmu\u015ftur<\/em>” yorumunu yapm\u0131\u015flard\u0131r. Abdulkadir \u0130s\u00e2 ise, Tasavvuf\u00ee Hakikatlar<\/strong> adl\u0131 eserinde: “N\u00fbr-u Muhammed\u00eeyi te\u015fvik bak\u0131m\u0131ndan \u015fiir dinlemenin tabiat\u0131nda nefislere etki ve kalbin derinliklerini tahrik vard\u0131r. B\u00fcy\u00fck s\u00fbf\u00eeler bo\u015funa toplanmaz ve bo\u015f s\u00f6zleri dinlemezler. Herkesin duymad\u0131klar\u0131n\u0131 onlar duyar ve herkesin anlayamad\u0131klar\u0131n\u0131 onlar anlarlar. Onlar\u0131n \u015fark\u0131 ve \u015fiir dinlemeleri vecidelerini harekete ge\u00e7irir ve y\u00fcreklerini canland\u0131r\u0131r. Y\u00fcrekleri Allah’a ba\u011fl\u0131, ona y\u00f6nelik ve onun huz\u00fbrunda \u00e2m\u00e2de olduklar\u0131 i\u00e7in onlar\u0131n sem\u00e2\u00ee ve \u015fiir dinlemeleri r\u00fbhlar\u0131n\u0131 n\u00fbrland\u0131r\u0131r<\/em>” diyerek, \u015fiire farkl\u0131 bir anlam y\u00fcklemektedir. (Orhan Han\u00e7erlio\u011flu, \u0130sl\u00e2m \u0130nan\u00e7lar\u0131 S\u00f6zl\u00fc\u011f\u00fc, Remzi Kitabevi, \u0130stanbul\u20132000, s. 589\u2013590)<\/em><\/p>\n\n\n\n

\u015eiirin, bizde de k\u00f6kl\u00fc bir ge\u00e7mi\u015fi vard\u0131r. Yunus Emre, Karacao\u011flan, Ehmed\u00ea Xan\u00ee gibi halk\u0131n i\u00e7inde, halk\u0131na \u015fiirler yazanlar\u0131n yan\u0131nda; padi\u015fahlara, beylere, egemenlere \u00f6vg\u00fcler dizen \u015fairlerde olmu\u015ftur. Cumhuriyet d\u00f6neminde Naz\u0131m Hikmet, Hasan H\u00fcseyin Korkmazgil, Ahmet Arif ba\u015fta olmak \u00fczere bir\u00e7ok \u015fairlerimiz \u015fiirleriyle toplumsal ve sanat ya\u015fam\u0131m\u0131za renk kat\u0131p, sanat d\u00fcnyas\u0131na damgalar\u0131n\u0131 vurmu\u015flard\u0131r. Toplumsal m\u00fccadelede \u015fiirleriyle halk\u0131n yan\u0131nda olmu\u015flard\u0131r. \u015eiirin tarih\u00e7esine bakt\u0131\u011f\u0131m\u0131zda, e\u011fer yaz\u0131lan \u015fiirler halk taraf\u0131ndan sevilirse, i\u00e7selle\u015ftirilip benimsenirse hi\u00e7bir g\u00fcc\u00fcn o \u015fiirleri belleklerden, toplumsal haf\u0131zadan silmeye g\u00fcc\u00fcn\u00fcn yetmedi\u011fini g\u00f6r\u00fcr\u00fcz. \u015eair ve \u015fiir yazanlar, bu nedenle, halk\u0131n s\u0131cak ba\u011fr\u0131nda yer bulacak \u015fiirler yazmal\u0131d\u0131r.<\/p>\n\n\n\n

