G\u00fcnlerin ve g\u00fcndemin s\u0131k\u0131c\u0131l\u0131\u011f\u0131ndan m\u0131, yaz\u0131lar\u0131n mistik ve romantik havas\u0131ndan ya da edebi dozaj\u0131n\u0131n y\u00fcksek olu\u015fundan m\u0131d\u0131r nedir, hikmetini anlayamad\u0131\u011f\u0131m bir \u015fekilde Halil Cibran\u2019\u0131n kitaplar\u0131na sar\u0131lm\u0131\u015f durumday\u0131m.<\/p>\n\n\n\n
\u0130yi ki de okumaya ba\u015flam\u0131\u015f\u0131m. G\u00fcn\u00fcn bo\u011fucu siyasi atmosferinin d\u0131\u015f\u0131na \u00e7\u0131kmak isteyenlere, \u201csevginin harman yerine ad\u0131m<\/em>\u201d at\u0131p \u201csevginin vecdini duymak<\/em>\u201d arzusu ta\u015f\u0131yanlara Cibran\u2019\u0131n yaz\u0131lar\u0131n\u0131n ila\u00e7 gibi gelece\u011finden ku\u015fkunuz olmas\u0131n. \u0130nsan okuduk\u00e7a okuman\u0131n hazz\u0131na var\u0131yor. Sanki s\u00f6zc\u00fck avc\u0131s\u0131, s\u00f6zc\u00fcklere derin anlamlar y\u00fckleyerek yaz\u0131yor; yan\u0131k ve i\u00e7ten bir sesleni\u015fi var. Dostoyevski gibi insan ruhunun derinliklerinde kopan f\u0131rt\u0131nalar\u0131 anlat\u0131yor. \u0130syan etmeden ama, bir ermi\u015f gibi tevekk\u00fclle ac\u0131 ve sevincin diyalekti\u011fini sunuyor. Hayat\u0131n karde\u015fleri a\u015fk, g\u00fczellik, sevgi, haz, sevin\u00e7, ayr\u0131l\u0131k, \u00f6zlem, yaln\u0131zl\u0131k, \u00f6zg\u00fcrl\u00fck, k\u00f6t\u00fcl\u00fck, tutsakl\u0131k, \u00f6l\u00fcm en \u00e7ok i\u015fledi\u011fi konular. \u015eiir ve yaz\u0131lar\u0131ndaki s\u00f6zc\u00fckler kafes kap\u0131s\u0131 a\u00e7\u0131ld\u0131\u011f\u0131nda birer ku\u015f misali kanat \u00e7\u0131rp\u0131p yerlerini al\u0131yor, ne bir eksik ne bir fazla. Harfleri sayfalara kendi \u00e7izimleriyle birlikte oya gibi i\u015fliyor. \u0130\u00e7ine kapan\u0131k biri olarak m\u00fcrekkeple de\u011fil, y\u00fcre\u011finin kan\u0131yla yaz\u0131yor, sanki her dizesi, her c\u00fcmlesi birer \u00f6zdeyi\u015f\/aforizma.<\/p>\n\n\n\n Halil Cibran\u2019\u0131n ya\u015fam\u0131 \u201cco\u011frafya kaderdir<\/em>\u201d deyi\u015fini do\u011frularcas\u0131na Ortado\u011fu co\u011frafyas\u0131nda ya\u015fayan insanlar\u0131n ya\u015famlar\u0131ndan \u00e7ok farkl\u0131 de\u011fil, ayn\u0131 kaderi payla\u015f\u0131yor. Yoksulluk, h\u0131rs\u0131zl\u0131k, sava\u015f, g\u00f6\u00e7, ac\u0131, g\u00f6zya\u015f\u0131, a\u015fk, ayr\u0131l\u0131k, mek\u00e2ns\u0131zl\u0131k, \u00f6l\u00fcm hayat\u0131n\u0131n birer par\u00e7as\u0131. Olumsuzluklara ra\u011fmen umudunu yitirmez; g\u00f6ky\u00fcz\u00fcne bak\u0131p g\u00fcne\u015fi y\u00fcre\u011fine doldurmaya \u00e7al\u0131\u015f\u0131r, z\u00e2hidce da\u011flara t\u0131rman\u0131r \u00e7i\u00e7eklerin kokusunu ci\u011ferlerine \u00e7eker, f\u0131rt\u0131nalar\u0131n sesini dinler denizin mavili\u011finde d\u00fc\u015flere dalar. Sakin, m\u00fctevaz\u0131 ve kalabal\u0131ktan ka\u00e7an ruh haliyle bir