1961 sonras\u0131nda T\u00fcrkiye \u0130\u015f\u00e7i Partisi’ne \u00fcye oldu. Halk \u015fiiri gelene\u011fiyle toplumcu g\u00f6r\u00fc\u015f\u00fc birle\u015ftirdi. Bu y\u00f6nelimiyle birlikte 68 ku\u015fa\u011f\u0131n\u0131n “militan ruhlu ozan\u0131<\/em><\/strong>” olarak an\u0131lmaya ba\u015fland\u0131. 1970’li y\u0131llarda devrimci veya sosyalist bir\u00e7ok \u00f6rg\u00fct ve olu\u015fumlar\u0131n de\u011fi\u015fik il ve il\u00e7elerde d\u00fczenledikleri etkinliklere kat\u0131larak kitleleri sesiyle, s\u00f6z\u00fcyle, saz\u0131yla co\u015fturdu. Devrimci duru\u015fu, g\u00fcr sesi, kaytan b\u0131y\u0131klar\u0131 ve elinde mavzer gibi ta\u015f\u0131d\u0131\u011f\u0131 ve kulland\u0131\u011f\u0131 saz\u0131yla konserlerin, toplant\u0131lar\u0131n, y\u00fcr\u00fcy\u00fc\u015flerin, mitinglerin vazge\u00e7ilmezi, aranan sanat\u00e7\u0131s\u0131 oldu. 12 Eyl\u00fcl 1980 \u00f6ncesinde s\u00f6z ve bilgeli\u011fin, ses ve hareketin, saz ve direni\u015fin bir simgesiydi: Saz\u0131n\u0131n tellerinden \u00e7\u0131kan ses s\u00f6zlerle bulu\u015ftu\u011funda kitleler co\u015fkunun selinde dalgalanarak kabar\u0131rd\u0131.<\/p>\n\n\n\n O, sesleni\u015f ve umudun, uyan\u0131\u015f ve devrimci co\u015fkunun patlay\u0131\u015f\u0131yd\u0131.<\/p>\n\n\n\n Bu co\u015fku patlamas\u0131n\u0131 en iyi Fransa’n\u0131n \u00f6nemli gazetelerinden Le Monde<\/strong> dile getirmi\u015ftir:<\/p>\n\n\n\n “…\u0130hsan\u00ee ile s\u00f6z konusu olan ba\u015fka \u015fey. Bunu s\u00f6ylerken Bob Dylan’\u0131, Joan Baez’i, Gospels’in, politik olmu\u015f kara derili \u015fark\u0131lar\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Ray Charles’\u0131n ya da John Holiday’in \u00e7\u0131\u011fl\u0131k t\u00fcrk\u00fcs\u00fc, Charlie Mingus’un yakar\u0131 t\u00fcrk\u00fcs\u00fc, Bob Dylan ya da Joan Baez’in yak\u0131nma t\u00fcrk\u00fcs\u00fc, Leo Fere, Branssens’in ta\u015flama t\u00fcrk\u00fcleri, \u0130hsan\u00ee s\u00f6zlerindeki \u015fiddetle kar\u015f\u0131la\u015ft\u0131r\u0131ld\u0131klar\u0131nda adeta \u00e7ekingen kal\u0131rlar. Yaln\u0131zca Vietnam Sava\u015f\u0131’na kar\u015f\u0131 koyan d\u00fcnya ozanlar\u0131nda g\u00f6r\u00fclen a\u00e7\u0131k s\u00f6zl\u00fc sertlik, \u0130hsan\u00ee \u015fiirinin ilk g\u00f6ze \u00e7arpan \u00f6zelli\u011fidir. \u0130hsan\u00ee bu \u00f6fkeyi, bu sertli\u011fi halk\u0131na kar\u015f\u0131 olan her \u015feyi yermekte kullan\u0131yor. Kibarlar belki bu tondan inciniyorlar ama bu ak\u0131m, bu hareket ray\u0131na oturmu\u015ftur<\/em>.”(1)<\/sup><\/p>\n\n\n\n Bel\u00e7ika gazeteleri ise, O’nu “sa\u00e7\u0131 ve sakal\u0131 gibi uzun g\u00f6r\u00fc\u015fl\u00fc \u0130hsan\u00ee<\/em>” olarak man\u015fetlerine ta\u015f\u0131m\u0131\u015ft\u0131.