{"id":4786,"date":"2013-06-24T15:13:00","date_gmt":"2013-06-24T15:13:00","guid":{"rendered":"https:\/\/www.uzulmez.site\/?p=4786"},"modified":"2023-05-14T15:32:50","modified_gmt":"2023-05-14T15:32:50","slug":"tarihsiz-ve-talihsiz-siirler","status":"publish","type":"post","link":"https:\/\/www.uzulmez.site\/?p=4786","title":{"rendered":"Tarihsiz ve Talihsiz \u015eiirler"},"content":{"rendered":"\n

\u201ck\u00f6pr\u00fc kurmak \u00e7ocuk oyunca\u011f\u0131
bar\u0131\u015ft\u0131r insanl\u0131\u011f\u0131n en b\u00fcy\u00fck eseri.\u201d<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

G\u00fcn\u00fcm\u00fczde \u015fiir yazan \u00e7ok, ama ne yaz\u0131k ki g\u00fczel \u015fiir \u00e7ok az. Ama Misbah Hicri\u2019nin yeni yay\u0131nlanan Tarihsiz ve Talihsiz \u015eiirler<\/em><\/strong> kitab\u0131nda yer alan \u015fiirleri fazlas\u0131yla be\u011fendim.<\/p>\n\n\n\n

\u015eiir, \u015fiir yazmak i\u00e7in yaz\u0131lmaz bence, i\u00e7ten gelmelidir. Yazarken, \u015fiirin temas\u0131 \u015fu olsun bu olsun diye de d\u00fc\u015f\u00fcn\u00fclmemelidir. \u015eair, esinlendi\u011fi an\u0131ndaki duygu ve d\u00fc\u015f\u00fcncelerini bazen \u00e7ok yal\u0131n, bazen de g\u00fc\u00e7l\u00fc imgelerle bir kurgu d\u00e2hilinde s\u00f6zc\u00fckleri k\u00e2\u011f\u0131da nak\u0131\u015f gibi i\u015flemelidir. \u015eair sab\u0131r, yo\u011funluk, tarih felsefesi bilinciyle yo\u011frulmu\u015f evrensel boyutlu insan\u0131n hayat\u0131 alg\u0131lay\u0131\u015f bi\u00e7imini ve ya\u015fay\u0131\u015f\u0131n\u0131 kendisine rehber edinmelidir. Anlam y\u00fckl\u00fc s\u00f6zc\u00fckleri do\u011fa, bilin\u00e7 ve insan \u00fc\u00e7geninde bir uyum d\u00e2hilinde matematiksel dizebilmelidir. Bilmece gibi olmas\u0131na, sadece imgelerden olu\u015fmas\u0131na gerek yoktur. \u00c7etrefilli olmas\u0131 gerekti\u011fini sanmak ise hi\u00e7 do\u011fru de\u011fildir. Makbul olan dizelerin hayata dair olmas\u0131d\u0131r. En usta \u015fairler en sade yazan \u015fairlerdir. Can Y\u00fccel, \u201c\u015eiir, evrenin i\u00e7inde b\u00fcy\u00fck seslerin molek\u00fcl ve atomlardan ba\u015flayan b\u00fct\u00fcnl\u00fc\u011f\u00fc, bu b\u00fct\u00fcnl\u00fc\u011f\u00fcn m\u00fczi\u011fidir<\/em>\u201d der. B\u00f6ylesi bir m\u00fczi\u011fin icra edilmesi zahmetlidir, u\u011fra\u015f\u0131 ister. \u0130cra edilen iyi bir m\u00fczi\u011fin dinlemesi ise zevklidir. \u0130nsana keyif verir. Misbah Hicri\u2019nin Tarihsiz ve Talihsiz \u015eiirler<\/em><\/strong> kitab\u0131nda yer alan \u015fiirler keyifle okunacak ve \u00fczerinde \u00e7ok\u00e7a d\u00fc\u015f\u00fcn\u00fclecek \u015fiirlerdir.<\/p>\n\n\n\n