ermi\u015f gibi ya\u015fam\u0131 sorgular. \u201cCehaletimin sebebini bilseydim, \u00e2lim olurdum,<\/em>\u201d der ve ard\u0131ndan; \u201cbiliyorum ki ku\u015f t\u00fcy\u00fcnde uyuyanlar\u0131n d\u00fc\u015fleri toprak \u00fcst\u00fcnde uyuyanlardan daha g\u00fczel de\u011fil<\/em>\u201d diye ekler. Kendi i\u00e7 d\u00fcnyas\u0131nda a\u015fk\u0131n\u0131n ya\u011f\u0131nda kavrulurken terazinin hep do\u011fru tartmas\u0131n\u0131 ve adaleti d\u00fc\u015fler. Yarg\u0131s\u0131na g\u00f6re; \u201cKayna\u011f\u0131 adalet olan bir d\u00fcnya, kayna\u011f\u0131 merhamet olan bir d\u00fcnyadan daha b\u00fcy\u00fckt\u00fcr.<\/em>\u201d Ayr\u0131ca; \u201cR\u00fcyas\u0131nda ma\u011fduriyetiyle sava\u015fan, uyan\u0131kken kusurlu olana boyun e\u011fen<\/em>\u201dlere sitem eder. Ve: \u201c\u00c7i\u00e7ekler \u00f6zg\u00fcrl\u00fck ortam\u0131nda nefeslerinin kokusunu yayar<\/em>\u201d diyerek bir hat\u0131rlatmada bulunur.<\/p>\n\n\n\n Kitaplar\u0131nda yer alan yaz\u0131lar \u00e7ok etkileyici, hayat\u0131n \u00e7ilesinden s\u00fcz\u00fclen billurla\u015fm\u0131\u015f damlalar gibi berrak, anlaml\u0131 ve g\u00fczel. \u0130ranl\u0131 \u015fair F\u00fcru\u011f Ferruhzad\u2019\u0131n \u201cKu\u015f \u00f6l\u00fcr, sen u\u00e7u\u015fu hat\u0131rla<\/em>\u201d dizelerinde anlat\u0131lmak isteneni \u00e7ok \u00f6nceden yazarak tarihi bir yolculu\u011fa \u00e7\u0131kan yolcuya sesleni\u015fini \u00f6rnek verebilirim:<\/p>\n\n\n\n \u201cDostum, g\u00fcne\u015fe bak, topra\u011fa bak, suya bak, buluta bak; fakat arkana bakma. Kimin geldi\u011fi \u00f6nemli de\u011fil, kimin gelmedi\u011fi de. Unutma, yolcu de\u011fi\u015fir, yol de\u011fi\u015fir, ama menzil de\u011fi\u015fmez. Yolcuya bak\u0131p, yolunu tan\u0131ma. Yola bak, yolcuyu tan\u0131, yolcu hakk\u0131ndaki k\u0131ymet h\u00fckm\u00fcn\u00fc ona g\u00f6re ver<\/em>.\u201d<\/p>\n\n\n\n \u201cVahim olan, yolun yolcusuz olmas\u0131 de\u011fil; as\u0131l vahim olan yolcunun yolsuz olmas\u0131d\u0131r; yolsuz, hedefsiz, ama\u00e7s\u0131z, \u015fa\u015fk\u0131n, hercai, seyyal<\/em>.\u201d<\/p>\n\n\n\n \u201cYol boyunca; yola \u00e7\u0131k\u0131p da y\u00fcr\u00fcmeyenleri, yola oturup, gelen-ge\u00e7enin aya\u011f\u0131na \u00e7elme takanlar\u0131, yolda metafizik uyu\u015fturucularla keyif \u00e7atanlar\u0131, tel \u00f6rg\u00fclerle \u00e7evirdi\u011fi yolu kendisine zindan edip volta atanlar\u0131, maratona 100 metre ko\u015fucusu gibi h\u0131zl\u0131 gidip, 50. metrede yola yatanlar\u0131, y\u00fcr\u00fcy\u00fc\u015f\u00fcn uzun ve yolun zahmetli oldu\u011funu g\u00f6r\u00fcnce, yolculuk \u00fczerine zor atanlar\u0131, y\u00fcr\u00fcmeyi b\u0131rak\u0131p, yol-yolcu ve menzil \u00fczerine kalem oynatanlar\u0131, aya\u011f\u0131na batan tek bir dikenin faturas\u0131n\u0131 \u00e7\u0131kar\u0131p, \u00f6m\u00fcr boyu tafra satanlar\u0131, beyaz atl\u0131 kurtar\u0131c\u0131y\u0131 g\u00f6zlemek i\u00e7in ufka bak\u0131p bak\u0131p da\u011f\u0131tanlar\u0131, yanl\u0131\u015f k\u0131lavuzlara k\u0131z\u0131p yolu satanlar\u0131 g\u00f6receksin. Ald\u0131rma, y\u00fcr\u00fc. G\u00f6\u011fs\u00fcne y\u00fcre\u011finden ba\u015fka muska takma<\/em>.