<\/p>\n\n\n\n O, sadece saz\u0131 ve sesiyle de\u011fil; \u015fiiriyle, bestesiyle, n\u00fcktesiyle, ta\u015flamas\u0131yla, kalemiyle, yaz\u0131lar\u0131yla; ve “Yazaca\u011f\u0131m<\/strong><\/em>“, “Ozan Dolu Anadolu<\/strong><\/em>“, “Bakal\u0131m Hele<\/strong><\/em>“, “Bak Tarlan\u0131n Ta\u015f\u0131na<\/strong><\/em>“, “Vur A\u011fan\u0131n Ba\u015f\u0131na<\/strong><\/em>” gibi kitaplar\u0131yla durmaks\u0131z\u0131n “A\u011fal\u0131 D\u00fcnya<\/em><\/strong>“y\u0131 a\u011fas\u0131zla\u015ft\u0131rmaya \u00e7al\u0131\u015ft\u0131. “A\u011fal\u0131 D\u00fcnya<\/em>“y\u0131 a\u011fas\u0131zla\u015ft\u0131rmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 i\u00e7in de bir\u00e7ok kez tutuklan\u0131p cezaevlerinde kald\u0131. Cezaevlerinde “\u00dc\u00e7 Ki\u015fi Bir Tabuttay\u0131z<\/strong><\/em>” t\u00fcrk\u00fcs\u00fc ve benzerlerini s\u00f6yleyerek g\u00fcn sayd\u0131.<\/p>\n\n\n\n O g\u00fcnlerin tan\u0131\u011f\u0131 olan Oral \u00c7al\u0131\u015flar y\u0131llar sonra bu konuda \u015funlar\u0131 yazacakt\u0131r:<\/p>\n\n\n\n “Geceleri \u0130zmir’in sokaklar\u0131nda \u00fc\u00e7erli d\u00f6rderli gruplar halinde dola\u015f\u0131p Amerikal\u0131 bahriyelileri ar\u0131yorduk. A\u015f\u0131k \u0130hsan\u00ee de eyleme kat\u0131lanlar aras\u0131ndayd\u0131. Sonunda yakaland\u0131 ve iki gece \u0130zmir Emniyeti’nde kald\u0131. Me\u015fhur, “\u00dc\u00e7 Ki\u015fi Bir Tabuttay\u0131z<\/strong>” adl\u0131 t\u00fcrk\u00fcs\u00fcn\u00fc bu g\u00f6zetim maceras\u0131 s\u0131ras\u0131nda yazd\u0131<\/em>.”(2)<\/sup><\/p>\n\n\n\n \u00d6zg\u00fcrl\u00fc\u011f\u00fcne her kavu\u015ftu\u011funda co\u015fkusunu yitirmeden kald\u0131\u011f\u0131 yerden saz\u0131 ve t\u00fcrk\u00fcleri arac\u0131l\u0131\u011f\u0131yla duygu ve d\u00fc\u015f\u00fcncelerini kitlelerle bulu\u015fturmaya devam etti; T\u00fcrkiye ve yurtd\u0131\u015f\u0131nda say\u0131s\u0131z konserler verdi. Fransa Cumhurba\u015fkan\u0131 ile \u0130ngiltere Krali\u00e7esi ba\u015fta olmak \u00fczere d\u00fcnya liderleri taraf\u0131ndan davetler al\u0131p a\u011f\u0131rland\u0131.<\/p>\n\n\n\n 12 Eyl\u00fcl 1980 askeri darbe sonras\u0131nda yeniden ac\u0131 \u00e7ekmemek, hapishanelerde zaman\u0131n\u0131 \u00f6ld\u00fcrmemek i\u00e7in \u00e7areyi yurtd\u0131\u015f\u0131na \u00e7\u0131kmakta buldu. Uzun bir zaman Fransa’da kald\u0131. Orada ya\u015fayan \u00fcnl\u00fc ses sanatc\u0131m\u0131z T\u00fclay German, kompozit\u00f6r Erdem Buri, ressam Abidin Dino ve e\u015fi G\u00fczin Dino olmak \u00fczere ba\u015fta bir\u00e7ok ayd\u0131n ve sanat\u00e7\u0131m\u0131zla tan\u0131\u015ft\u0131. Kimi sa\u011fl\u0131k sorunlar\u0131yla u\u011fra\u015ft\u0131…<\/p>\n\n\n\n Ancak 1995 y\u0131l\u0131nda memleketine, Diyarbak\u0131r’a d\u00f6nebildi. D\u00f6n\u00fc\u015f\u00fcnden sonra, zaman zaman Diyarbak\u0131r’da yay\u0131n yapan yerel TV kanallar\u0131na \u00e7\u0131k\u0131p saz\u0131yla, s\u00f6z\u00fcyle t\u00fcrk\u00fc tad\u0131nda ziyafetler \u00e7ekti.<\/p>\n\n\n\n \u0130hsan\u00ee, halk ozan\u0131 denilince ilk akla gelen isimlerden biridir. Sanat\u0131yla, devrimci s\u00f6ylemiyle, b\u0131y\u0131klar\u0131 ve giysileriyle oldu\u011fu kadar sosyal ya\u015fam\u0131yla da \u00e7ok ilgin\u00e7 bir insand\u0131.