Bana g\u00f6re yaz\u0131lacak \u015fiirler denizden esen meltem gibi k\u0131y\u0131ya tuz, su ve yosun kar\u0131\u015f\u0131m\u0131 kokular, co\u015fku ve h\u00fcz\u00fcn ta\u015f\u0131mal\u0131; kayalara vuran deniz dalgalar\u0131 gibi \u00e7\u0131\u011fl\u0131k at\u0131p ses vermelidir. Bazen Dicle gibi durgun dipten akmal\u0131, bazen de F\u0131rat gibi \u015fahlanmal\u0131d\u0131r. Y\u00fcce da\u011flardan me\u015fe, maz\u0131, kekik ve yasemin kokusunun yan\u0131nda \u00f6zg\u00fcrl\u00fck ate\u015fini, isyan\u0131 ta\u015f\u0131mal\u0131d\u0131r. Yanarda\u011f volkan\u0131 gibi patlay\u0131p sevdan\u0131n, ayr\u0131l\u0131\u011f\u0131n, \u00f6zlemin, umudun, kavgan\u0131n, \u00f6zg\u00fcrl\u00fc\u011f\u00fcn me\u015falesini yakmal\u0131d\u0131r. Zalimin, haks\u0131z\u0131n kar\u015f\u0131s\u0131nda; mazlumun, hakl\u0131n\u0131n yan\u0131nda olmal\u0131d\u0131r. Sevenlerin murada ermesi ve ayr\u0131l\u0131klar\u0131n son bulmas\u0131nda dilek ezgileri olmal\u0131d\u0131r. Gerekirse hicran ve g\u00f6zya\u015f\u0131 olmal\u0131d\u0131r. Bask\u0131n\u0131n, zulm\u00fcn, ayr\u0131mc\u0131l\u0131\u011f\u0131n, s\u00f6m\u00fcr\u00fcn\u00fcn ortadan kalkmas\u0131 i\u00e7in dizeler bazen kalkan, bazen de m\u0131zrak olmal\u0131d\u0131r. Halay ba\u015f\u0131nda sallanan renkli ipek mendil olmal\u0131d\u0131r. \u015eair, halk\u0131na yabanc\u0131la\u015fmamal\u0131d\u0131r. Kelime oyunlar\u0131ndan ve s\u00fcsl\u00fc dizelerden ka\u00e7\u0131nmal\u0131d\u0131r. \u015eiirler sade ve anla\u015f\u0131l\u0131r olmal\u0131d\u0131r.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Bug\u00fcn \u015fiir okuyan\u0131m\u0131z az olsa da, \u015f\u00fck\u00fcr az\u0131msanmayacak say\u0131da \u015fiir yazanlar\u0131m\u0131z var. Bunlardan biri de Ocak Remzi Babacan’d\u0131r.<\/p>\n\n\n\n

