Bir COVID-19 vir\u00fcs\u00fc \u00e7\u0131kt\u0131 d\u00fcnyan\u0131n fele\u011fi \u015fa\u015ft\u0131. Peki, bir toplumun t\u00fcm fertleri bir g\u00fcn bir salg\u0131n hastal\u0131k y\u00fcz\u00fcnden birer birer k\u00f6r olmaya ba\u015flarsa ne olur, nas\u0131l bir ya\u015famla kar\u015f\u0131 kar\u015f\u0131ya kal\u0131n\u0131r?<\/p>\n\n\n\n
Bu ve benzeri \u00fcrk\u00fct\u00fcc\u00fc sorulara verilecek yan\u0131tlar\u0131 ve daha fazlas\u0131n\u0131 K\u00d6RL\u00dcK(*)<\/sup> roman\u0131n\u0131 okudu\u011fumuzda bulabiliriz.<\/p>\n\n\n\n Roman\u0131 Jos\u00e9 Saramago kaleme alm\u0131\u015f. Saramago, 1922-2010 tarihleri aras\u0131nda ya\u015fam\u0131\u015f Portekizli bir yazar. Din konusunda g\u00f6r\u00fc\u015fleri \u00fclkesinde sans\u00fcrlenince Kanarya adalar\u0131na yerle\u015fip ya\u015famaya ba\u015flam\u0131\u015f. 1969\u2019dan \u00f6l\u00fcm\u00fcne kadar Portekiz Kom\u00fcnist Partisi\u2019nin \u00fcyesi olmu\u015ftur. 1998 Nobel Edebiyat \u00d6d\u00fcl\u00fc\u2019n\u00fc alm\u0131\u015f olan yazar \u00e7ok \u00f6nemli eserlere imza atm\u0131\u015ft\u0131r. Bu eserlerden en etkileyici olan\u0131 1995 y\u0131l\u0131nda yazd\u0131\u011f\u0131 K\u00d6RL\u00dcK roman\u0131d\u0131r. Roman, 2008 y\u0131l\u0131nda Blindness ismiyle sinemaya da uyarlanm\u0131\u015f ve 2008 Cannes Film Festivali\u2019nin a\u00e7\u0131l\u0131\u015f filmi olarak se\u00e7ilmi\u015ftir (Film internet ortam\u0131nda izlenebilir). Yazar sonradan K\u00d6RL\u00dcK roman\u0131n\u0131n devam\u0131 diyebilece\u011fimiz G\u00d6RMEK isimli roman\u0131 yazm\u0131\u015ft\u0131r.<\/p>\n\n\n\n Saramago, romanda kendisi anlat\u0131c\u0131 oldu\u011fundan bazen ara yere girerek ger\u00e7ekle ger\u00e7ek d\u0131\u015f\u0131n\u0131, hayal ve alegoriyi harmanlay\u0131p s\u00f6zc\u00fcklerin ve insan davran\u0131\u015flar\u0131n\u0131n z\u0131dd\u0131yla birlikte diyalektik sentezini metaforlar ve insana dair m\u00fcthi\u015f bir g\u00f6zlemle anlatarak bizleri d\u00fc\u015f\u00fcnsel anlamda d\u00fc\u015f\u00fcnmeye davet etmekle kalmay\u0131p \u00f6dev olarak \u00f6n\u00fcm\u00fcze de koymaktad\u0131r. Sanki b\u00fct\u00fcn h\u00fcnerini bu eserinde toplam\u0131\u015f yazar. Anlat\u0131lanlar \u00e7ok rahats\u0131z edici. 1982-1984 y\u0131llar\u0131 aras\u0131nda \u0130stanbul Gayrettepe ve Diyarbak\u0131r Kurto\u011flu K\u0131\u015flas\u0131\u2019nda g\u00f6zalt\u0131nda aylarca kan, irin, g\u00f6zya\u015f\u0131 ve kirin t\u00fcm dokular\u0131na sindi\u011fi birer mikrop yuvas\u0131 olan g\u00f6z ba\u011fc\u0131\u011f\u0131 denilen bez par\u00e7as\u0131yla g\u00f6zlerimin ba\u011fl\u0131, b\u00fct\u00fcn bedenimin kirler i\u00e7inde, ac\u0131mas\u0131z bitlerin kan\u0131m\u0131 emdi\u011fi o azap g\u00fcnlerini ve Diyarbak\u0131r 5 No’lu Askeri Cezaevinde a\u00e7l\u0131\u011f\u0131, susuzlu\u011fu, boklu h\u00fccreleri, i\u015fkenceleri ya\u015fayan biri olmama ra\u011fmen roman\u0131 okurken bazen zorland\u0131m ve bir tuhaf oldum.