Her \u015fair do\u011fal olarak ya\u015fad\u0131\u011f\u0131 co\u011frafyan\u0131n do\u011fal, k\u00fclt\u00fcrel ve sosyal ya\u015fam\u0131ndan etkilenir ve yeri geldi\u011finde de bu etkilenmeler \u015fiirlerinde dizelerine yans\u0131r. Ege b\u00f6lgesinde ya\u015fayan bir \u015fairin dizelerinde zeytin a\u011fa\u00e7lar\u0131n\u0131n, t\u00fct\u00fcn\u00fcn, bal\u0131k\u00e7\u0131lar\u0131n, denizin, bal\u0131k t\u00fcrlerinin, k\u0131y\u0131y\u0131 d\u00f6ven dalgalar\u0131n, a\u015fk\u0131n, sevdan\u0131n yer almas\u0131 ne kadar normal ise, Urfa\u2019da ya\u015fayan Misbah Hicri\u2019nin de dizelerinde da\u011flar\u0131n, \u00e7\u00f6l\u00fcn, s\u0131n\u0131r\u0131n, yoksullu\u011fun, ka\u00e7a\u011f\u0131n, may\u0131nlar\u0131n, kimli\u011fin, anadilin ve \u201csokaklara \u00e7\u0131k\u0131lmayan gecelerde<\/em> \u201ddeki failli me\u00e7hul \u00f6l\u00fcmlerin yer almas\u0131 da bence o kadar normal: \u015eairin mensubu oldu\u011fu topluma kar\u015f\u0131 bir sorumlulu\u011fu oldu\u011fu unutulmamal\u0131d\u0131r.<\/p>\n\n\n\n

Bu nedenle, Misbah Hicri \u015fiirsiz yapamaz. \u015eiir onun her zaman umudu ve sesi olmu\u015ftur. \u015eiirlerini bazen K\u00fcrt\u00e7e, bazen de T\u00fcrk\u00e7e yazar. \u015eiirleriyle \u00e7izer d\u00fcnya haritas\u0131n\u0131. Ona g\u00f6re \u201chayat \u015fiirsiz olmaz<\/em>\u201d ve \u201c\u015fairler susunca hayat \u00e7ekilmez olur<\/em>.\u201d \u201c[S]ab\u0131kal\u0131 yaz\u0131ld\u0131k k\u00fct\u00fcklere bir ba\u015fka yar\u0131na<\/em>\u201d der ve hemen ard\u0131ndan da \u201cak g\u00fcvercin kanad\u0131ndan s\u00fcz\u00fclm\u00fc\u015f,\/ kertenkelenin yang\u0131na ta\u015f\u0131d\u0131\u011f\u0131 su misali<\/em>\u201d\u201cco\u015fkun \u0131rmaklar kadar berrak<\/em>\u201d olan s\u00f6zlerini sunmaya \u00e7al\u0131\u015f\u0131r (s.37-38). Kap\u0131l\u0131r m\u0131sralar\u0131n gizemine, g\u00f6kku\u015fa\u011f\u0131 mektuplar d\u00fc\u015f\u00fcr\u00fcr ceplerinden. Hani denir ya: \u201cda\u011f ba\u015f\u0131 dumans\u0131z,\/ g\u00f6n\u00fcl sevdas\u0131z olmaz<\/em>.\u201d (s.63) Misbah Hicri\u2019n ki de o hik\u00e2ye.<\/p>\n\n\n\n

M. Hicri \u015fiirlerini derin bir tarih felsefesi bilinci ile yo\u011furmu\u015f diyebilirim. Yazd\u0131klar\u0131 \u015eark melankolisi de\u011fil, evrensel duyarl\u0131l\u0131kla kadim bir co\u011frafyada varl\u0131\u011f\u0131 ink\u00e2r edilen, zul\u00fcm g\u00f6ren ve her \u015feye ra\u011fmen var olmaya \u00e7al\u0131\u015fan \u201ctarihsiz ve talihsiz<\/em>\u201d bir halk\u0131n d\u00fcnden bug\u00fcne ya\u015fanm\u0131\u015fl\u0131klar\u0131n\u0131n \u015fiiridir.<\/p>\n\n\n\n