Babacan, gen\u00e7 bir \u015fairimiz; Kavim Yay\u0131nc\u0131l\u0131k<\/strong> taraf\u0131ndan Eyl\u00fcl 2009 da yay\u0131nlanan 80 sayfal\u0131k Ocak \u015eiirleri<\/strong> adl\u0131 ilk \u015fiir kitab\u0131yla edebiyat d\u00fcnyas\u0131na merhaba diyenlerimizden. Kitab\u0131nda anl\u0131k duygu ve d\u00fc\u015f\u00fcncelerini ustaca dizelerine yans\u0131tm\u0131\u015f. “Bir beyaz yeter, denize ve ekme\u011fe,\/ Ve bir ba\u015fka g\u00fcn \u0131\u015f\u0131\u011f\u0131 \u00f6mr\u00fcme yeter!<\/em>” dizelerinde oldu\u011fu gibi, \u015fiirlerini bazen yal\u0131n s\u00f6zc\u00fcklerle, bazen de imgelerle \u00f6rm\u00fc\u015f. Dolayl\u0131 bir anlat\u0131m olsa da, okuyan\u0131 yormuyor. Bi\u00e7im ve i\u00e7erik, kurgu ve s\u00f6zc\u00fcklerin se\u00e7imi, ses uyumu ve ritim fena de\u011fil. \u015eiirlerini genelde a\u015fk ve sevda \u00fczerine yazm\u0131\u015f: \u015eairce sevgiliye seslenir. “Mavi bir g\u00f6ky\u00fcz\u00fc bilsin g\u00f6zlerin, g\u00f6zlerimi..\/G\u00f6zlerin g\u00f6ky\u00fcz\u00fcmde, dolans\u0131n dursun!!!<\/em>” ya da “G\u00f6zlerin, g\u00f6zlerime s\u00fcz\u00fcls\u00fcn dursun.\/Hadi gel, da\u011f\u0131t g\u00f6ky\u00fcz\u00fcm\u00fcn bu hazan kaderini,\/Y\u00fcz\u00fcm ya\u011fmurunda ye\u015feren, bahar olsun<\/em>.” diyerek, sevgilinin dalgalan\u0131p savrulan sa\u00e7lar\u0131n\u0131n y\u00fcre\u011fine r\u00fczg\u00e2r doldurmas\u0131n\u0131 istemektedir. Bazen sevgilinin geli\u015fini beklemekte ya da gidi\u015fine i\u00e7erlenmekte; bazen de Destan<\/strong> \u015fiirinde oldu\u011fu gibi “Deniz y\u0131ld\u0131zlar\u0131n\u0131n, intihar n\u00f6betlerindeyim yine.\/ Kederler kabart\u0131yor y\u00fcre\u011fimde<\/em>” diyerek, bunal\u0131m tak\u0131lmaktad\u0131r. (Oysa ben \u015fiirlerin insanlara direnme azmi vermesini; umutsuzlara umut, y\u0131lg\u0131nlara direni\u015f t\u00fcrk\u00fcs\u00fc olmas\u0131n\u0131 isterim.) Baz\u0131 \u015fiirleri ise, bilmece var\u0131 s\u00fcsl\u00fc s\u00f6zc\u00fcklerden \u00f6r\u00fclm\u00fc\u015f, anlam\u0131 \u00e7\u0131karmada insan zorlan\u0131yor. Yer yer de, son d\u00f6nemlerde \u00e7ok ki\u015finin kulland\u0131\u011f\u0131 tumturakl\u0131 s\u00f6zc\u00fckleri fazla kullanm\u0131\u015f. Kullanmasayd\u0131 daha iyi olurdu diye d\u00fc\u015f\u00fcn\u00fcyorum.<\/p>\n\n\n\n

Ocak \u015eiirleri<\/strong> \u015fairimizin ilk eseri. Bu nedenle, baz\u0131 eksiklikleri olabilir. Ama ilerde kendi \u00f6zg\u00fcn sitilini yarat\u0131p kal\u0131c\u0131 g\u00fczel \u015fiirler yazaca\u011f\u0131na inan\u0131yorum. Ben, Babacan’da bunun cevherini g\u00f6r\u00fcyorum. “Solmay\u0131 unutmu\u015f dalg\u0131n mevsimler gibi..\/Hi\u00e7 olmasa ad\u0131m dursun \u015fiirde.<\/em>” diyenden, bu beklenmez de ne beklenir?<\/p>\n\n\n\n

Sevgili Babacan, \u015fiir, y\u00fcre\u011fin \u015fark\u0131s\u0131, g\u00f6n\u00fcllerin ve duygular\u0131n dilidir. Dedi\u011fim gibi, sende cevher var. Biliyorum, bu i\u015f zor. \u015eiir yazmak karanl\u0131k, yolsuz bir ormanda insan etini par\u00e7alayan dikenler aras\u0131nda yol a\u00e7maya benzer; zahmetlidir, sab\u0131r ister. Ama de\u011fer. Sak\u0131n vazge\u00e7me.<\/p>\n\n\n\n