<\/p>\n\n\n\n 1957 y\u0131l\u0131nda U\u015fak \u015eeker Fabrikas\u0131’nda \u00e7al\u0131\u015f\u0131rken ilk evlili\u011fini yapan \u0130hsan\u00ee, e\u015fine saz \u00e7almas\u0131n\u0131, t\u00fcrk\u00fc s\u00f6ylemesini k\u0131sa zamanda \u00f6\u011fretti. Sonra A\u015f\u0131k \u0130hsan\u00ee ve G\u00fcll\u00fc\u015fah olarak birlikte \u015fehir \u015fehir dola\u015f\u0131p konserler verdi. Bu evlilikten Garip ve Elif adl\u0131 \u00e7ocuklar\u0131 oldu. Sonra iki sanat\u00e7\u0131n\u0131n yollar\u0131 ayr\u0131ld\u0131. Ve “\u0130hsaniyem g\u00f6kten melek\/\u0130nse gene istemem \u00e7ek\/Bekarl\u0131\u011fa raz\u0131y\u0131m tek\/Uzun dilli kar\u0131 verme<\/em>” dese de, duramaz: “\u0130hsaniyem sen seni sar\/Aya\u011f\u0131n incinmesin yar\/Yollar\u0131nda g\u00f6zlerim var\/\u00dczerine basarak gel<\/em>” deyip, pe\u015f pe\u015fe evlilikler yapt\u0131. Kendisi 30 dese de, 37 kez evlendi\u011fi dahi s\u00f6ylendi. Ama yine de \u015fik\u00e2yet etmekten vazge\u00e7medi ve: “Tam otuz keredir evlendim, bana\/Her gelen k\u0131z, giden dulu aratt\u0131,\/Gen\u00e7 ald\u0131m, ya\u015fl\u0131y\u0131 bo\u015fad\u0131m yine\/Her gelen k\u0131z, giden dulu aratt\u0131<\/em>” dedi.<\/p>\n\n\n Co\u015fkulu bu y\u00fcrek, co\u015fkulu bu ses 21 Nisan 2009 g\u00fcn\u00fc 77 ya\u015f\u0131nda, memleketi Diyarbak\u0131r’da d\u00fcnyaya veda etti. \u015eimdi Dicle’nin b\u00fclb\u00fcllere esin olan fiyakal\u0131, renkli, bazen durgun ve bazen de co\u015fkulu ak\u0131\u015f\u0131n\u0131n g\u00fczelim sesini dinliyor.<\/p>\n\n\n\n ***<\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee ile ilgili birka\u00e7 an\u0131m var, ama an\u0131lar\u0131m \u00e7ok net de\u011fil. Bu haliyle de olsa yazmaya \u00e7al\u0131\u015faca\u011f\u0131m. 1975 y\u0131l\u0131 olmal\u0131. Ankara’da \u00f6\u011frenciyken, benimde y\u00f6netiminde bulundu\u011fum Ankara Devlet M\u00fchendislik ve Mimarl\u0131k Y\u00fcksek Okulu \u00d6\u011frenci Derne\u011fi, hem devrimci bir etkinlikte bulunmak ve hem de derne\u011fe biraz gelir temin etmek i\u00e7in kapal\u0131 spor salonunda bir “Gece<\/em><\/strong>” d\u00fczenledi. Gecede bir\u00e7ok sanat\u00e7\u0131 vard\u0131. \u00d6zay G\u00f6nl\u00fcm ninesinin t\u00fcrk\u00fclerini s\u00f6ylemeye ba\u015flay\u0131nca salondakiler hayal k\u0131r\u0131kl\u0131\u011f\u0131na u\u011fram\u0131\u015f gibi oldu. Baz\u0131 dinleyiciler \u0131sl\u0131k \u00e7almaya ba\u015flad\u0131. Geceyi d\u00fczenlemekle g\u00f6revli arkada\u015flar hemen sahneye A\u015f\u0131k \u0130hsan\u00ee’yi \u00e7\u0131kard\u0131lar. Salona giri\u015fi, saz\u0131n\u0131 sa\u011f elinde havaya kald\u0131r\u0131\u015f\u0131 ve arkas\u0131ndan Karacada\u011f’\u0131n volkanik patlamas\u0131n\u0131 and\u0131ran davud\u00ee sesiyle “Arkas\u0131ndan Baltas\u0131n\u0131 Biledi<\/em><\/strong>” t\u00fcrk\u00fcs\u00fcn\u00fc s\u00f6ylemeye ba\u015flamas\u0131yla yer yerinden oynad\u0131; “Deha Deha<\/em><\/strong>” t\u00fcrk\u00fcs\u00fcyle de devrimci co\u015fkunun doru\u011fa s\u0131\u00e7rad\u0131\u011f\u0131n\u0131 iyi hat\u0131rl\u0131yorum.