Bug\u00fcn \u201cK\u00fcrt Sorunu<\/em>\u201d, \u201cT\u00fcrk Sorunu<\/em>\u201d, \u201c\u00c7\u00f6z\u00fcm S\u00fcreci<\/em>\u201d, \u201c\u00c2kil \u0130nsanlar<\/em>\u201d ve M\u0130T-\u0130mral\u0131-Kandil-BDP-AKP trafi\u011finde \u201c\u00e7\u00f6z\u00fcme<\/em>\u201d \u00e7al\u0131\u015f\u0131lan konularda \u00e7ok \u015feyler s\u00f6yleniyor, \u00e7ok \u015feyler yaz\u0131l\u0131yor. Oysa Misbah Hicri gibi \u015fairlerin az\u0131c\u0131k sesine kulak verilse, bu sorunun derinli\u011fi daha iyi kavran\u0131r ve de \u00e7\u00f6z\u00fcm\u00fc de daha sanc\u0131s\u0131z ger\u00e7ekle\u015febilir. \u00d6rnek olarak \u201cKimli\u011fim ve Ben<\/em><\/strong>\u201d ba\u015fl\u0131kl\u0131 \u015fiirini verebilirim. \u015eair duyarl\u0131l\u0131\u011f\u0131 ve yan\u0131k y\u00fcre\u011fiyle \u201csorun<\/em>\u201dun kayna\u011f\u0131n\u0131 ortaya koyu\u015f bi\u00e7imi \u00f6nemli \u00e7\u00fcnk\u00fc:<\/p>\n\n\n\n

\u201ck\u0131rk kap\u0131 ard\u0131na kilitli umutlar,\/ masallarla uyutulmu\u015f d\u00fc\u015fler,\/ parmak izinde aran\u0131r,\/ m\u00fch\u00fcrler bas\u0131l\u0131 y\u00fcz\u00fcm\u00fczde.\/ tarihin elleri ard\u0131nda ba\u011fl\u0131, \/y\u00fcr\u00fcm\u00fc\u015f kimli\u011fim d\u00fcnden bug\u00fcne.\u201d
(\u2026)
\u201ckutsal kitaplar yeminle gelir,\/ koynunda saklayarak kimli\u011fimi,\u201d
(\u2026)
\u201cenlem ve boylamlar aras\u0131nda,\/ s\u0131n\u0131rlara direnir varl\u0131\u011f\u0131m.\/ kan g\u00f6l\u00fc da\u011flar\u0131n orta yeri,\/ a\u011f\u0131tlar anadile hasret.\u201d
(\u2026)
\u201cyaz\u0131tlarda kurumu\u015f al\u0131n terim.\/ tarih dalgalan\u0131r sa\u00e7lar\u0131mda.\/ yeniliklere gebe d\u00fcnya,\/ adaletin kalemi do\u011frultmaz, dinmez da\u011flar\u0131n u\u011fultusu.\/ co\u015fkusu sular\u0131n,\/ kimli\u011fim \u00e7\u0131ka gelir,\/ m\u00fcjdeleyerek baharlar\u0131.\/ utan\u0131r ate\u015f, yang\u0131n olmaktan,\/ g\u00f6r\u00fcnce yan\u0131 ba\u015f\u0131nda bar\u0131\u015f\u0131.\u201d (s.21-23)<\/em><\/p>\n\n\n\n