Yazma cesaretini g\u00f6sterip bizlere Ocak \u015eiirleri<\/strong> kitab\u0131n\u0131 arma\u011fan etti\u011fi i\u00e7in, Babacan’\u0131 kutluyor ve sevgiyle selaml\u0131yorum. Arkada\u015f\u0131m eline, y\u00fcre\u011fine sa\u011fl\u0131k.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Ocak Remzi Babacan kimdir?<\/strong><\/em><\/p>\n\n\n\n

Ocak Remzi Babacan 1967 y\u0131l\u0131nda Diyarbak\u0131r’da -Ergani il\u00e7esinde- do\u011fdu.<\/p>\n\n\n\n

\u0130lk ve orta \u00f6\u011frenimini Ergani’de yapt\u0131. Sonra Dicle \u00dcniversitesi Meslek Y\u00fcksek Okulundan mezun oldu.<\/p>\n\n\n\n

\u015eu anda Ad\u0131yaman ilinde bir yandan ekmek kavgas\u0131 veriyor, di\u011fer yandan da s\u00f6zc\u00fcklerle sevi\u015ferek, kavga ederek \u015fiir yazmalar\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Ocak Remzi Babacan’\u0131n \u015fiirlerinden \u00f6rnekler:<\/strong><\/p>\n\n\n\n

D\u00dc\u015e<\/em>
D\u00fc\u015f, d\u00fc\u015fer g\u00f6ky\u00fcz\u00fcne bir mavi serseri
Geceler tefeci ve haindir oysa,
Uykular\u0131n\u0131 repolar mermi \u00e7ekirdekleri!
Uzaklarda bir ceylan\u0131n d\u00fc\u011f\u00fcn\u00fc,
\u00d6l\u00fcm\u00fcne tilili davul sesleri..
\u015eafak k\u0131z\u0131ll\u0131\u011f\u0131na boyand\u0131, kalkta bak hadi!
D\u00fc\u015f, \u00fc\u015f\u00fcr g\u00f6ky\u00fcz\u00fcnde bir mavi sereri.
\u00c7\u0131\u011fl\u0131kt\u0131r g\u00fcl\u00fc\u015f\u00fcn, g\u00f6zlerinde g\u00f6\u00e7ebe ku\u015f s\u00fcr<\/em>\u00fcleri!..<\/p>\n\n\n\n

NAZIM
Her eve bir naz\u0131m laz\u0131m.
Bak\u0131\u015f\u0131 mavi, g\u00fcl\u00fc\u015f\u00fc bahar, umudu sulak.
Zira bu aralar;
Serseri bir torpil gibi, intihar kokuyor hayat!<\/em><\/p>\n\n\n\n

Her dile bir naz\u0131m laz\u0131m.
Bestesi uzun, \u015fark\u0131s\u0131 \u015feker, solu\u011fu ba\u015fak.
Zira bu aralar;
Serseri bir may\u0131n gibi, galiz bir k\u00fcf\u00fcr kokuyor hayat!<\/em><\/p>\n\n\n\n

Her \u00f6mre bir naz\u0131m laz\u0131m bilirim!
Dal\u0131 ye\u015fil, \u00e7ocuksu bir g\u00fcl\u00fc\u015f gibi sevinci ak..
Zira bu aralar;
Soluk bir nesir, ac\u0131 bir nas\u0131r gibi kokuyor hayat!<\/em><\/p>\n\n\n\n

HEPS\u0130
Hepsi, devrik bir dize’yim i\u015fte.
\u00d6m\u00fcrde ser\u00fcven, devrilmelerde..
Bir sensin birde kuzguni ya\u011fmurlar kendimden arta kalan.
Kur\u015funlara tef \u00e7alan bu ars\u0131z gecelerde!!!<\/em><\/p>\n\n\n\n