<\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee’nin Seydi\u015fehir maceras\u0131n\u0131 da akrabam Kamil S\u00fcmb\u00fcl’den dinlemi\u015ftim:<\/p>\n\n\n\n Kamil’in Sekreteri oldu\u011fu Seydi\u015fehir K\u00fclt\u00fcr Derne\u011fi, \u00d6zg\u00fcr Al\u00fcminyum-\u0130\u015f Sendikas\u0131’n\u0131n dolayl\u0131 deste\u011fiyle 1975’te A\u015f\u0131k Ihsan\u00ee’yi bir konser i\u00e7in Seydi\u015fehir’e davet ediyor. Sinema salonun t\u0131kl\u0131m t\u0131kl\u0131m doluyor. Co\u015fkulu bir konser veriyor. Konser bitiminde sinema salonu d\u0131\u015f\u0131nda bekleyen bir grup polis, \u0130hsan\u00ee’yi g\u00f6zalt\u0131na almak isteyince, y\u00fczlerce i\u015f\u00e7i bir barikat olu\u015fturarak buna engel oluyor. Kamil ve i\u015f\u00e7i arkada\u015flar\u0131 \u0130hsan\u00ee’yi Seydi\u015fehir’in bir k\u00f6y\u00fcne ka\u00e7\u0131r\u0131yorlar. Sabah olunca da da\u011f yolundan Bozk\u0131r il\u00e7esine, oradan da Konya’ya g\u00f6t\u00fcr\u00fcyorlar. Konya’dan da \u0130zmir istikametine giden bir otob\u00fcse bindiriyorlar. \u0130hsan\u00ee’yi karakola d\u00fc\u015fmekten kurtar\u0131yorlar. Ama Seydi\u015fehir’de o gece konser sonras\u0131nda konseri d\u00fczenleyenlerin yar\u0131s\u0131 geceyi polis karakolunda ge\u00e7iriyor. \u00d6zg\u00fcr Al\u00fcminyum -\u0130\u015f Sendikas\u0131’n\u0131n avukat\u0131 gerekli m\u00fcdahaleyi yap\u0131nca serbest b\u0131rak\u0131l\u0131yorlar. Dernek y\u00f6neticisi ve geceyi d\u00fczenleyenlerden biri olan Kamil, \u0130hsan\u00ee’nin ka\u00e7\u0131r\u0131lma eyleminde olmas\u0131ndan dolay\u0131 Seydi\u015fehir’de o gece polis nezaretine al\u0131nmaktan kurtuluyor. Daha sonra savc\u0131l\u0131\u011fa \u00e7a\u011fr\u0131l\u0131p ifadesi al\u0131n\u0131yor. Savc\u0131, geceyle ilgili dava a\u00e7\u0131lmamas\u0131na karar veriyor.<\/p>\n\n\n\n An\u0131lar\u0131m\u0131n aras\u0131nda bir de \u0130hsan\u00ee’nin Diyarbak\u0131r’\u0131n \u015firin il\u00e7esi Ergani’ye geli\u015fleri var. Akl\u0131mda kald\u0131\u011f\u0131 kadar\u0131yla bu geli\u015fler de tam bir “olayd\u0131<\/em>“. Ama ne yaz\u0131k ki akan zaman, belle\u011fimin kuytular\u0131ndan bu geli\u015flere dair bilgileri \u00e7\u0131kart\u0131p hat\u0131rlamama olanak vermiyor. Bu nedenle k\u0131ymetli hem\u015ferilerim Emekli Anayasa Mahkemesi H\u00e2kimi Ali G\u00fczel, Prof. Dr. M. \u015eehmus G\u00fczel, Cumali Din\u00e7er, Resul \u00dcst\u00fcn, Remzi Demir ve Hasan \u00c7ak\u0131r’\u0131n bilgilerine ba\u015fvurdum.(3)<\/sup> Hem\u015ferilerimden ald\u0131\u011f\u0131m bilgiler ve yapt\u0131\u011f\u0131m ufak \u00e7apl\u0131 bir ara\u015ft\u0131rma sonucunda hat\u0131rlayabildiklerimi yeniden g\u00f6zden ge\u00e7irince \u0130hsan\u00ee’nin Ergani’ye en az d\u00f6rt kez geldi\u011fini s\u00f6yleyebilirim. S\u0131ras\u0131yla:<\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee’nin Ergani’ye ilk oldu\u011funu sand\u0131\u011f\u0131m geli\u015fi 1950’lerin sonunda, belki 1960 sonunda veya belki 1961 ba\u015f\u0131nda olmu\u015ftur. G\u00fcll\u00fc\u015fah’la birlikte ve bir t\u00fcr kar\u0131-koca dengbej olarak dola\u015ft\u0131klar\u0131 ve a\u015fklar\u0131n\u0131, birbirlerine nas\u0131l a\u015f\u0131k oduklar\u0131n\u0131, \u00fclkeyi tasvir ederek, ola\u011fan\u00fcst\u00fc ayr\u0131nt\u0131larla anlatt\u0131klar\u0131 zaman dilimine rastlar. Konser, Adil \u00d6zt\u00fcrk’\u00fcn yazl\u0131k sinemas\u0131nda yap\u0131lm\u0131\u015ft\u0131r. Konseri