\u0130nsan\u0131n bir tan\u0131d\u0131\u011f\u0131n\u0131n, bir dostunun, sevdi\u011fi bir \u015fair hakk\u0131nda kitap yazmas\u0131 kadar duyguland\u0131r\u0131c\u0131 g\u00fczel bir \u015fey olamaz.<\/p>\n\n\n\n
Y\u0131lmaz Varol Cemal S\u00fcreya ve Arkada\u015flar\u0131<\/em><\/strong>(*)<\/sup> kitab\u0131yla bana bu g\u00fczel duyguyu ya\u015fatt\u0131. Kadir k\u0131ymet bilip \u201cDostlukla, sevgiyle, i\u00e7tenlikle\u201d yaz\u0131p imzalayarak g\u00f6ndermesiyle de, sevincimi ikiye katlad\u0131.<\/p>\n\n\n\n Cemal S\u00fcreya\u2019n\u0131n kitaplar\u0131yla ilk kez Ankara\u2019da 1970\u2019li y\u0131llarda \u00f6\u011frenciyken, Zafer Pasaj\u0131\u2019nda Toplum Kitabevi\u2019nde kar\u015f\u0131la\u015fm\u0131\u015f ve kitaplar\u0131ndan bir iki tanesini al\u0131p \u015fiirlerini okumu\u015ftum. O kitaplardan akl\u0131mda sadece \u00dcvercinka<\/em><\/strong> \u015fiir kitab\u0131 kalm\u0131\u015f. \u015eiirlerini okudu\u011fumda; a\u00e7\u0131k s\u00f6ylemem gerekirse pek bir \u015fey anlamam\u0131\u015ft\u0131m ve akl\u0131ma da yatmam\u0131\u015ft\u0131. O d\u00f6nem; hem Cemal S\u00fcreya\u2019n\u0131n hayat hik\u00e2yesini bilmiyordum, hem yeterli birikime sahip de\u011fildim, hem de serde militan devrimcilik vard\u0131. Naz\u0131m Hikmet, Ahmed Arif, Enver G\u00f6k\u00e7e ve Hasan H\u00fcseyin Korkmazgil bana daha \u00e7ok hitap ediyorlard\u0131. 1984\u2019te cezaevinden \u00e7\u0131kt\u0131ktan sonra yeniden \u015fiirlerini okumaya ba\u015flad\u0131m. Bu okumalar\u0131mda; \u015fiirlerindeki g\u00fczelli\u011fi, s\u00f6zc\u00fcklere y\u00fckledi\u011fi anlam ve ikili \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131 fark ettim. Bunu fark edi\u015fimde, elbette Cemal S\u00fcreya\u2019n\u0131n az da olsa hayat hik\u00e2yesini bilmemin pay\u0131 vard\u0131.<\/p>\n\n\n\n Cemal S\u00fcreya (d.1931\u2013\u00f6.1990.), T\u00fcrk\u00e7e \u015fiirin en \u00e7ok sevilen \u015fairlerinden biridir. Zekidir, s\u00f6zc\u00fcklerle \u00e7ok iyi oynar ve ikili anlamlar y\u00fckler. A\u00e7\u0131k ve net yazmaz, ger\u00e7ekler \u015fiirlerinde sis i\u00e7inde gezinir. Sebep; k\u00f6k ve k\u00f6kenlerinden kopar\u0131lm\u0131\u015f, Dersim s\u00fcrg\u00fcn\u00fc bir K\u00fcrt olu\u015fudur. Ac\u0131l\u0131 ve yaral\u0131d\u0131r. Ama y\u00fcre\u011findeki yaras\u0131n\u0131 herkesin \u00f6n\u00fcnde a\u00e7maz, \u201c\u00f6zel tarih\u201di ve ge\u00e7mi\u015fi konusunda fazla konu\u015fmaz, s\u00fcrekli bunun \u00fcst\u00fcn\u00fc \u00f6rtmeye ihtiya\u00e7 duyar.