<\/p>\n\n\n\n Zaten hayatta hep tuhafl\u0131klar olmaktad\u0131r. Roman\u0131n anlat\u0131m\u0131nda da bu tuhafl\u0131klar\u0131n izlerini g\u00f6rmekteyiz. Kentte her \u015fey normal ak\u0131\u015f\u0131nda devam ederken inan\u0131lmaz bir \u015fey olur. Kentte k\u0131rm\u0131z\u0131 trafik \u0131\u015f\u0131\u011f\u0131n\u0131 bekleyen bir taksinin s\u00fcr\u00fcc\u00fcs\u00fc hi\u00e7bir \u00f6n belirti g\u00f6stermeden birden her \u015feyi bembeyaz g\u00f6rmeye ba\u015flar. Yo\u011fun bir beyazl\u0131k tamamen g\u00f6zlerini kaplar. Nesneleri, \u015fekilleri, renkleri hi\u00e7bir \u015feyi g\u00f6remez olur. \u201cK\u00f6r oldum\u201d diye derdini anlatmaya \u00e7al\u0131\u015f\u0131r. Sonras\u0131nda bu sinsi beyaz k\u00f6rl\u00fck salg\u0131n\u0131 t\u00fcm insanlara musallat olur ve geometrik bir art\u0131\u015fla kente yay\u0131l\u0131r. Her g\u00f6ren g\u00f6z g\u00f6rmeyen g\u00f6ze bakt\u0131\u011f\u0131nda vir\u00fcs bula\u015f\u0131r, ayn\u0131 g\u00fcn k\u00f6r olur.<\/p>\n\n\n\n Devlet, k\u00f6rlerin bir k\u0131sm\u0131n\u0131 eski bir t\u0131marhane binas\u0131nda toplay\u0131p karantinaya al\u0131r. Toplumdan tecrit eder. Yeralt\u0131\/karanl\u0131klar d\u00fcnyas\u0131n\u0131n kap\u0131s\u0131n\u0131, yani cehennem kap\u0131s\u0131n\u0131 yer alt\u0131 tanr\u0131s\u0131 olarak bilinen Hades ve ona bek\u00e7ilik eden \u00fc\u00e7 ba\u015fl\u0131 k\u00f6pe\u011fi Kerberos (Zebani de diye biliriz) bekler ya, k\u00f6rlerin topland\u0131\u011f\u0131 toplama kamp\u0131ndan \u00e7\u0131k\u0131\u015f ya da ka\u00e7\u0131\u015flar\u0131 \u00f6nlemek i\u00e7in de \u201cg\u00fcvenlik\u00e7iler\u201d \u00e7evresinde n\u00f6bet tutar. K\u00f6rlerin topland\u0131\u011f\u0131 bu cehennemin giri\u015fi vard\u0131r ama \u00e7\u0131k\u0131\u015f\u0131 yoktur. Sadece belli aral\u0131klarla yap\u0131lan anonslarla kurallara uyulmas\u0131, uyulmamas\u0131 durumunda ise cezaland\u0131r\u0131lacaklar\u0131 hat\u0131rlat\u0131l\u0131r.<\/p>\n\n\n\n Tecrit, kural ve cezalar pek bir i\u015fe yaramaz, beyaz felaket t\u00fcm h\u0131z\u0131yla yay\u0131lmaya devam eder. Kent, k\u00f6rler kenti olur. Devletin, ordu ve polis te\u015fkilat\u0131n\u0131n, hastanelerin, kilisenin, K\u0131z\u0131lha\u00e7\u2019\u0131n, belediyenin, yard\u0131m kurulu\u015flar\u0131n\u0131n \u00e7aresiz kalmas\u0131n\u0131 bir tarafa b\u0131rakal\u0131m, bunlar ve benzeri kurumlar parampar\u00e7a olur. Arabalar, metrolar, u\u00e7aklar olduklar\u0131 yerde hareketsiz kal\u0131r ve t\u00fcm\u00fc metal y\u0131\u011f\u0131n\u0131na d\u00f6n\u00fc\u015f\u00fcr. Fabrikalar, bankalar, s\u00fcpermarketler, lokantalar, bakkallar bir bir kapan\u0131r ve ard\u0131ndan