Kadim co\u011frafyada ya\u015fayan birinin \u201cArap Bahar\u0131<\/em>\u201dna ilgisiz kalmas\u0131 na-ho\u015f olur. \u015eu dizelere \u015fairimizin bir selamlamas\u0131 da diyebiliriz bence: \u201co nil, bu f\u0131rat\/ mekik dokur kelaynaklar,\/ selam g\u00f6t\u00fcr\u00fcr bahar\u0131 getirirler,\/ g\u00f6\u00e7ebe kanatlar\u0131yla.\/ k\u0131vr\u0131ld\u0131k\u00e7a nehir imk\u00e2ns\u0131z uzakl\u0131klara.\/ umut da\u011f\u0131t\u0131r, ya\u015fam verir\/ sevdalar\u0131 d\u00fc\u015fer t\u00fcrk\u00fclere.<\/em>\u201d (s.70)<\/p>\n\n\n\n


K\u00e2wa ve Newroz\u2019suz olunur mu, olmaz: \u201cay ve g\u00fcne\u015f suskun bakar,\/ \u00fc\u015f\u00fct\u00fcr iliklerimi karacada\u011f,\/ avu\u00e7lar\u0131nda kurtard\u0131\u011f\u0131 beyinlerle\/ \u00e7\u0131ka gelir kar\u015f\u0131ma k\u00e2wa.\/ tarihten gelen sesiyle.<\/em>\u201d (s.78)
Karacada\u011f\u2019a da seslenir, kelimeler y\u00fcz \u00fcst\u00fc vurulur: \u201cbozguna u\u011fram\u0131\u015f halin,\/ b\u00eaje \u00e7iyay\u00eare\u015f,\/ ceylan\u0131 nas\u0131l yem ettin kurda.\/ so\u011fuk sular\u0131n \u00e7\u00f6le durmu\u015f,\/ kekli\u011fi kafeslemi\u015fler,\/ ihanetin sesi yakarken ba\u011fr\u0131n\u0131\/ yitip gitmek mi yoksa,\/ yeniden patlay\u0131p h\u00fckmetmek mi azmin<\/em>.\u201d (s.89)<\/p>\n\n\n\n


Dicle ve F\u0131rat ise \u015fairimizin dizelerinde sadece bir akarsu de\u011fildir. Kadim tarihin sesidir ve \u201cmedeniyetlere can veren su\u201ddurlar. Bazen de k\u0131y\u0131lar\u0131nda \u201cbir \u00e7oban\u0131n \u0131sl\u0131\u011f\u0131, pe\u015finde s\u00fcr\u00fcs\u00fc\/ el ele sevgilere y\u00fcr\u00fcr ba\u011fr\u0131 yan\u0131k\/ kervanlar konar, k\u0131l \u00e7ad\u0131rlar kurulur\/ halaylar direni\u015fe durur.\/ selahattin eyyubi gelir t\u00fcm heybetiyle,\/ ferman d\u00fcr\u00fcl\u00fcr,\/ dicle kudurur<\/em>.\u201d (s.111)<\/p>\n\n\n\n


Bazen de Il\u0131su baraj\u0131n\u0131 yapmakta inat eden anlay\u0131\u015fa kar\u015f\u0131 \u201ca\u011flamaya de\u011fil leyli gecelerde\/ direnmeye a\u00e7\u0131l\u0131r g\u00f6zlerim<\/em>\u201d der ve \u201cberxwedan jiyan e<\/em>\u201d diye hayk\u0131r\u0131r. Hasankeyf\u2019in baraj sular\u0131 alt\u0131nda kalmas\u0131yla tarihin de sular alt\u0131nda kalaca\u011f\u0131 uyar\u0131s\u0131n\u0131 yapar: \u201cy\u00fcre\u011fim ezim ezim\/ dalga dalga bo\u011facak kavgam\u0131\/ ad\u0131m ad\u0131m iz be iz,\/ dicle g\u00f6l olup tarih viran\/ hasankeyf gidecek ya\u015fama ba\u015fl\u0131k \u00e7eyiz.<\/em>\u201d (s.113) <\/p>\n\n\n\n