<\/p>\n\n\n\n Y\u0131lmaz Varol Cemal S\u00fcreya ve Arkada\u015flar\u0131<\/em><\/strong> kitab\u0131nda; Cemal S\u00fcreya\u2019n\u0131n \u015fiir ve yaz\u0131lar\u0131n\u0131 kuyumcu titizli\u011fiyle inceleyerek, kendine has okuma ve yorumlamalar\u0131yla Cemal S\u00fcreya\u2019n\u0131n ruh halini anlamaya ve anlatmaya, \u201c\u00f6zel tarih\u201dini birazc\u0131k aralayarak onu daha iyi tan\u0131mam\u0131za yard\u0131mc\u0131 olmaya \u00e7al\u0131\u015fm\u0131\u015f. \u00c7o\u011fu \u015fiirinde anlat\u0131lan \u015feylerin \u015fifresinin de \u201c\u00f6zel tarih\u201dinde sakl\u0131 oldu\u011fu i\u015faretini vermi\u015ftir.<\/p>\n\n\n\n Kitap; \u201cS\u00fcrg\u00fcn, Dahil Olamama ve Silinip Gitme \u00dcst\u00fcne \u00dc\u00e7 Deneme\u201d alt ba\u015fl\u0131\u011f\u0131n\u0131 ta\u015f\u0131yor ve \u00fc\u00e7 b\u00f6l\u00fcmden olu\u015fuyor: 1. Cemal S\u00fcreya, Dersim ve S\u00fcrg\u00fcn Ac\u0131s\u0131yla Ba\u015fa \u00c7\u0131kma Teknikleri, 2. \u00c7ift Cepli G\u00f6mlek: Cemal ve Turgut ya da Ge\u00e7 Kalm\u0131\u015f Bir Turgut Uyar Portresi, 3. Ozanlar\u0131n Kar\u015f\u0131la\u015fmas\u0131: Ya\u015far Kemal, Destan Anlat\u0131c\u0131lar\u0131 ve Osmanl\u0131\u2019n\u0131n Dersim\u2019i. Yaz\u0131larda Cemal S\u00fcreya \u201cve Arkada\u015flar\u0131\u201d Ece Ayhan, Turgut Uyar anlat\u0131lmaktad\u0131r.<\/p>\n\n\n\n Bu \u00fc\u00e7 denemeyi okudu\u011fumuzda; Cemal S\u00fcreya\u2019n\u0131n y\u00fcre\u011findeki yaran\u0131n \u00e7ok derinlerde oldu\u011funu, bir t\u00fcrl\u00fc sa\u011falmad\u0131\u011f\u0131n\u0131, durmadan kanad\u0131\u011f\u0131n\u0131, s\u00fcrekli ac\u0131 \u00e7ekti\u011fini, mutsuz ve huzursuz oldu\u011funu g\u00f6r\u00fcyoruz. Varl\u0131\u011f\u0131n\u0131 bedeninde ikinci bir y\u00fcrek gibi ta\u015f\u0131d\u0131\u011f\u0131 \u201cHalk\u0131n\u0131n tarihi ve kimli\u011fi durmadan kendini hat\u0131rlatmakta, par\u00e7as\u0131 oldu\u011fu \u015fey onu s\u00fcrekli \u00e7a\u011f\u0131rmakta, i\u00e7inde, derinlerde bir yerde s\u00f6nmemi\u015f bir ac\u0131 d\u0131\u015far\u0131 \u00e7\u0131kmak i\u00e7in bir yol, bir \u00e7are aramaktad\u0131r.\u201d (s.31)<\/p>\n\n\n\n Ac\u0131s\u0131n\u0131 biraz dindirmek i\u00e7in, f\u0131s\u0131lda\u015fmalara neden olsa da Ahmed Arif ve kendisi gibi Dersim s\u00fcrg\u00fcn\u00fc olan Vecihi Timuro\u011flu\u2019yla dostlu\u011funu ilerletir; 70\u2019li y\u0131llar\u0131n sonlar\u0131na do\u011fru, K\u00fcrt hareketleriyle bir \u015fekilde ili\u015fki kurar. \u201cK\u00fcrtlerin ulusal tarihlerini \u00f6\u011frendikleri temel kaynaklardan birini, Bazil Nikitin\u2019in K\u00fcrtle<\/em>r<\/strong> adl\u0131 eserinin bir k\u0131sm\u0131n\u0131, kendi ismini saklayarak\u201d T\u00fcrk\u00e7eye \u00e7evirir. (\u201cKitab\u0131n \u00d6zg\u00fcrl\u00fck Yolu Yay\u0131nlar\u0131 taraf\u0131ndan yay\u0131mlanan ilk bask\u0131s\u0131nda Cemal S\u00fcreya\u2019n\u0131n ad\u0131 sadece \u2018C.S.