da k\u00f6rler taraf\u0131ndan talan edilir. Art\u0131k ne elektrik vard\u0131r, ne de su ve metan\/b\u00fctan gaz\u0131. Her yer pislik i\u00e7indedir. \u00c7\u00f6p ve at\u0131klar, d\u0131\u015fk\u0131 ve le\u015fler ad\u0131m att\u0131rmaz k\u00f6rlere, her tarafa i\u011fren\u00e7 k\u00f6t\u00fc kokular\u0131n\u0131 yayar. Kaos h\u00fck\u00fcm s\u00fcrer. Aileler da\u011f\u0131l\u0131r. Herkes kendi ba\u015f\u0131n\u0131n \u00e7aresine bakmaya \u00e7al\u0131\u015f\u0131r. A\u00e7l\u0131k ve hayatta kalma g\u00fcd\u00fcs\u00fc vah\u015fi bir k\u0131s\u0131r d\u00f6ng\u00fcye d\u00f6n\u00fc\u015f\u00fcr. En b\u00fcy\u00fck ac\u0131y\u0131 da kad\u0131nlar \u00e7eker.<\/p>\n\n\n\n Yer ve zaman insan\u0131n ger\u00e7ekli\u011fini olu\u015fturur. Beyaz felaket sonucu herkesin k\u00f6r oldu\u011fu bir yerde bundan sonra zaman ve mek\u00e2n nas\u0131l belirlenecek? Mideler nas\u0131l doyacak? Bedenler nas\u0131l \u00f6rt\u00fcnecek? \u0130nsanlar neyle, nas\u0131l temizlenecek?<\/p>\n\n\n\n Hi\u00e7bir \u015fey ger\u00e7ekler kadar ac\u0131 de\u011fildir. \u0130nsan insan\u0131n kurdu olur. \u0130nsanlar\u0131n g\u00f6zleri g\u00f6r\u00fcrken yaratm\u0131\u015f oldu\u011fu aile, namus, vicdan, merhamet, h\u00fcrmet, yard\u0131mla\u015fma, payla\u015f\u0131m gibi t\u00fcm de\u011ferler k\u00f6rl\u00fckle birlikte yok olur. Bu umutsuz ko\u015fullarda insana dair son umut k\u0131r\u0131nt\u0131s\u0131n\u0131 beyaz k\u00f6rl\u00fc\u011fe yakalanmayan bir kad\u0131n \u00fcstlenir. K\u00f6rl\u00fc\u011fe, k\u00f6rl\u00fc\u011f\u00fcn yaratt\u0131\u011f\u0131 sorunlara ve k\u00f6t\u00fc k\u00f6rlere kar\u015f\u0131 \u00e7evresine toplad\u0131\u011f\u0131 bir avu\u00e7 g\u00f6n\u00fcll\u00fcy\u00fc, daha do\u011frusu birlikte olmak zorunda kalm\u0131\u015f oldu\u011fu k\u00f6rleri \u00f6rg\u00fctleyerek muazzam bir dayan\u0131\u015fma ve direni\u015f \u00f6rne\u011fi sergilenir.<\/p>\n\n\n\n Dayan\u0131\u015fma ve \u00f6rg\u00fctlenme hep birlikte hayatta kalman\u0131n bir yolunu bulmak, ad\u0131m ad\u0131m hayat\u0131 yeniden \u00f6rerek insanca ya\u015fanacak g\u00fcnlere daha fazla yakla\u015fmak i\u00e7indir.<\/p>\n\n\n\n ***<\/p>\n\n\n\n Bir toplumda bak\u0131p da g\u00f6rmeyenlerin, duyup da i\u015fitmeyenlerin say\u0131sal \u00e7oklu\u011fu art\u0131\u015f g\u00f6sterdi\u011finde karanl\u0131k (otoriter rejimler) h\u00fck\u00fcm s\u00fcrer. Karanl\u0131k ayn\u0131 zamanda yer alt\u0131n\u0131\/kara topra\u011f\u0131, yani \u00f6l\u00fcm\u00fc i\u015faret eder.<\/p>\n\n\n\n Nereye gitti\u011fimizi bilmememiz i\u00e7in k\u00f6r olmaya gerek yok.<\/p>\n\n\n\n (*) Jos\u00e9 Saramago, K\u00d6RL\u00dcK, \u00c7ev: I\u015f\u0131k Erg\u00fcden, K\u0131rm\u0131z\u0131 Kedi Yay\u0131nevi, 2017, \u0130stanbul, 331 sayfa.