Devam\u0131nda ise \u201csildi sevdalar\u0131n adlar\u0131n\u0131\/ bir \u015fehri yok sayma ad\u0131na,\/ bir deprem misali eriterek semsur\u2019u<\/em>\u201d der. Ve sonras\u0131nda: \u201cdalgalar\u0131 f\u0131rt\u0131nalar \u00fcretir.\/ batt\u0131k\u00e7a sular\u0131n yuttu\u011fu tarihe.\/ cennet bir par\u00e7a co\u011frafya\/ adressiz bir ya\u015fam ba\u015flar, \/tarih a\u011flar, a\u011flamakta insanlar,\/ yokla var olman\u0131n aras\u0131nda,\/ semsur, samsat a\u011flar.<\/em>\u201d s.120)<\/p>\n\n\n\n


Kederi kader bilen kad\u0131nlar unutulur mu, na-m\u00fcmk\u00fcn: \u201ckaynar mahpushane cezvesi g\u00f6zleri,\/ h\u00fcz\u00fcn damlar, ac\u0131 damlar, yar damlar.\/ \u00fcmitleri filizlendik\u00e7e dal, \u00e7i\u00e7ek,\/ a\u011faran sa\u00e7lar\u0131ndan derin \u00e7izgilerine,\/ sevgi damlar, hasret damlar, ar damlar.<\/em>\u201d (s.97)<\/p>\n\n\n\n


Sab\u0131r\u0131n simgesi Eyyub\u2019de unutulmaz, L\u00e2in\u2019lere inat dizelerde yerini al\u0131r: \u201ct\u00fckendi \u00e7ilesi eyyub\u2019un\/ d\u00f6k\u00fcld\u00fc yaralar, de\u011fdik\u00e7e su\/\/ s\u00f6nm\u00fc\u015f ocaklar \u015fenlenirken\/ kapand\u0131 k\u00f6t\u00fcl\u00fc\u011f\u00fcn kuyusu\/\/ \u0131\u015f\u0131\u011f\u0131 yakalamakt\u0131 gayesi\/ direnmekti fitne-fesada\/\/ erdirdi murad\u0131na onu sab\u0131r\/ ondan kald\u0131 sab\u0131r seda<\/em>\u201d (s.52)
\u201cZ\u00een\u00ea\u201d ba\u015fl\u0131kl\u0131 \u015fiirinde ise, tarihsiz tarih dile gelir: \u201cur\u2019la ba\u015flayan kavgan,\/ edessa ile \u015fenlenir sesin.\/ ibrahim\u2019i yakmayan alev,\/ nemrudi bir zul\u00fcmle harlan\u0131r,\/ babil\u2019in asmalar\u0131ndan,\/ kopmu\u015f s\u00f6zlerin, ninova \u00f6nlerinde\/ and\u0131k\u00e7a kanar bir yerlerim<\/em>.\u201d (s.148)<\/p>\n\n\n\n


K\u0131sacas\u0131, \u015fiir okumay\u0131 seven ve zaman zaman da \u015fiir yazan biri olarak \u015funu s\u00f6yleyebilirim: Tarihsiz ve Talihsiz \u015eiirler\u2019de s\u00f6zc\u00fcklerin se\u00e7imi, s\u00f6zc\u00fcklerin dizilimi, dizelerin olu\u015fumu, s\u00f6zc\u00fcklerin ve dizelerin uyumu; yaz\u0131m kurallar\u0131ndaki ba\u015far\u0131, b\u00fcy\u00fck harflere \u00f6ncelik tan\u0131may\u0131p t\u00fcm dizelerin k\u00fc\u00e7\u00fck harflerle yaz\u0131l\u0131\u015f\u0131, tarihin dizelerdeki yer al\u0131\u015f\u0131, Do\u011fu\u2019nun mistik kavramlar\u0131n\u0131 harmanlay\u0131\u015f\u0131, kurgu ve i\u00e7eri\u011fi \u00e7ok g\u00fczel.
Arkada\u015f\u0131m eline ve y\u00fcre\u011fine sa\u011fl\u0131k.<\/p>\n\n\n\n