\u2019 olarak ge\u00e7mi\u015f, kitab\u0131n iki \u00e7evirmenden biri oldu\u011fu ancak onun \u00f6l\u00fcm\u00fcnden sonra Deng Yay\u0131nlar\u0131 taraf\u0131ndan yap\u0131lan yeni bask\u0131da a\u00e7\u0131\u011fa \u00e7\u0131km\u0131\u015ft\u0131r.\u201d\/30 Nolu dip not)<\/p>\n\n\n\n Tarih cesurlar\u0131 sever ama \u00f6fkenin sessizli\u011fi ve korku zihnini esir alm\u0131\u015ft\u0131r. Bizler \u015fiirlerini okurken, \u201cCemal S\u00fcreya\u2019n\u0131n hik\u00e2yesine sokulurken ondan hep daha cesur olmas\u0131n\u0131, kendi kaderine isyan etmesini, hik\u00e2yesine sahip \u00e7\u0131kmas\u0131n\u0131 bekleriz ama imk\u00e2ns\u0131zd\u0131r bu. K\u00f6le s\u00fcrg\u00fcnl\u00fc\u011f\u00fcn\u00fcn yol a\u00e7t\u0131\u011f\u0131 derin bir korkunun kayna\u011f\u0131ndan \u00e7\u0131km\u0131\u015ft\u0131r onun hik\u00e2yesi. (…) \u0130\u015fin en k\u00f6t\u00fcs\u00fc hik\u00e2yesinin hakimi taraf\u0131ndan denetlendi\u011fi i\u00e7in hi\u00e7bir zaman \u00f6zg\u00fcrle\u015fme imk\u00e2n\u0131 bulamayacakt\u0131r.\u201d (s.34-35)<\/p>\n\n\n\n Y\u0131llar sonra T\u00fcrk\u00e7eyle ili\u015fkisini anlatt\u0131\u011f\u0131 bir yaz\u0131s\u0131nda, \u201ctam da bu dile ait olmad\u0131\u011f\u0131n\u0131, \u015fiirin zorla isk\u00e2n\u0131 oldu\u011funu\u201d(s.40) anlat\u0131r: \u201cK\u00fc\u00e7\u00fck \u00e7ocuk bak\u0131c\u0131ya veriliyor, daha do\u011frusu, o \u00e7ocuk kendini bak\u0131c\u0131n\u0131n elinde buluyor; seviyor bak\u0131c\u0131s\u0131n\u0131; onu ana biliyor. T\u00fcrk\u00e7eyle ili\u015fkim b\u00f6yle. Bir noktada gurbetin a\u015fka d\u00f6n\u00fc\u015fmesi. (…) Bir \u0130ran atas\u00f6z\u00fcnden s\u00f6z etmi\u015ftim bir g\u00fcn: T\u00fcrk\u00e7e bilenin i\u015fi rast gider.\u201d (C. S\u00fcreya, G\u00fcvercin Curnatas\u0131, YKY, s.123)<\/p>\n\n\n\n \u201cCemal S\u00fcreya\u2019n\u0131n t\u00fcm\u00fcyle haks\u0131z oldu\u011funu s\u00f6yleyemeyiz. Bir \u00f6l\u00e7\u00fcde hakl\u0131yd\u0131: T\u00fcrk\u00e7e bilenin i\u015fi rast gidiyordu. Bak\u0131c\u0131n\u0131n elinde \u00f6\u011frenilen dil son derece g\u00fc\u00e7l\u00fc ve vaatk\u00e2rd\u0131: Ona bir d\u00fcnya ve bu d\u00fcnyan\u0131n i\u00e7inde y\u00fckselebilece\u011fi sonsuz olanak sunuyordu. Yine de bir \u015feyler yolunda