izleyenlerden biri olan M. \u015eehmus G\u00fczel, y\u0131llar sonra \u0130hsan\u00ee’nin Ergani’ye bu ilk geli\u015fiyle ilgili \u015funlar\u0131 yazacakt\u0131r: “27 May\u0131s 1960 askeri darbesinin hemen ertesi aylarday\u0131z. Zaman zaman olal\u0131 Ergani b\u00f6yle bir gece ya\u015famam\u0131\u015ft\u0131. \u00c7\u00fcnk\u00fc karde\u015flerim bu gece Adil Abe’nin ‘b\u00fcy\u00fck masraflardan ka\u00e7\u0131nmayarak getirtti\u011fi’ bir sanat\u00e7\u0131m\u0131z\u0131n konseri var. Buna sadece konser de diyemeyiz asl\u0131nda. Hangi a\u00e7\u0131dan bakarsak bakal\u0131m tam anlam\u0131yla bir seyir. \u0130\u015fte sahnede upuzun sa\u00e7l\u0131, upuzun sakall\u0131 ve kendine \u00f6zg\u00fc giysileri i\u00e7inde sanat\u00e7\u0131m\u0131z. Sol elindeki saz\u0131 \u015f\u00f6yle bir havaya kald\u0131r\u0131r kald\u0131rmaz a\u00e7\u0131k hava sinemas\u0131ndan bir alk\u0131\u015f f\u0131rt\u0131nas\u0131 koptu ki sorulmaz: B\u00fcy\u00fck Cami’nin minaresi tiril tiril titredi. \u0130lkokulun camlar\u0131, H\u00fck\u00fcmet Kona\u011f\u0131’n\u0131n merdivenleri de<\/em>.”(4)<\/sup><\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee, \u015eubat 1966’da Ergani’ye ikinci kez gelerek Arif Efendi’nin Oteli’nin Salonunda d\u00fczenlenen “Az Geli\u015fmi\u015f T\u00fcrkiye’nin Geli\u015fmemi\u015f Do<\/em><\/strong>\u011fusu<\/strong><\/em>” adl\u0131 konferans\u0131n sonras\u0131nda \u015fiir a\u011f\u0131rl\u0131kl\u0131 bir konser vermi\u015ftir. Konferans\u0131 Ali G\u00dcZEL y\u00f6netmi\u015ftir. Konu\u015fmac\u0131 olarak Av. Canip Y\u0131ld\u0131r\u0131m K\u00fcrt sorununu; Dr. Y\u00fccel Kanpolat ise t\u00fcm sorunlar\u0131n ancak sosyalizmle \u00e7\u00f6z\u00fclebilece\u011fini dile getirmi\u015ftir. \u015eeref Y\u0131ld\u0131z, F\u0131rt\u0131nada Y\u00fcr\u00fcy\u00fc\u015f adl\u0131 kitab\u0131nda d\u00fczenlenen bu konferansla ilgili \u015fu \u00f6nemli de\u011ferlendirmeyi yapmaktad\u0131r:<\/p>\n\n\n\n “B\u00f6lgede sosyalizm ile K\u00fcrt meselesinin birlikte tart\u0131\u015f\u0131ld\u0131\u011f\u0131 ilk toplant\u0131yd\u0131. K\u00fc\u00e7\u00fck bir kasabada az say\u0131da insan\u0131n izledi\u011fi m\u00fctevaz\u0131 bir toplant\u0131<\/em>.”(5)<\/sup><\/p>\n\n\n\n Konferans\u0131n ard\u0131ndan, ifadesi al\u0131nmak \u00fczere, A\u015f\u0131k \u0130hsan\u00ee Ergani polis karakoluna “davet<\/em>” edilmi\u015ftir. Karakoldaki o an\u0131 ise, kasabam\u0131z\u0131n en acar muhabiri ve foto\u011fraf\u00e7\u0131s\u0131 Adil \u00d6zt\u00fcrk \u00e7ekti\u011fi foto\u011frafla \u00f6l\u00fcms\u00fczle\u015ftirmi\u015ftir. \u0130lk kez yay\u0131nlan bu foto\u011frafa bakt\u0131\u011f\u0131m\u0131zda; uzun sa\u00e7lar\u0131yla bir dervi\u015f izlenimi yaratan A\u015f\u0131k \u0130hsan\u00ee, Ergani polis karakolunda masaya oturmu\u015f, polis ayakta. Ama \u0130hsan\u00ee’nin keyfi yerinde gibi…<\/p>\n\n\n\n Ali G\u00fczel A\u011fabey 13 Mart 2010 tarihinde bana g\u00f6nderdi\u011fi bir iletide konferansa dair hat\u0131rlayabildiklerini \u015fu sat\u0131rlarla dile getirmi\u015ftir: “Gelelim 1966 \u015eubat\u0131na. \u00dcniversiteyi