<\/p>\n\n\n\n Not<\/strong>: Bir s\u00fcreli\u011fine yaz\u0131lar\u0131ma ara verece\u011fim. T\u00fcm okuyucular\u0131m\u0131n ve g\u00fczel insanlar\u0131n Kurban Bayram\u0131n\u0131 kutlar, sa\u011fl\u0131k ve mutluluklar dilerim. Yeniden bulu\u015fmak \u00fczere ho\u015f\u00e7a kal\u0131n. Sayg\u0131lar\u0131mla…<\/p>\n\n\n\n 29 Temmuz 2020 tarihinde:<\/em><\/p>\n\n\n\n https:\/\/www.tigrishaber.com\/hicbir-sey-gercekler-kadar-aci-degildir-4225yy.htm Bir COVID-19 vir\u00fcs\u00fc \u00e7\u0131kt\u0131 d\u00fcnyan\u0131n fele\u011fi \u015fa\u015ft\u0131. Peki, bir toplumun t\u00fcm fertleri bir g\u00fcn bir salg\u0131n hastal\u0131k y\u00fcz\u00fcnden birer birer k\u00f6r olmaya ba\u015flarsa ne olur, nas\u0131l bir ya\u015famla kar\u015f\u0131 kar\u015f\u0131ya kal\u0131n\u0131r? Bu ve benzeri \u00fcrk\u00fct\u00fcc\u00fc sorulara verilecek yan\u0131tlar\u0131 ve daha fazlas\u0131n\u0131 K\u00d6RL\u00dcK(*) roman\u0131n\u0131 okudu\u011fumuzda bulabiliriz. Roman\u0131 Jos\u00e9 Saramago kaleme alm\u0131\u015f. Saramago, 1922-2010 tarihleri aras\u0131nda ya\u015fam\u0131\u015f Portekizli bir yazar. Din konusunda g\u00f6r\u00fc\u015fleri \u00fclkesinde sans\u00fcrlenince Kanarya adalar\u0131na yerle\u015fip ya\u015famaya ba\u015flam\u0131\u015f. 1969\u2019dan \u00f6l\u00fcm\u00fcne kadar Portekiz Kom\u00fcnist Partisi\u2019nin \u00fcyesi olmu\u015ftur. 1998 Nobel Edebiyat \u00d6d\u00fcl\u00fc\u2019n\u00fc alm\u0131\u015f olan yazar \u00e7ok \u00f6nemli eserlere imza atm\u0131\u015ft\u0131r. Bu eserlerden en etkileyici olan\u0131 1995 y\u0131l\u0131nda yazd\u0131\u011f\u0131 K\u00d6RL\u00dcK roman\u0131d\u0131r. Roman, 2008<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3901,449,1197],"tags":[679,676,271,115,290,681,682,677,641,643,680,678,683,664],"class_list":["post-4149","post","type-post","status-publish","format-standard","hentry","category-bilim","category-inceleme","category-kultur","tag-2008-cannes-film-festivali","tag-blindness","tag-covid-19","tag-diyarbakir","tag-diyarbakir-5-nolu","tag-jose-saramago","tag-kerberos","tag-korluk","tag-koronavirus","tag-kurtoglu-kislasi","tag-metafor","tag-nobel-edebiyat-odulu","tag-portekiz-komunist-partisi","tag-salgin"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4149","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4149"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4149\/revisions"}],"predecessor-version":[{"id":4150,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4149\/revisions\/4150"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4149"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4149"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4149"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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https:\/\/www.3uncugoz.com\/hicbir-sey-gercekler-kadar-aci-degildir\/<\/p>\n\n\n