gitmiyordu. T\u00fcrk\u00e7eyle en fazla uzla\u015fanlardan biri olan Cemal S\u00fcreya\u2019n\u0131n \u015fiirlerinde kendi hayat\u0131n\u0131n darmada\u011f\u0131n edilmi\u015fli\u011finin, s\u00fcrg\u00fcnl\u00fc\u011f\u00fcn\u00fcn ve \u00e7o\u011funlu\u011fa dair alg\u0131s\u0131nda asla tam dahil olamaman\u0131n keskin izlerini bulmak daima \u00e7ok kolayd\u0131. Sahnede ba\u011flam d\u0131\u015f\u0131nda konu\u015fmaktan her zaman ka\u00e7\u0131nsa da, as\u0131l yuvas\u0131na, \u015fiirine d\u00f6nd\u00fc\u011f\u00fcnde \u2013ne kadar bast\u0131rmaya \u00e7al\u0131\u015f\u0131rsa \u00e7al\u0131\u015fs\u0131n- orada kendi ac\u0131s\u0131yla, kendi halk\u0131n\u0131n ger\u00e7ekleriyle sava\u015fmaktan yorgun d\u00fc\u015fm\u00fc\u015f birinin ac\u0131 \u00e7\u0131\u011fl\u0131klar\u0131, halk\u0131n\u0131n hik\u00e2yesi ve trajedisi \u015fiirlerine s\u0131z\u0131yordu. \u0130lhak her \u015feyi ba\u015farm\u0131\u015f ama ruhlar\u0131n\u0131n ait oldu\u011fu toprakla, o k\u00fclt\u00fcrle olan derin ili\u015fkisini bitirmeyi ba\u015faramam\u0131\u015f; ortaya kendini evinde hissetmeyen, yersiz-yurtsuz, huzursuz, ele avuca s\u0131\u011fmaz, tedirgin bir edebiyat \u00e7\u0131km\u0131\u015ft\u0131. B\u00fct\u00fcn s\u00f6ylediklerinin i\u00e7inde kendisini bak\u0131c\u0131n\u0131n elinde bulup onu sevip anne bellemesi anekdotu kadar ger\u00e7ek, bu kadar ac\u0131 ve \u00fczerinde d\u00fc\u015f\u00fcn\u00fclecek bir \u015fey bulmak zordur. Ayn\u0131 duyguyu Ankara\u2019dan bahsederken de d\u0131\u015fa vuracakt\u0131r:<\/p>\n\n\n\n “Ankara Ankara B\u00f6yle gelgitler, \u00e7eli\u015fkiler ya\u015fayan Cemal S\u00fcreya hakk\u0131nda yazd\u0131\u011f\u0131 birinci denemesini Y\u0131lmaz Varol; \u201cArt\u0131k Cemal S\u00fcreya\u2019y\u0131 yeniden okuyabiliriz\u201d s\u00f6zleriyle bitiriyor.<\/p>\n\n\n\n Denemeleri okurken tavsiyesine uyup, Cemal S\u00fcreya\u2019n\u0131n yan\u0131mda bulunan Sevda S\u00f6zleri<\/em><\/strong> \u015fiir kitab\u0131n\u0131 e\u015fzamanl\u0131 yeniden okudum. Bu okuyu\u015fumda; \u015fiirlerindeki ger\u00e7ek Cemal S\u00fcreya\u2019y\u0131 daha net g\u00f6rd\u00fcm, daha iyi tan\u0131d\u0131m ve daha \u00e7ok sevdim.<\/p>\n\n\n\n Cemal S\u00fcreya ve Arkada\u015flar\u0131<\/strong> kitab\u0131yla Y\u0131lmaz Varol harika bir i\u015f \u00e7\u0131karm\u0131\u015f. Kutluyorum.<\/p>\n\n\n\n (*)<\/sup> Y\u0131lmaz Varol, <\/em>Cemal S\u00fcreya ve Arkada\u015flar\u0131<\/strong>, zoomkitap [not defteri], Kas\u0131m 2021, \u0130stanbul, 120 Sayfa.