bitirmi\u015fim, Mart sonunda askere, yedek subay okuluna gitmeyi bekliyorum. O nedenle Ergani’deyim. Ergani Sa\u011fl\u0131k Oca\u011f\u0131 Doktoru Y\u00fccel Kanpolat (Daha sonralar\u0131 Ankara \u00dc. T\u0131p Fak\u00fcltesinde N\u00f6ro\u015f\u00fcrirji Profes\u00f6r\u00fc oldu) ile birlikte bir a\u00e7\u0131k oturum d\u00fczenledik. Konusunu “Az geli\u015fmi\u015f T\u00fcrkiye’nin Geli\u015fmemi\u015f Do\u011fusu” \u015feklinde adland\u0131rd\u0131k. Yer, \u00d6\u011fretmenler Derne\u011fi Lokali. (Arif Yetmen’in Oteli’nin giri\u015f kat\u0131) (San\u0131r\u0131m o zaman hen\u00fcz T\u00d6S: T\u00fcrkiye \u00d6\u011fretmenler Sendikas\u0131 kurulmam\u0131\u015ft\u0131, \u00f6\u011fretmen \u00f6rg\u00fctlenmesi dernek bi\u00e7imindeydi.) A\u00e7\u0131k oturuma konu\u015fmac\u0131 olarak Diyarbak\u0131r’\u0131n baz\u0131 parlamenterlerini (\u00f6zellikle iktidardaki Adalet Partisi ve ana muhalefetteki CHP mensuplar\u0131) ve T\u00fcrkiye \u0130\u015f\u00e7i Partisi’nden Av. Canip Y\u0131ld\u0131r\u0131m’\u0131 \u00e7a\u011f\u0131rd\u0131k. Bir k\u0131sm\u0131 gelemeyece\u011fini pe\u015finen s\u00f6yledi, bir k\u0131sm\u0131 gelece\u011fini s\u00f6yledi fakat gelmedi. Neyse, oturum g\u00fcn ve saatinde Canip Abe, yan\u0131na A\u015f\u0131k \u0130hsan\u00ee’yi de alm\u0131\u015f, Diyarbak\u0131r’dan \u00e7\u0131kageldi. K\u00fcrs\u00fcde y\u00f6netici olarak ben, konu\u015fmac\u0131 olarak Av. Canip Y\u0131ld\u0131r\u0131m ve Dr. Y\u00fccel Kanpolat bulunduk. \u0130lgi, co\u015fku ve gururla dinlendi. Kasabaya s\u0131k\u0131\u015fm\u0131\u015f ket\u00fbm insanlar\u0131m\u0131z\u0131n, hayata ve d\u00fcnyaya nas\u0131l bir evrensel a\u00e7\u0131yla bakt\u0131klar\u0131n\u0131, parlayan g\u00f6zlerinde g\u00f6rd\u00fcm. (12 Mart 1971’in kara g\u00f6zl\u00fckl\u00fc Genelkurmay Ba\u015fkan\u0131’n\u0131n “siyasal bilin\u00e7lenme, ekonomik geli\u015fmenin \u00f6n\u00fcne ge\u00e7mi\u015fti; m\u00fcdahale etmemiz gerekliydi” mealindeki laflar\u0131 bo\u015funa de\u011fildi!) Konu\u015fmalar\u0131n sonunda \u0130hsan\u00ee’yi k\u00fcrs\u00fcye ald\u0131k, y\u00fcreklere i\u015fleyen sesiyle \u015fiirlerini okudu, \u00e7a\u011flad\u0131. Oturumun sonunda \u0130hsan\u00ee’yi polis karakoluna davet ettiler ve g\u00f6zalt\u0131na ald\u0131lar. Ak\u015fam olmu\u015ftu. \u0130smail Abe (“\u0130so Koto” nam\u0131yla maruf \u0130smail \u00c7elikel) demlenmemi\u015f olmaz. Lokantada bir \u015feyler yeyip i\u00e7tik, \u0130hsan\u00ee’ye g\u00f6nderdik. Yemekten sonra gece boyunca karakolun \u00f6n\u00fcndeki “Maden Yolu”nda gidip geldik. Arada bir karakola u\u011fray\u0131p adam\u0131m\u0131z\u0131n durumunu yokluyorduk. F\u0131kralar\u0131yla, espirileriyle bizi uyutmayan \u0130smail Abe akl\u0131mda, fakat ba\u015fka arkada\u015flar var m\u0131yd\u0131, kimlerdi, hat\u0131rl\u0131yam\u0131yorum. Sevgili arkada\u015flar\u0131m \u015eeref Y\u0131ld\u0131z, Cumali Din\u00e7er, \u0130smail Abenin kadim yolda\u015f\u0131 ve arkada\u015f\u0131 \u00d6mer Abe (\u00d6mer Kan) muhtemelen varlard\u0131. San\u0131r\u0131m s\u00f6mestr tatili bitmi\u015f ve \u00fcniversiteli