\u201d (Aforizmalar, Mavi\u00e7at\u0131 Yay\u0131nlar\u0131, 2017, s.199-201.<\/em>)<\/p>\n\n\n\n Halil Cibran i\u015fte b\u00f6yle sesleniyor.<\/p>\n\n\n\n Bu sese kulak vermeliyiz, \u00e7\u00fcnk\u00fc arzu hayat\u0131n, kay\u0131ts\u0131zl\u0131k \u00f6l\u00fcm\u00fcn belirtisidir.<\/p>\n\n\n\n 18 A\u011fustos 2021 tarihinde ve sonras\u0131nda:<\/em><\/p>\n\n\n\n https:\/\/www.gaphaberleri.com\/kose-yazisi\/841\/arzu-hayatin-kayitsizlik-olumun-belirtisidir.html G\u00fcnlerin ve g\u00fcndemin s\u0131k\u0131c\u0131l\u0131\u011f\u0131ndan m\u0131, yaz\u0131lar\u0131n mistik ve romantik havas\u0131ndan ya da edebi dozaj\u0131n\u0131n y\u00fcksek olu\u015fundan m\u0131d\u0131r nedir, hikmetini anlayamad\u0131\u011f\u0131m bir \u015fekilde Halil Cibran\u2019\u0131n kitaplar\u0131na sar\u0131lm\u0131\u015f durumday\u0131m. \u0130yi ki de okumaya ba\u015flam\u0131\u015f\u0131m. G\u00fcn\u00fcn bo\u011fucu siyasi atmosferinin d\u0131\u015f\u0131na \u00e7\u0131kmak isteyenlere, \u201csevginin harman yerine ad\u0131m\u201d at\u0131p \u201csevginin vecdini duymak\u201d arzusu ta\u015f\u0131yanlara Cibran\u2019\u0131n yaz\u0131lar\u0131n\u0131n ila\u00e7 gibi gelece\u011finden ku\u015fkunuz olmas\u0131n. \u0130nsan okuduk\u00e7a okuman\u0131n hazz\u0131na var\u0131yor. Sanki s\u00f6zc\u00fck avc\u0131s\u0131, s\u00f6zc\u00fcklere derin anlamlar y\u00fckleyerek yaz\u0131yor; yan\u0131k ve i\u00e7ten bir sesleni\u015fi var. Dostoyevski gibi insan ruhunun derinliklerinde kopan f\u0131rt\u0131nalar\u0131 anlat\u0131yor. \u0130syan etmeden ama, bir ermi\u015f gibi tevekk\u00fclle ac\u0131 ve sevincin diyalekti\u011fini sunuyor. Hayat\u0131n karde\u015fleri a\u015fk, g\u00fczellik, sevgi,<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1197,3403],"tags":[388,389,386,181,390,382,383,387,384,385],"class_list":["post-4033","post","type-post","status-publish","format-standard","hentry","category-kultur","category-plus","tag-arzu","tag-ask","tag-cibran","tag-edebiyat","tag-halil-cibran","tag-hayat","tag-ruh","tag-sevgi","tag-tevekkul","tag-yasama-sevinci"],"_links":{"self":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4033"}],"version-history":[{"count":2,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4033\/revisions"}],"predecessor-version":[{"id":7844,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=\/wp\/v2\/posts\/4033\/revisions\/7844"}],"wp:attachment":[{"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.uzulmez.site\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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