K\u00fcnyesi:<\/strong>
Misbah Hicri, Tarihsiz ve Talihsiz \u015eiirler, Kent I\u015f\u0131klar\u0131 Yay\u0131nlar\u0131, \u0130st.-Aral\u0131k 2012, 158 sayfa.<\/em><\/p>\n\n\n\n

Berfin Bahar Dergisi<\/strong>
Say\u0131: 183, May\u0131s 2013, s. 66-67.<\/p>\n\n\n\n

Ve 24 Haziran 2013 tarihinde ve sonras\u0131nda<\/strong>:
http:\/\/www.gelawej.net de,
http:\/\/www.ufkumuz.com da,
http:\/\/www.gonulsitesi.net de,
http:\/\/www.erganihaber.net de yay\u0131mland\u0131.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/i><\/p> <\/p>\n\n\n

\u00c2kil \u0130nsanlar<\/a>, <\/span>berxwedan jiyan e<\/a>, <\/span>\u00c7\u00f6z\u00fcm S\u00fcreci<\/a>, <\/span>Edessa<\/a>, <\/span>Kimli\u011fim ve Ben<\/a>, <\/span>k\u00fcrt sorunu<\/a>, <\/span>misbah hicri<\/a>, <\/span>Tarihsiz ve Talihsiz \u015eiirler<\/a>, <\/span>T\u00fcrk Sorunu<\/a>, <\/span>Z\u00een\u00ea<\/a><\/div>","protected":false},"excerpt":{"rendered":"

\u201ck\u00f6pr\u00fc kurmak \u00e7ocuk oyunca\u011f\u0131bar\u0131\u015ft\u0131r insanl\u0131\u011f\u0131n en b\u00fcy\u00fck eseri.\u201d G\u00fcn\u00fcm\u00fczde \u015fiir yazan \u00e7ok, ama ne yaz\u0131k ki g\u00fczel \u015fiir \u00e7ok az. Ama Misbah Hicri\u2019nin yeni yay\u0131nlanan Tarihsiz ve Talihsiz \u015eiirler kitab\u0131nda yer alan \u015fiirleri fazlas\u0131yla be\u011fendim. \u015eiir, \u015fiir yazmak i\u00e7in yaz\u0131lmaz bence, i\u00e7ten gelmelidir. Yazarken, \u015fiirin temas\u0131 \u015fu olsun bu olsun diye de d\u00fc\u015f\u00fcn\u00fclmemelidir. \u015eair, esinlendi\u011fi an\u0131ndaki duygu ve d\u00fc\u015f\u00fcncelerini bazen \u00e7ok yal\u0131n, bazen de g\u00fc\u00e7l\u00fc imgelerle bir kurgu d\u00e2hilinde s\u00f6zc\u00fckleri k\u00e2\u011f\u0131da nak\u0131\u015f gibi i\u015flemelidir. \u015eair sab\u0131r, yo\u011funluk, tarih felsefesi bilinciyle yo\u011frulmu\u015f evrensel boyutlu insan\u0131n hayat\u0131 alg\u0131lay\u0131\u015f bi\u00e7imini ve ya\u015fay\u0131\u015f\u0131n\u0131 kendisine rehber edinmelidir. Anlam y\u00fckl\u00fc s\u00f6zc\u00fckleri do\u011fa, bilin\u00e7 ve insan \u00fc\u00e7geninde<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197],"tags":[2035,2037,2032,1883,2036,496,403,2038,2034,2033],"class_list":["post-4786","post","type-post","status-publish","format-standard","hentry","category-kultur","tag-akil-insanlar","tag-berxwedan-jiyan-e","tag-cozum-sureci","tag-edessa","tag-kimligim-ve-ben","tag-kurt-sorunu","tag-misbah-hicri","tag-tarihsiz-ve-talihsiz-siirler","tag-turk-sorunu","tag-zine"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4786"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4786\/revisions"}],"predecessor-version":[{"id":4787,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4786\/revisions\/4787"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}