arkada\u015flar\u0131n \u00e7o\u011fu okullar\u0131na gitmi\u015flerdi. Sabahleyin \u0130hsan\u00ee, C.Savc\u0131l\u0131\u011f\u0131na ve oradan da sorgu ve tutuklama talebiyle Sulh Ceza H\u00e2kimli\u011fine sevkedildi. Savc\u0131, benim ve Y\u00fccel Kanpolat’\u0131n da ifadelerimizi ald\u0131, fakat bizim i\u00e7in sorgu ve tutuklama talebinde bulunmad\u0131. \u0130hsan\u00ee’yi sorguya \u00e7eken h\u00e2kim Turab\u00ee Erdo\u011fan (Dersimliydi, y\u0131llar sonra en son Ankara Numune Hastanesi’nde hasta yata\u011f\u0131nda g\u00f6rm\u00fc\u015ft\u00fcm, an\u0131s\u0131na sayg\u0131lar. Darbe ve s\u0131k\u0131y\u00f6netim d\u00f6nemlerinde \u00e7ok zul\u00fcm g\u00f6rm\u00fc\u015f arkada\u015f\u0131m\u0131z Piltan Erdo\u011fan’\u0131n da abesiydi.) tutuklama talebini reddederek serbest b\u0131rak\u0131lmas\u0131na karar verdi. Bizim a\u00e7\u0131k oturum maceram\u0131z da fazla bir vukuat olmadan \u00f6ylece bitti. Galiba, Ergani’de ilk defa bir a\u00e7\u0131k oturum yap\u0131lm\u0131\u015f oluyordu<\/em>.”(6)<\/sup><\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee, 1974 y\u0131l\u0131nda, Ergani T\u00d6B-DER \u015eubesi’nin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde d\u00fczenlenen bir konser vesilesiyle de Ergani’ye gelip Halk E\u011fitimi Salonu’nda bir konser vermi\u015ftir.<\/p>\n\n\n\n A\u015f\u0131k \u0130hsan\u00ee’nin Ergani’ye son geli\u015fi 1975 y\u0131l\u0131 yaz\u0131nda da olmu\u015ftur. Bu geli\u015finde \u015ean Sinemas\u0131 yazl\u0131\u011f\u0131nda konser vermi\u015ftir. Bana anlat\u0131ld\u0131\u011f\u0131na g\u00f6re, \u0130hsan\u00ee, konser esnas\u0131nda bir ara sol elini havaya kald\u0131r\u0131p; “T\u00fcrk Halk\u0131na selam olsun<\/em>” diye hayk\u0131r\u0131r ve sonra da sakal ve b\u0131y\u0131\u011f\u0131n\u0131 taramak i\u00e7in dinleyicilere; “Ka jiminre \u015fe b\u00eenin, ez p\u00ea simb\u00eala xwe \u015fekim<\/em>” diye, K\u00fcrt\u00e7e seslenerek bir tarak ister… Konsere ara verildi\u011finde bir gen\u00e7; “\u0130hsan\u00ee Abem,<\/em> ‘T\u00fcrk halk\u0131na selam olsun’ diyorsun, ama burada sadece T\u00fcrk halk\u0131 yok, ‘T\u00fcrkiye Halklar\u0131na selam olsun<\/em>‘ demen gerekmez mi<\/em>?” diye, sitem i\u00e7erikli sorusunu y\u00f6neltince; A\u015f\u0131k \u0130hsan\u00ee, soru soran gence d\u00f6n\u00fcp bakar ve g\u00fcl\u00fcmser, sonra da; “gel buraya \u00e7ak\u0131r g\u00f6zl\u00fcm<\/em>” diyerek yan\u0131na \u00e7a\u011f\u0131r\u0131r gencin aln\u0131ndan \u00f6per.(7)<\/sup><\/p>\n\n\n\n ***<\/p>\n\n\n\n \u00d6l\u00fcm A\u015f\u0131k \u0130hsan\u00ee’yi bizden ay\u0131rd\u0131, ama O t\u00fcrk\u00fcleriyle, besteleriyle, \u015fiirleriyle, kitaplar\u0131yla hep aram\u0131zda ya\u015fayacakt\u0131r. De\u011ferli ozan\u0131m\u0131z\u0131 \u00f6l\u00fcm y\u0131l d\u00f6n\u00fcm\u00fcnde sayg\u0131yla an\u0131yorum.