<\/em><\/p>\n\n\n\n 10 Aral\u0131k 2021 tarihinde ve sonras\u0131nda:<\/em><\/p>\n\n\n\n https:\/\/www.tigrishaber.com\/cemal-sureyanin-kanayan-yarasi-5382yy.htm \u0130nsan\u0131n bir tan\u0131d\u0131\u011f\u0131n\u0131n, bir dostunun, sevdi\u011fi bir \u015fair hakk\u0131nda kitap yazmas\u0131 kadar duyguland\u0131r\u0131c\u0131 g\u00fczel bir \u015fey olamaz. Y\u0131lmaz Varol Cemal S\u00fcreya ve Arkada\u015flar\u0131(*) kitab\u0131yla bana bu g\u00fczel duyguyu ya\u015fatt\u0131. Kadir k\u0131ymet bilip \u201cDostlukla, sevgiyle, i\u00e7tenlikle\u201d yaz\u0131p imzalayarak g\u00f6ndermesiyle de, sevincimi ikiye katlad\u0131. Cemal S\u00fcreya\u2019n\u0131n kitaplar\u0131yla ilk kez Ankara\u2019da 1970\u2019li y\u0131llarda \u00f6\u011frenciyken, Zafer Pasaj\u0131\u2019nda Toplum Kitabevi\u2019nde kar\u015f\u0131la\u015fm\u0131\u015f ve kitaplar\u0131ndan bir iki tanesini al\u0131p \u015fiirlerini okumu\u015ftum. O kitaplardan akl\u0131mda sadece \u00dcvercinka \u015fiir kitab\u0131 kalm\u0131\u015f. \u015eiirlerini okudu\u011fumda; a\u00e7\u0131k s\u00f6ylemem gerekirse pek bir \u015fey anlamam\u0131\u015ft\u0131m ve akl\u0131ma da yatmam\u0131\u015ft\u0131. O d\u00f6nem; hem Cemal S\u00fcreya\u2019n\u0131n hayat hik\u00e2yesini bilmiyordum, hem yeterli birikime sahip de\u011fildim, hem de<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[449,1197],"tags":[443,434,447,448,437,445,144,162,444,116,405,440,441,165,439,442,435,436,446,438],"class_list":["post-4046","post","type-post","status-publish","format-standard","hentry","category-inceleme","category-kultur","tag-bazil-nikitin","tag-cemal-sureya","tag-deneme","tag-deng-yayinlari","tag-dersim","tag-ece-ayhan","tag-kurt","tag-kurtler","tag-sair","tag-siir","tag-surgun","tag-toplum-kitabevi","tag-turgut-uyar","tag-turkce","tag-uvercinka","tag-vecihi-timuroglu","tag-yilmaz-varol","tag-zafer-pasaji","tag-zoom-kitap","tag-zoomkitap"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4046"}],"version-history":[{"count":1,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4046\/revisions"}],"predecessor-version":[{"id":4047,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4046\/revisions\/4047"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Ey iyi kalpli \u00fcvey ana!<\/em>” (s.41-42)<\/p>\n\n\n\n
https:\/\/www.gaphaberleri.com\/kose-yazisi\/883\/cemal-sureyanin-kanayan-yarasi.html
https:\/\/www.ruhanews.com\/kose-yazisi\/633\/cemal-sureyanin-kanayan-yarasi.html
https:\/\/www.3uncugoz.com\/cemal-sureyanin-kanayan-yarasi\/
https:\/\/www.erganihaber.net\/kose-yazisi\/1404\/cemal-sureyanin-kanayan-yarasi.html<\/p>\n\n\n