15 Aral\u0131k 2009 tarihinde www.kritize.net sitesinde,
18 Aral\u0131k 2009 tarihinde www.sivildusunce.com sitelerinde,
17 Aral\u0131k 2009 tarihinde Ergani Haber gazetesinde,
28 Aral\u0131k 2009 tarihinde Yeni Yurt gazetesinde,
01 Ocak 2010 tarihinde www.haberhilal.com sitesinde,
02 Ocak 2010 tarihinde http:\/\/www.gonulsitesi.net sitesinde ve
www.yazimhane.com\/modules.php?name=Forums&file=viewtopic&p=38873 de yay\u0131nland\u0131.<\/em><\/p>\n\n\n

Abdulkadir \u0130s\u00e2<\/a>, <\/span>Ahmet Arif<\/a>, <\/span>ehmed\u00ea xan\u00ee<\/a>, <\/span>hasan h\u00fcseyin korkmazgil<\/a>, <\/span>Karacao\u011flan<\/a>, <\/span>Kavim Yay\u0131nc\u0131l\u0131k<\/a>, <\/span>naz\u0131m hikmet<\/a>, <\/span>Ocak Remzi Babacan<\/a>, <\/span>Ocak \u015eiirleri<\/a>, <\/span>\u015eiirin Tarihi<\/a>, <\/span>Tasavvuf\u00ee Hakikatlar<\/a>, <\/span>Yunus Emre<\/a><\/div>","protected":false},"excerpt":{"rendered":"

\u015eiir soyludur. Ge\u00e7mi\u015fi \u00e7ok eskilere dayan\u0131r. Eski Roma ve Yunan’da se\u00e7kin bir yeri vard\u0131. \u0130sl\u00e2m \u00f6ncesi Arabistan’da ise, \u015fiir \u00e7ok geli\u015fkin olup, aristokrasiye \u00f6zg\u00fc bir ayr\u0131cal\u0131k say\u0131l\u0131rd\u0131. \u00d6zellikle Mekke kentinde \u015fiir yar\u0131\u015fmalar\u0131 d\u00fczenlenir ve yar\u0131\u015fmay\u0131 kazanan ilk yedi \u015fiir K\u00e2be’nin duvar\u0131na as\u0131l\u0131rd\u0131. M\u00fcsl\u00fcmanl\u0131\u011f\u0131n ortaya \u00e7\u0131k\u0131\u015f\u0131 s\u00fcrecinde de bu gelenek devam etmi\u015ftir. \u0130sl\u00e2mi d\u00fc\u015f\u00fcncenin egemen olu\u015fuyla bu gelene\u011fe son verilmi\u015f, ama \u015fiir M\u00fcsl\u00fcmanl\u0131kta bir sava\u015f\u0131m (cih\u00e2d) arac\u0131 olarak hep kullan\u0131lm\u0131\u015ft\u0131r, asla k\u00fc\u00e7\u00fcmsenmemi\u015ftir. Ber\u00e2’n\u0131n nakletti\u011fi bir hadis buna g\u00fczel bir \u00f6rnektir. Hadiste Hz. Muhammed’in, ozan Hasan’a “K\u00e2firleri \u015fiirle ta\u015fla, Cebr\u00e2il seninle beraberdir” s\u00f6yledi\u011fi belirtilmektedir. Ve bu d\u00fc\u015f\u00fcnceden hareketle, baz\u0131 din bilginleri o<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[2975,2973,160,656,2971,2976,140,2977,2719,2972,2970,2974],"class_list":["post-5274","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-abdulkadir-isa","tag-ahmet-arif","tag-ehmede-xani","tag-hasan-huseyin-korkmazgil","tag-karacaoglan","tag-kavim-yayincilik","tag-nazim-hikmet","tag-ocak-remzi-babacan","tag-ocak-siirleri","tag-siirin-tarihi","tag-tasavvufi-hakikatlar","tag-yunus-emre"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5274"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5274\/revisions"}],"predecessor-version":[{"id":5275,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5274\/revisions\/5275"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}