<\/p>\n\n\n\n A\u00e7\u0131klamalar<\/strong><\/em>: 18 Nisan 2010 tarihinde BirG\u00fcn<\/strong> gazetesinin eki BirG\u00fcn PAZAR’da, A\u015f\u0131k \u0130hsan\u00ee 21 Nisan 2009’da aram\u0131zdan ayr\u0131ld\u0131. Bizi b\u0131rak\u0131p gideli bir y\u0131l oldu. \u00d6l\u00fcm y\u0131ld\u00f6n\u00fcm\u00fcnde bu yi\u011fit devrimci ozan\u0131m\u0131z\u0131 anmak ve elime yeni ge\u00e7en, ama \u015fimdiye kadar hi\u00e7bir yerde yay\u0131nlanmam\u0131\u015f bir foto\u011fraf\u0131n\u0131 g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kartman\u0131n sevincini payla\u015fmak istiyorum. Ya\u015fam \u00f6yk\u00fcs\u00fcn\u00fc uzun uzun anlatacak de\u011filim. A\u015f\u0131k \u0130hsan\u00ee, 1932 y\u0131l\u0131nda, karpuz tad\u0131nda tatl\u0131 insanlar\u0131n \u00e7ok, bu yi\u011fit insanlar\u0131n a\u011f\u0131z tad\u0131n\u0131 bozmak i\u00e7in en kuytu ve \u00e7ok derin mek\u00e2nlara sinmi\u015f zehirli akreplerin de hi\u00e7 eksik olmad\u0131\u011f\u0131 kara surlar\u0131yla bir e\u015fi benzeri daha olmayan kadim direni\u015f \u015fehri Diyarbak\u0131r’da do\u011fdu. Ger\u00e7ek ismi: \u0130hsan S\u0131rl\u0131o\u011fu’dur. O, sanat ya\u015fam\u0131na 1958 y\u0131l\u0131nda, Ankara Radyosu “Yurttan Sesler” program\u0131n\u0131n \u015fefi<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197,1064],"tags":[142,2674,2638,2634,3291,115,129,2637,2647,454,2662,2663,2649,2643,2667,148,1311,506,3292],"class_list":["post-5165","post","type-post","status-publish","format-standard","hentry","category-kultur","category-tarih","tag-12-eylul","tag-adil-ozturk","tag-ali-guzel","tag-asik-ihsani","tag-canip-yildirim","tag-diyarbakir","tag-ergani","tag-gullusah","tag-ismail-celikel","tag-kamil-sumbul","tag-le-monde","tag-muzaffer-sarisozen","tag-omer-kan","tag-seref-yildiz","tag-seydisehir","tag-tip","tag-tos-2","tag-turkiye-isci-partisi","tag-yucel-kanpolat"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5165"}],"version-history":[{"count":2,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5165\/revisions"}],"predecessor-version":[{"id":5572,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/5165\/revisions\/5572"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.uzulmez.site\/wp-content\/uploads\/2023\/05\/x.jpg\")
<\/figure><\/div>\n\n\n
(1) http:\/\/tr.wikipedia.org\/wiki\/A%C5%9F%C4%B1k_%C4%B0hsani#Ya.C5.9Fam_.C3.96yk.C3.BCs.C3.BC
(2) O. \u00c7al\u0131\u015flar, 68′ Ba\u015fkald\u0131r\u0131n\u0131n Yedi Rengi, Milliyet Y.\u0131, \u0130st.\u20131989, s.12
(3) A\u015f\u0131k \u0130hsani’nin Ergani’ye geli\u015fleri konusunda verdikleri bilgilerden dolay\u0131 de\u011ferli hem\u015ferilerim Emekli Anayasa Mahkemesi Hakimi Ali G\u00fczel, Prof. Dr. M. \u015eehmus G\u00fczel, Cumali Din\u00e7er, Resul \u00dcst\u00fcn, Remzi Demir ve Hasan \u00c7ak\u0131r’a \u00e7ok \u00e7ok te\u015fekk\u00fcr ederim.
(4) “A\u015f\u0131k \u0130hsan\u00ee’den kalan”, M.\u015eehmus G\u00fczel, G\u00fcnl\u00fck -27.04.2009.
(5) \u015eeref Y\u0131ld\u0131z, F\u0131rt\u0131nada Y\u00fcr\u00fcy\u00fc\u015f, T\u00dcSTAV Yay., \u0130stanbul\u20132009, s. 44.
(6) Ali G\u00fczel’in 13 Mart 2010 tarihli iletisi.
(7) Burada anl\u0131ndan \u00f6p\u00fclen ve de bunu bu olay\u0131 anlatan Remzi Demir’dir.<\/p>\n\n\n\n
30 Nisan 2010 tarihinde Ergani Haber<\/strong> gazetesinde, ve http:\/\/izmirizmir.net sitesinde yay\u0131mland\u0131.<\/em><\/p>\n\n\n